Doom of Spring Flourish
For a long time, the recurring theme in Luo Fahui’s oil paintings was women with flowers. It is a representative image in a new art style that emerged in China after the events of 1989, also known as “New Scars” painting. His work has also continuously displayed the various changes of the desires of the metropolis - in the materialism and spiritual emptiness of city life, the human desire is so real and yet so unreal. The physical sensation of mystery and temptation, anxiety and sadness all fill the creations of Luo Fahui. The impression is misty and winding, obsessive and lingering. Unlike the “Scar Art” that emerged in China in 1980, Luo Fahui does not directly read more
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