Education
2005
Doctor of Philosophy, Yale University
2002
Exchange Scholar, Harvard University
2001
Master of Arts, Yale University
1998
Bachelor of Arts, Mount Holyoke College

Solo Exhibitions
2009
Seemlessly, Bingyi at Erna Hecey, Gallery Erna Hecey, Brussels,
Belgium
SKIN:BINGYI, Contrasts Gallery, Shanghai, China
2008
I Have Four Rooms: One Room Aches, One Room Breaks, One
Room Meanders, One Room Hangs, Tang Contemporary, Hong Kong
Six Accounts of A Floating Life, Max Protetch Gallery, Project Room
Bingyi: Invisible Rivers Invisible Towns, Art Map, January –December
2007
Dawns Here Are Quiet II, Ethan Cohen Fine Arts, New York
Dawns Here Are Quiet I, Center for the Arts, Buffalo
Between Omnipresence and Reminiscence, Sanshang Gallery,Beijing, China

Group Exhibitions
2009
Yipai, the Opening of the New Wing, Today Art Museum,Beijing, China
Opening Exhibition, The White Rabbit Collection, Sydney,Australia
Dress Codes: Clothing as Metaphor, The Katonah Museum of Art
2008
Gwangiu Biennial, Gwangiu, Korea
Yi School, Thirty Years of Chinese Abstraction, Caixa Forum,
Barcelona, Madrid, Palma, Spain
State of City, Rochester Contemporary Art Center, New York
The New Chinese Paintings, The Deutsch Bank Gallery, NewYork
2007
New Shanshui, Chinese Contemporary Architecture Biennial II,Chongqing
Seduction and Confusion, Keumsan Gallery, Beijing, China, Seoul, Korea
August/September, TRA Gallery, Beijing, China

Selected Bibliography
Feng Tang, “A Note to Shitao, on Seamlessly Lost”. In Luan (Seamlessly Lost),
Projects by Bingyi, (Brussels, Erna Hecey Gallery), 2009
Ashleigh Wilson, “Dreams of Modern China, A New Private Museum Hosts An
Impressive Collection of Contemporary Chinese Art”. In The Australian, July
2009
Haun Saussy, “Rolling The River, on Bingyi’s Thousand Li of Mountains and
Rivers”. In Bingyi, 2008
Hu Jiujiu, “The Ants Colony, An International Experiment, on Bingyi’s Project
on Abandoned Houses in Buffalo New York”. In The New Weekly, May 2008
Wang Min’an, “Plants and Randomness”. In Bingyi, 2008
Jonathan Goodman, “Joanthan Goodman on Bingyi Huang at Max Protetch”.
In Art Critical, March 2008,
http://www.artcritical.com/goodman/JGBingyi.htm
Xu Bing, “Six Accounts of A Floating Life, on Bingyi’s Recent Paintings”. Max
Protetch Gallery, 2008
Hiroko Ikegami, “Emotions Are Beautiful: Bingyi’s “Unfashionable” Faith in
Painting”. In Yishu Magazine, Volume 6, No.2, Summer/June, 2007
Eric Shiner, “Dawns Here are Quiet, On Bingyi’s Recent Paintings”. Ethan
Cohen Fine Art, 2007
Gao Minglu, “Home: Bingyi’s Recent Paintings”. Hangzhou: National
Academy of Fine Arts, 2007
Albert Chao, “A Look at China’s Sacred Sites”. In Artvoice, April 11, 2007
Lorenzo Marselli, “Who Has Seen the Dragon? On Bingyi’s Paintings”. In
Naked Punch, summer edition, 2006

Published Catalogues
Luan, Seamlessly Lost: Bingyi’s Projects, (Brussels: Gallerie Erna Hecey, 2009)
Bingyi, (Beijing and Hongkong: Tang Contemporary Art Center, 2008)
Bingyi: Six Accounts of a Floating Life, (New York: Max Protetch Gallery, 2008)
Dawns Here are Quiet: Bingyi’s Recent Paintings, (New York: Ethan Cohen
Fine Arts, 2007)
Home: Bingyi’s Recent Paintings, (Hangzhou: National Academy of Fine Arts
Publishing House, 2007)
Lectures and Presentations
”Melancholy, the Modernist Threat: Bingyi’s Public Art Projects,”
Department of Art History and Museum of Fine Arts, Houston, Rice University,
2009
“On the Problems of Modernity: Bingyi’s Recent Projects,” The Other Shore:
Art and Politics in China series, Brown University, 2009
“Can We Have a Pompidou in Beijing?” The Global Civil Societies, coorganized
with the Gwangju Biennial, Central Academy of Fine Arts, Beijing,
2008
Louise R. Weiser Lecture, “Early Chinese Conceptualism: Crisis of the People,
the Art and the Act,” Mount Holyoke Collage, South Hadley, February 2008
“Abstraction in a New Cultural Context,” Symposium on Abstract Paintings,
Beijing, December 2006
“On the Cultural Strategy of a New Museum,” Sichuan Academy of Fine Arts, Sichuan, June 2006
“As the Shadow is Moving Along the Wall: On the Issue of ‘Ink Painting’ in
the Practice of Contemporary Chinese art,” Symposium “Re-invention of
Chinese Ink Painting,” Doland Museum of Art, Shanghai, 2006
“Between Poetics and Violence, on Recent Issues in Contemporary Chinese
Art”, Five College Teaching Seminar, 2006
“Estranged Paradise, on Displacement of Subjectivity and Self-reference,” in
the conference “The Roles and Representations of Walls in the Reshaping of
Chinese Modernity,” SUNY Buffalo, 2005
“Memorial or Violation? On Zheng Lianjie’s Big Explosion,” Asian American
Art Centre, New York, 2002
“Internationalism regionalized - Chinese Artists in New York, 1979-1990,”
Symposium at University of Washington, Seattle, 1999

Selected Publications
“As We Live with Art—On the Discourse of Yipai”. In Cultural Studies, September 2009
“Dust, The Ultimate Two-Dimensional Experiment of Lei Hong”. In Lei Hong,
2009
“Trans-Conceptualism: On Wang Luyan, Chinese Conceptualism and the New
Analyst Group”. In Vertical：Wang Luyan’s Art and Chinese Conceptualism,
2007
“Dialogue: on the Crisis of Beauty”. In Abstraction and Narrative, 2007
“Ruins of Gravity: On the Internal Logic of Zhu Jinshi and Tan Ping’s Abstract
Paintings”. I Paint Therefore I Am, Today Art Museum, 2006
“One Person’s Classics of Mountains and Ocean – on Qin Yufen’s Installation Art”. In Yishu Magazine, June 2006
“Walking on the Border – On He Yunchang’s Performances,” Arts Asia Pacific, spring edition 2006
“Screening Cinematic Space, Issues on Chinese Experimental Films from the
Last Decade”. In The Wall: Reshaping Contemporary Chinese Art, Albright-
Knox Art Gallery, 2005
“Rereading Mawangdui, from Chu to Han”, Dissertation, Yale University,
2005
Selected Awards and Honors
“Rereading Mawangdui, from Chu to Han” named one of ten most read
dissertations in 2006 by Proquest amongst 70,000 dissertations published globally
Mary E. Woolley Corner-stone Award, Mount Holyoke College, 1998