Contrast and context in Shanghai thrived in the 1930’s. As sound became more mobile, technology more advanced, full orchestras and bands could be heard in every home and office. But as if in quiet protest the mime also became a famous figure to everyone. The soundless movement, the silent walls, surroundings and invisible items were novel and still held their own peculiarity. Whether it was in mock of the new found technology or a protest of what is reality mimes grew to popularity. Their true proclivity lies in their ability to make the world around them come alive with complete and utter silence.