As the middle child of the talented Chen family, Chen Yu's cynical realism has met with acclaim since the inception of his particular style characterised by linear rows of duplicated human heads posing questions for self-analysis and self identity. Held within his repetitive framework is the amassed central identity of fashion and trend, forming a pseudo-Jungian archetype against a politically charged landscape. Emerging out of an "era where independent individuals and the liberalisation of thought are advocated,” Chen Yu questions the standards of identity and his monotonous replication of the "self" lends an ironical twist to the one faltering exception in each piece; a sly wink, or a vague variation in facial expression and tone.

“My paintings emphasise form, an echo of the cultural environment I live in, one that stresses conformity and acting “proper”. People are a recurring theme in my paintings. My concern for man is, in actual fact, a reflection of my concern for myself. My works amalgate my heart and my life. My paintings display my consciousness. My internal conflicts and my compassion have roused my fear for the imprisoned soul, and it is my intention for my paintings to carry such a dubious aura.” – Chen Yu