Born in Jiangxi province in 1974, he is presently both a practicing artist and professor of Chinese porcelain work at Fudan University, living and teaching in Songjiang Xincheng on the south-west outskirts of Shanghai. His design and manufacture of traditionally painted china, in shapes known to all as some of the most well known symbols of Western cultural influences in the world today, make a strong and obvious statement. However, the tedious and difficult process of production and the fine detailing on the painted glazes counter this blatancy. This contrast expresses a very Chinese attitude toward the traditional arts, the difficult and arduous study involved in this process, and modern China’s challenge in retaining its famed mastery of these arts against a persuasive tide of outside influences. The limited number of these works, due to the difficult process of production from which only one work will survive out of ten, creates art of rarity and value in a world filled with cheap mass production and easily consumed culture.

2005
The 2nd Beijing International Art Biennale
2005
“The New Ceramic Speech” Chinese Contemporary Young Ceramic Artist Invitation Exhibition, Guangzhou
2005
The Shanghai Youth
Great Fine Arts Exhibition, Shanghai
2005
The 3rd Annual World Ceramic Art Biennale
International competition exhibition, Korea
2005
The Gu Yue Ron San Cup “The Dragon Shaped World”, creative designs for the big match up for the 7th Session of the National University Student Design Competition, Shanghai
2004
First Session of International Ceramic Skill Journal Editor-in-Chief’s Forum, The New Sharp Ceramic Art Nominees Exhibition,
Fuping city, Shanxi province
2004
“The Deviation” Contemporary ceramic art work invitation exhibition
Jingdezhen, Jiangxi province.
2004
Chinese and Korean Ceramic Art Exchange Exhibition
Shanghai