This exhibition is focused on something that Chen Chien-jung’s creative work has been concerned with in recent years—portraying ideal architectural space. His paintings use an ambiguous spatial demonstrative grammar to form a space that seems false but is real. Unorthodox perspective rules, uncertain physical properties and strong linear energy compose a space with a cold tone tendency and, through the “establishing/dismantling,” “drawing/erasing” process and the marked products that result, display a repeated cycle that approaches construction, separation and restoration. The artist’s construction of these special visual spaces is not restricted by architectural established practices and only follows the artist’s own imagination. The viewer is also invited to use their imagination to enter, linger and feel different things.