Featuring a series of sculptural and other associated objects that on their own individually constitute a different mode of mourning, Requiem articulates an architecture of grief and exposes the ambiguity in mourning that always seems to surface. These objects, without which grief would seem otherwise impossible, each permit a particular address to the departed, and together give rise to a space that is part private mausoleum, part public memorial.

Situating the artist’s grief within a social history that is to come, Requiem also acknowledges and critically assesses the complex demands of grief and the consequent need to balance between honouring a legacy and creating a space for ambivalence and intense affect. It is thus a memorial for a lost father, a public monument accessible at certain hours on most days and an art installation all at once.

Concerned with the hollowing out of singular authority in favour of multiple perspectives and polyphony, Wee’s practice involves the transformation of singular histories and spaces into various visual and written materials, with a particular attention to conundrums, idealism and unexplored futures. This is his first solo project in recent years.