For his inaugural exhibition at the Gallery, Marco Breuer will show new work that gets to the core of his unique artistic practice. Zero Base is Breuer’s most complex endeavor yet. Through a layered physical engagement with photographic material, Breuer essentially dismantles the photograph, obliterating traditional notions of image and support by stripping these works down to their very base.

Although, at times, spare in appearance, these works are the result of heavily layered actions, including folding, burning, scratching, sanding and scraping the surface of photographic material. The photographs record their own reductive evolution through a dense accumulation of subtractive marks. Breuer works and re-works these pieces over the course of days, simultaneously destroying and creating an artwork in the process. At every step along the way the piece is subjected to a complete reevaluation. Each added layer of destruction constitutes an erasure as well as a reinscription. Like a palimpsest, the work points both forward and backward in time—a sum of erasures that bears traces from the past, yet creates space and site for new considerations.

The installation interweaves images that range from vertical half-sheet studies to heavily worked large tableaux, to images that refer to folding patterns for packaging. Breuer’s process of rebuilding through layered destruction raises issues that are equally aesthetic and philosophical.

The exhibition coincides with the publication of Marco Breuer: Col•or, a 160-page clothbound book featuring never-before-seen color studies produced over the past twelve years, with essays by Mary-Kay Lombino, Jeffrey DeShell, and Isabelle Dervaux.

Marco Breuer is one of the most innovative contemporary artists working in photography today. He is well known for his distinctive and irreverent approach to material and process from his early black-and-white photograms to his current work with color material. Throughout his twenty-five-year career, Breuer has approached his work as a systematic investigation of the conditions of the photographic medium and its relationship to related media. He has subjected photographic paper to shotguns, one-time flashbulbs, modified turntables, razor blades, and power sanders, among other tools.

-Yossi Milo Gallery

Image: © Marco Breuer
Courtesy of the artist and Yossi Milo Gallery