The Mori Art Museum presents “Metabolism, the City of the Future” from Saturday, 17 September, 2011 to Sunday, 15 January, 2012. Metabolism, which sprang up in the 1960s, remains the most widely known modern architecture movement to have emerged from Japan. As its biological name suggests, the Metabolism movement contends that buildings and cities should be designed in the same organic way that the material substance of a natural organism propagates—deftly adapting to its environment by changing its form in rapid succession. Representative plans include a floating island city that crosses across Tokyo Bay, and a city of tall buildings connected by corridors suspended in the sky.

The Metabolism movement was developed during the period of reconstruction in which war-torn Japan worked to move toward its period of rapid economic growth in the wake of World War II. The architects involved engaged in heated debates over the ideal city, and planned a great deal of experimental architecture and cities based on ideas of lifestyles and communities for a new era. Precisely as Japan is confronting great difficulties today, Metabolism is packed with valuable hints for architectural and urban development. This is the first exhibition in the world to provide such a comprehensive overview of the movement, and it offers the opportunity to reevaluate the architecture and cities of the future.

Main Features

■ Clarification of “Metabolism,” an architecture movement that emerged from Japan
This exhibition is the first in the world to give the full picture of the ideas and the movement of Metabolism, giving a comprehensive elucidation introducing the works of representative Japanese architects and designers, including Tange Kenzo, who greatly influenced the ideas of Metabolism, and others central to the movement such as Kurokawa Kisho, Kikutake Kiyonori, Maki Fumihiko, Isozaki Arata, Ekuan Kenji, and Awazu Kiyoshi.

■ reconstruction plans made by Metabolism architects a half century ago
Particularly now, some fifty years on, the exhibition introduces for reflection and reappraisal the reconstruction projects created through Metabolism, including Tange Kenzo’s Hiroshima Peace Center , famous as a postwar reconstruction masterpiece leading to the preservation of the Hiroshima Peace Memorial, Kurokawa Kisho’ s Agricultural City Plan , proposed as a disaster area reconstruction plan in the wake of Typhoon Vera, and the Master Plan for Reconstruction of Skopie City Center (Macedonia) earthquake disaster reconstruction plan based on Tange Kenzo’s plan and implemented abroad by Isozaki Arata and other architects.

■ Never-before-seen archive film footage, rare models and materials
Comprising 500 or more exhibits, consisting of architectural models and drawings, sketches, photos, and archival films, some 80 projects will be exhibited. Owned by architects and other related people rather than museums, many of these works are rare materials seldom viewed by the public and exhibited for the first time in Japan.

■ Featuring the actual pioneer capsule architecture
The architects of Metabolism collected residential functions in capsules, and in attaching and removing them, tried to design an architecture that meets the needs of the day by updating itself. One of the few architectural works that actually incorporates these ideas is the Nakagin Capsule Tower Building . These masterpiece capsule residences made the name Kurokawa Kisho known throughout the world, and one of them is refurbished and showcased by Mori Art Museum at Roppongi Hills.

■ The city of the future envisioned by the architects of Metabolism reproduced as cg images
Produced especially for this exhibition, CG images reproduce about six future city plans that could only be expressed in drawings and models in the 1960s, including A Plan for Tokyo 1960 by Tange Kenzo and others—which is known for its revolutionary ideas for the design of a new Tokyo on Tokyo Bay—will be exhibited.

■ art, design, and music from the same period as the City of the Future/Osaka Expo ‘70
Osaka Expo ’70 brought into focus the entire wisdom of the architects of Metabolism, and this wisdom has been handed down even to the present day. Along with introducing the Osaka Expo ’70 as the City of the Future from an urban/architectural perspective, the art, design, and music of the same period is showcased—beginning with Isozaki Arata, who produced the environment of the Festival Plaza, as well as Yamaguchi Katsuhiro, Ichiyanagi Toshi, Tomatsu Shomei, and Awazu Kiyoshi.

■ Announcing the Metabolism Lounge
The Metabolism Lounge is a place in the exhibition for contemplating different aspects of future urban design through exhibitions of the latest research data and urban projects including the latest emergency disaster relief capsules and environmental symbiosis, books on Metabolism, archive films of past lectures, and more.

Exhibition Outline

Metabolism which sprang up in the 1960s remains the most widely known modern architecture movement to have emerged from Japan. As its biological name suggests, the Metabolism movement contends that buildings and cities should be designed in the same organic way that life grows and changes by repeating metabolism.
At the World Design Conference of 1960, the Metabolism group – formed by architecture critic Kawazoe Noboru, architects Otaka Masato, Maki Fumihiko, Kikutake Kiyonori and Kurokawa Kisho, designers Awazu Kiyoshi, Ekuan Kenji, and others who had come under the influence of the architect Tange Kenzo – presented a manifesto entitled, “Metabolism 1960: Proposals for a New Urbanism.” The movement went on to involve numerous other architects such as Isozaki Arata and Otani Sachio throughout Japan’ s period of rapid economic growth, and ultimately came to define this key moment in the country’ s modern architectural history. Fifty years on, there is now increasing momentum for a reappraisal of the Metabolists’ grand visions of future cities, as an important pioneering example in assessing today’s cities.
This is the first exhibition in the world to provide such a comprehensive overview of the Metabolism. It highlights not only leading architectural and urban projects but also Japan’ s postwar reconstruction urban planning represented by Hiroshima Peace Center which led up to Metabolism, art and design from that period are also introduced, as well as Osaka Expo ’70 – which in many ways was the culmination of the movement – and later international projects. The exhibition also represents an important opportunity to collect and archive valuable architectural documents and records, as many others have been lost in recent years. The 500 or more exhibits from about 80 projects include never-before-seen models, sketches, and plans owned by architects and other related people, archive film footage rarely viewed by the public, and CG images of future cities produced for this exhibition.

Metabolism, The City of The Future

Section 1: Birth of Metabolism
Metabolism projects show the strong influence of Tange Kenzo, who always incorporated his visions of the city even in simple architecture. This section traces the changes in Japan’ s wartime and postwar urban design, focusing on Tange’ s Hiroshima projects as the beginning of postwar architectural and urban design, and on the visions of future cities given in the manifesto “Metabolism 1960: Proposals for a New Urbanism.”

Section 2: Era of Metabolism
Metabolism saw not just the incomplete conceptualization of future cities but also the realization of numerous experimental buildings. This section introduces wide range of activities from urban concepts to public buildings and housing, including: A Plan for Tokyo, 1960 by Tange Kenzo, Kurokawa Kisho, Isozaki Arata, and others, known for its revolutionary ideas for the design of a new Tokyo on Tokyo Bay; the Nakagin Capsule Tower Building by Kurokawa Kisho, which proposed a futuristic lifestyle of living in capsules that came to epitomize the Metabolism movement; and the South Pole Showa Base by Asada Takashi and others, the origin of prefab housing, and an attempt to industrialize architecture and develop selfbuilding.

Section 3: From Space to Environment
The Japan World Exposition held in 1970—commonly known as Osaka Expo ’ 70—was a turning point in Japan’ s transition to a consumer and information society. Prior to the Expo, interaction was stimulated among different fields of art, centered on the concept of “environment.” This section introduces Osaka Expo ’70—centering on the Great Roof Building and the Festival Plaza —from an urban and architectural perspective, featuring activities that transcended the media of the day, such as the prime example found in the works of Yamaguchi Katsuhiro,Ichiyanagi Toshi, Tomatsu Shomei, Awazu Kiyoshi and others, showcased at “From Space to Environment” in 1966. Expo ’70 brought into focus the entire wisdom of the Metabolism movement and is still thought of today as the epitome of futuristic cities.

Section 4: Global Metabolism
Tange Kenzo and architects under his influence extended their appeal overseas after Expo ’ 70. Although most of their plans remain uncompleted, there is considered to be a need to review and reappraise them as the precursors to the current rapid development of Asian cities. This section showcases large, city scale projects, such as Tange’ s Master Plan for Reconstruction of Skopje City Center following the earthquake in the Macedonian capital, and Maki Fumihiko’ s Republic Polytechnic Singaporean university campus plans.