Forms of Void presents new works from Saiful Razman. In this exhibition, Razman explores the different context of “void” through abstraction. A common definition of the term “void” is usually associated with the absence of everything or containing nothing. In Buddhism, this can be understood as Sunyata, which commonly refers to the absence of essential existence in the material world. Kū or sora is translated as “void” in Japanese philosophy, and is used to epitomize the peripheral experience beyond our everyday lives. It also represents the spirit, thought and creativity energy.

Using a colour palatte akin to the Fauvists, Razman composes his paintings like a musician. The paint representing the notes on a scoresheet, while the canvas is the song. The brushstrokes takes on the leading role in his paintings, and is layered thoroughly. In the absence of form, abstraction emerges from the void. One can almost feel the playfulness and freedom of Razman’s creativity, and his meticulous choice of lines, shapes and colours.

Razman currently lives and works in Kuala Lumpur. He studied at Universiti Technology MARA and obtained a bachelor in Fine Art in 2003. His works have been exhibited in local galleries and various exhibitions in Indonesia, Singapore and Australia.

Image: © Saiful Razman, Richard Koh Fine Art