about us
 
contact us
 
login
 
newsletter
 
facebook
 
 
home hongkong beijing shanghai taipei tokyo seoul singapore
more cities
search     
art in more cities   |   galleries   |   artists   |   artworks   |   events   |   art institutions   |   art services   |   art scene
Mary Boone Gallery
745 Fifth Avenue
New York, NY 10151
U.S.A   map * 
tel: +1 212 752 2929     fax: +1 212 752 3939
send email    website  
AI Wei Wei biography | artworks | events

1957
Born in Beijing, China

Education
Enrolled in Beijing Film Academy, 1978. Lived in NYC, NY, 1981-1993
Parsons School of Design, 1983
Returned to China, 1993
Founded China Art Archives and Warehouse, Beijing, China, 1994
Lives in Beijing, China

Solo Shows
1982    
Asian Foundation, San Francisco, California.
1988    
Old Shoes, Safe Sex, Art Waves Gallery, NYC, NY.
2003    
Galerie Urs Meile, Lucerne, Switzerland.
2004    
Kunsthalle Bern, Bern, Switzerland.
Caermersklooster-Provinciaal Centrum voor Kunst & Cultuur, Ghent, Belgium.
Robert Miller Gallery, NYC, NY.
2006    
Fragments, Galerie Urs Meile, Beijing, China.
2007    
Fragments, Art Unlimited, Art 38 Basel, Basel, Switzerland.
2008    
Illumination, Mary Boone Gallery, NYC, NY.
Gallery Hyundai, Seoul, South Korea.
‘Through’ and Video Work ‘Fairytale’, Sherman Contemporary Art Foundation, Sydney, Australia.
Ai Weiwei: Under Construction, Campbelltown Arts Centre, Sydney, Australia.
2009    
Ai Weiwei: According to What? Mori Art Muyseum, Tokyo, Japan.
So Sorry, Haus der Kunst, Munich, Germany.
World Map, Galleri Faurschou, Beijing, China.
2010    
Barely Something, Museum DKM/Galerie DKM, Duisburg, Germany.
Ai Weiwei: Dropping the Urn, Ceramic Works 5000 BCE–2010 CE, Arcadia University Art Gallery, Glenside, Pennsylvania.
Ai Weiwei: Dropping the Urn, Ceramic Works 5000 BCE–2010 CE. Museum of Contemporary Craft, Portland, Oregon.
The Unilever Series: Ai Weiwei, Turbine Hall, Tate Modern, London, England.
Galerie Urs Meile, Lucerne, Switzerland.
Galleri Faurschou, Copenhagen, Denmark.
2011    
Circle of Animals/Zodiac Heads, Pulitzer Fountain at Grand Army Plaza, NYC, NY.
Circle of Animals/Zodiac Heads, Somerset House, London, England.
Lisson Gallery, London, England.
Ai Weiwei – Sunflower Seeds, Kunsthalle Marcel Duchamp, Cully, Switzerland.
Ai Weiwei: Interlacing, Fotomuseum Winterthur, Winterthur, Switzerland.
Ai Weiwei: Art/Architecture, Kunsthaus Bregenz, Bregenz, Austria.
Ai Weiwei: Interlacing, Kunsthaus Graz, Graz, Austria.
Circle of Animals/Zodiac Heads, Los Angeles County Museum of Art, Los Angeles, California.
2012
Mary Boone Gallery, NYC, NY.
Circle of Animals/Zodiac Heads, Hermann Park, Houston, Texas.
Ai Weiwei: Interlacing, Jeu de Paume, Paris, France.

Group Shows
1979    
The Stars First Exhibition, Beijing, China.
1980    
The Stars Second Exhibition, National Gallery, Beijing, China.
1986    
China’s New Expression, Municipal Gallery, NYC, NY.
Chinese Avant-Garde Art, Vassar College Gallery, Poughkeepsie, New York.
1987    
The Star of Harvard, Fairbank Center, Harvard University, Cambridge, Massachusetts.
1989    
The Star: Ten Years, Hanart Gallery, Hong Kong, Taipai, Taiwan, and Paris, France.
1994    
Contemporary Chinese Art, Göteborgs Konstmuseum, Göteborg, Sweden.
1996    
Peter Ludwig Collection, Koln, Germany.
1999    
Innovations Part I, China Art Archives and Warehouse, Beijing, China.
d’Apertutto, La Biennale di Venezia, Venice, Italy.
2000    
Fuck Off, Xi Suzhouhe 1133, Shanghai, China.
2001    
Take Part I, Galerie Urs Meile, Lucerne, Switzerland.
Take Part II, Galerie Urs Meile, Lucerne, Switzerland.
2002    
China – Tradition und Moderne, Ludwig Galerie Schloss Oberhausen, Oberhausen, Germany.
2003    
New Zone: Chinese Art, Zacheta National Gallery of Art, Warsaw, Poland.
2004    
Between Past and Future: New Photography and Video from China, International Center of Photography, NYC, NY.
Regeneration: Contemporary Chinese Art from China and the US, Williams College Museum of Art, Williamstown, Massachusetts.
Persona 3, China Art Archives and Warehouse, Beijing, China.
Silknet, Galerie Urs Meile, Lucerne, Switzerland.
2005    
Herzog & de Meuron, Tate Modern, London, England.
Between Past and Future: New Photography and Video from China, International Center of Photography and Asia Society, NYC, NY.
Guangzhou Triennale, Guangdong Museum of Art, Guangzhou, China.
2006    
15th Biennale of Sydney, Sydney, Australia.
China Now: Faszination einer Weltveränderung, Sammlung Essl, Klosterneuburg/Vienna, Austria.
That is not for you – Diskurse der Skulptur, Thyssen-Bornemisza Art Contemporary, Vienna, Austria.
Art in Motion, Shanghai Museum of Contemporary Art, Shanghai, China.
2007    
Metamorphosis: The Generation of Transformation in Chinese Contemporary Art, Tampere Art Museum, Tampere, Finland.
China Welcomes You… Desires, Struggles, New Identities, Kunsthaus Graz, Graz, Austria.
We are the Future, 2nd Moscow Biennale of Contemporary Art, Former Lenin Museum, Moscow, Russia.
The Real Thing: Contemporary Art from China, Tate Liverpool, Liverpool, England.
Documenta 12, Museum Fridericianum, Kassel, Germany.
2008    
Reconstruction #3: The Artists’ Playground, Sudeley Castle, Winchcombe, Gloucestershire, England.
Mahjong: Contemporary Chinese Art from the Sigg Collection, Berkeley Art Museum, Berkeley, California.
2009    
A Tribute to Ron Warren, Mary Boone Gallery, NYC, NY.
Pete and Repeat: Works from the Zabludowicz Collection, Project Space 176, London, England.
Beg Borrow and Steal. Rubell Family Collection, Miami, Florida.
2010    
Contemplating the Void, Solomon R. Guggenheim Museum, NYC, NY.
Rem(a)inders, Galleria Continua, Beijing, China.
2011    
Staging Action: Performance in Photography Since 1960, The Museum of Modern Art, NYC, NY.
I Promise to Love You: Caldic Collection, Kunsthal Rotterdam, Rotterdam, The Netherlands.
The Last Freedom – From the Pioneers of Land-Art of the 1960s to Nature in Cyberspace, Ludwig Museum, Koblenz, Germany.
Shanshui: Poetry Without Sound? Landscape in Chinese Contemporary Art, Kunstmuseum Luzern, Lucerne, Switzerland.
MMK 1991-2011, 20 Jahre Gegenwart, Museum für Moderne Kunst, Frankfurt am Main, Germany.

Bibliography
Colonnello, Nataline, Beyond the Checkmate, ART ASIA PACIFIC, Spring 2004, pp. 52-58.
Jun, Jun, No Frontiers – The Artwork of Ai Weiwei, ARTCO, May 2006, pp. 220-221.
Cripps, Charlotte, Explosive energy from the East, THE INDEPENDENT (London), 19 March 2007.
Tinari, Philip, A Kind of True Living, ARTFORUM, Summer 2007, pp. 452-459.
Cotter, Holland, Asking Serious Questions In a Very Quiet Voice, THE NEW YORK TIMES, 22 June 2007, pp. E29-E30.
Coggins, David, Ai Weiwei’s Humane Conceptualism, ART IN AMERICA, September 2007, pp. 118-125.
Ai, Weiwei, Production Notes: Ai Weiwei, ARTFORUM, October 2007, p. 324.
Pollack, Barbara, Art’s New Superpower, VANITY FAIR, December 2007, pp. 318-330.
Pasternack, Alex, Reluctant Return for a Beijing Provocateur, THE NEW YORK SUN, 7 March 2008, p. 18.
Meyer, James, et al, Art and Its Markets: A Roundtable Discussion, ARTFORUM, April 2008, pp. 292-303.
Staff, Galleries – Chelsea: Ai Weiwei, THE NEW YORKER, 7 April 2008, p. 12.
Baker, R.C., Best in Show/Ai Weiwei: ‘Illumination’, THE VILLAGE VOICE, 9 April 2008, p. 56.
Pollack, Barbara, Ai Weiwei, ‘Illumination’, TIME OUT NEW YORK, 10 April 2008, p. 75.
Jasper, Adam, Critical Mass: Ai Weiwei, ART REVIEW, May 2008, Cover, pp. 52-63.
Vine, Richard, and Ai Weiwei, The Way We Were, The Way We Are, ART IN AMERICA, June 2008, pp. 99-102.
Boucher, Brian, Ai Weiwei at Mary Boone, ART IN AMERICA, June 2008, p. 187.
Staff, Mary Boone Gallery: Ai Weiwei, ART EXIT (Beijing), June 2008, p. 119.
Kelley, Jeff, Look Back, ARTFORUM, September 2008, pp. 107-108.
Edwards, Meghan, What Was Up in 2008, INTERIOR DESIGN, December 2008, pp. 196-243.
Kóvskaya, Maya, Ai Weiwei: New York Photographs 1983-1993, ART REVIEW, March 2009, p. 149.
Barboza, David, Artist Defies Web Censors In a Rebuke Of China, THE NEW YORK TIMES, 20 March 2009, pp. A6-A10.
Chinnery, Colin, Previews: Tokyo/Ai Weiwei, ARTFORUM, May 2009, p. 174.
Gill, Chris, Ai Weiwei Assaulted, THE ART NEWSPAPER, September 2009, p. 9.
Frazier, David, Ai Weiwei’s Year of Living Dangerously, ART IN AMERICA, October 2009, p. 28.
Staff, The Power 100: (43) Ai Weiwei, ART REVIEW, November 2009, p. 102.
Wines, Michael, China’s Impolitic Artist, Still Waiting to Be Silenced, THE NEW YORK TIMES, 28 November 2009, p. A6.
Gill, Chris, Artist, activist and social campaigner – meet the man brutally assaulted by Chinese police, THE ART NEWSPAPER, January 2010, p. 37.
Kelley, Jeff, Ai Weiwei/Haus der Kunst, Munich, ARTFORUM, March 2010, pp. 236-239.
Osnos, Evan, Profiles: It’s Not Beautiful, THE NEW YORKER, 24 May 2010, pp. 54-63.
Smith, Roberta, At Tate Modern, Seeds of Discontent by the Ton, THE NEW YORK TIMES, 19 October 2010, pp. C1-C2.
Itzkoff, Dave, Artist to ‘Celebrate’ Studio’s Demolition, THE NEW YORK TIMES, 4 November 2010, p. C2.
Wines, Michael, Chinese Police Confine Artist and Activist to His Beijing Home, THE NEW YORK TIMES, 6 November 2010, p. A4.
Wong, Edward, Chinese Authorities Raze an Artist’s Studio, THE NEW YORK TIMES, 13 January 2011, p. A6.
Gluckman, Ron, The Art of Social Advocacy, THE WALL STREET JOURNAL, 25 January 2011, p. D7.
Pogrebin, Robin, Detained Chinese Artist’s New York Project Will Go On, THE NEW YORK TIMES, 5 April 2011, p. C3.
Cotter, Holland, An Artist Takes Role Of China’s Conscience, THE NEW YORK TIMES, 6 April 2011, pp. C1, C7.
Singer, Mark, Public Works: Gone Missing, THE NEW YORKER, 18 April 2011, pp. 47-48.
Gopnik, Blake, Omnivore, NEWSWEEK, 18 April 2011, pp. 50-52.
Ramzy, Austin, The Activist Artist of China, TIME MAGAZINE, 25 April 2011, pp. 34-36.
Pollack, Barbara, Crossing the Line in China, ART NEWS, May 2011, pp. 86-91.
Huntsman, Jon, The Time 100: Ai Weiwei/The Conscience of China, TIME MAGAZINE, 2 May 2011, p. 75.
Smith, Roberta, 12 Heads Do the Talking for a Silenced Artist, THE NEW YORK TIMES, 5 May 2011, pp. C1, C5.
Kilgannon, Corey, Before Fame, Cheap Tourist Portraits, THE NEW YORK TIMES, 14 May 2011, p. A20.
Wong, Edward, China Frees Artist Held For Months, THE NEW YORK TIMES, 23 June 2011, pp. A4, A7.
Jacobs, Andrew, Now Free, a Chinese Dissident Muzzles Himself, THE NEW YORK TIMES, 24 June 2011, p. A6.
Aletti, Vince, Critic’s Notebook: Ai’s Eye, THE NEW YORKER, 25 July2011, p. 10.

 

© 2007 - 2024 artinasia.com