Heidi Yardley's drawings unhinge the logic of the collage. Ordinarily, a collage does not disguise the ruptured contours of its overlaid fragments. Here, however, the rupture has been smoothed over and sheathed in a layer of dense matte charcoal. The cut and the suture have been sacrificed to another gesture yet the residual trace of these actions remains embedded in the charcoal. An inert inscription; a burnt offering.
- Text by Isobel Parker Philip (Curator, writer and photographer)

*image (left)
courtesy of Chalk Horse