about us
 
contact us
 
login
 
newsletter
 
facebook
 
 
home hongkong beijing shanghai taipei tokyo seoul singapore
more cities
search     
art in more cities   |   galleries   |   artists   |   artworks   |   events   |   art institutions   |   art services   |   art scene
City Gallery Wellington
Civic Square,
101 Wakefield Street, PO Box 2199,
New Zealand   map * 
tel: +64 4 801 3021     
send email    website  

Enlarge
What Lies Beneath
by City Gallery Wellington
Location: City Gallery Wellington
Artist(s): Gabby O'CONNOR
Date: 2 Jul - 31 Jul 2011

Gabby O’Connor has created a room-scale iceberg form, which emerges from the light-well in the Hirschfeld gallery ceiling. Entirely constructed from tissue paper, which the artist has dyed blue and stiffened with shellac, the semi-opaque sculpture captures the natural light which enters the room overhead and transforms the gallery beneath into a blue-saturated space. What Lies Beneath asks what happens when we physically bring the landscape inside, how it is civilised and tamed, domesticated, and what remains unknowable and deeply intimidating.

Room-sized, the iceberg works in dialogue with the architecture of the gallery. Literally wedged in the ceiling and bisecting the gallery, it stages an encounter between an imagined landscape, a handmade form, light, and the built environment. Light is integral to the physical experience of the work. The raw daylight coming into the gallery will be augmented with artificial fluorescent lighting, so that the viewer enters an environment richly suffused with blue, and is ‘submerged.’

At a time when we are becoming increasingly aware of global warming and climate change, and what it means for humans, the melting of ice occupies a sensitive place in the collective consciousness. One of the projected impacts of climate change is a rise in average sea level, due in part to the melting of land-based ice. The gallery installation projects this possibility onto a physical space, where we are imagined underwater.

Hand-making the work, O’Connor appropriates a wide range of skills from other aspects of her process-based practice, which includes jewellery making, work with textiles, set design, and many collaborative projects. She approaches the construction of this vast structure as she might the making of a small diorama, origami or even a garment. Directly engaged in the making, she was aware of being part of the work in terms of an investment of energy and time spent, which was for her also a kind of meditation. Her low-fi process offers a subtle rejoinder to images of intrepid male-dominated arctic exploration; this is a DIY expedition for everybody.

Digg Delicious Facebook Share to friend
 

© 2007 - 2024 artinasia.com