Lois Conner is a landscape photographer who has spent much of the last quarter of a century working in Asia, particularly China and Vietnam. She was born in 1951 in New York and received an MFA in photography from Yale University in 1981. In 1982 she began to work in an elongated format, using a panoramic or ‘banquet’ camera (first used at the turn of the 19th/20th century for group portraits), inspired in part by Ming dynasty paintings she had studied while in graduate school. In 1984, with a Guggenheim Fellowship, she spent nine months in China and since then has returned to work there annually, most often for months at a time. Since the 1990s, Conner has drawn her inspiration from the gradual yet profound changes in the physicality of the cities and countryside which have occurred since the adoption of a market economy.The panoramic form allows her to extend the sweep of narrative in her images and to embrace more than one moment concurrently. She uses photography to reinvent a sense of the world through landscape, of landscape as culture. Conner began taking photographs in Tibet in 1986, while her Lotus project was started in 1995 – both are ongoing. Together they conjure up a world that is fragile and fluid, dynamic and profound; a world that has seen irrevocable change yet remains infused with tradition.