lives and works in New York City
Education
1995
University of California Berkeley, MFA
1989
University of California Berkeley, BFA
Solo Exhibitions
2009
“Wear and Worn”, LIMN Gallery, San Francisco, CA
2008
"Wear", Charles Cowles, New York, NY
2007
“Materials ", Byron Cohen, Kansas City, May through July
2006
"Waistline", The University of Alabama Sarah Moody Gallery, October-December
"Waistline", Charles Cowles, New York, NY
2005
"Waistline", Catherine Clark Gallery, San Francisco, CA
"Yardage", Davidson Galleries, Seattle WA.
"Yardage", Perimeter Editions, London, England
2002
“Cream,” Frumkin/Duval Gallery
2004
"Yardage," Avram Gallery, Southampton College, Long Island Univ.,
Southampton, NY
“Cool White,” Caren Golden Fine Art, NYC
2003
”Black Cherry,” Catherine Clark Gallery, San Francisco, CA
“New Work,” Orari Galleria, Milan, Italy
“Remnants,” Caren Golden Fine Art, NYC
2001
The Cultural Arts Center, Vienna, Austria
“Slumber,” Catharine Clark Gallery, San Francisco, CA
2000
“Remnants,” Sherry Frumkin Gallery, Santa Monica, CA
1998
“New Work,” Sherry Frumkin Gallery, Santa Monica, CA
“New Work,” Olga Dollar Gallery, San Francisco, CA
“Consumption: Beauty and Identity,” Sherry Frumkin Gallery, Santa Monica, CA
“Introductions,” Olga Dollar Gallery, San Francisco, CA
1995
“The Book, the Photograph, the Apple,” Okeanos Gallery, Berkeley, CA
1994
“Food For Thought,” Novy Horizon Galerie, Prague, Czechoslovakia
Selected Group Exhibition
2008
“Seams”, Noyes Museum of Art, Oceanville, NJ, May
“Things Remain”, Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, May
“Pattern redefined”, Walter Maciel Gallery, Los Angeles, CA, June
“Imaginative Qualities of Actual Things: 3-logy Triennial 2008, Price Tower Arts Center, Bartlesville, OK, August
2007
"Reminiscence", Grounds for Sculpture, Trenton, NJ. May- September
2006
"Undercover", The Aldrich Contemporary Art Museum, CT, November.
"A Changing Fabric", Salina Art Center, Kansas SEPTEMBER 30, 2006-JANUARY 7, Hildur Bjarnadóttir, Nick Cave, Jessica Rankin, Jil Weinstock"
Arco Madrid", Charles Cowles, NYC and Spain
2005
"Beyond Plastics", LIMN Gallery, San Francisco, CA
"A Summer Group", Charles Cowles, New York, NY
"Surfaced", Byron Cohen Gallery, Kansas City, MI
“Bottle: Contemporary Art and Vernacular Tradition”, The Aldrich Contemporary Art Museum, Ridgefield, CT
2004
"Crits' Pix", Black & White Gallery, Brooklyn, NY
"Strata", Davidson Galleries, Seattle, WA
2003
“Window Project” New Langton Arts, San Francisco, CA
"Art and Auction", San Jose Institute of Contemporary Art, San Jose, CA
2002
“Post-Systemic," Hunterdon Museum of Art, Clinton, NJ
2001
“Picture Prone,” Avram Gallery, Southampton College, Long Island Univ.,
Southampton, NY
FFWD: Miami, The Hotel Nash, Miami, FL
“The Cat’s Away,” Sara Meltzer Gallery, NYC
"Installation", Berlin Cultural Arts Center, Germany
“10th Anniversary Exhibition,” Catharine Clark Gallery, San Francisco, CA
2000
SFMOMA, San Francisco, CA (three person exhibition)
“New Attitudes,” The Frankfurt Expo
“Pink,” Catharine Clark Gallery, San Francisco, CA
"Dusk", I-20 Gallery, New York, NY
1999
“Installation,” International Art Fair, San Francisco, CA
“Spinal Epidural, Please,” Catharine Clark Gallery, San Francisco, CA
1998
"Installation", Headlands Center for the Arts, Sausalito
“Open Container,” Refusalon, San Francisco, CA
1997
“Sweet’ n Low,” Sherry Frumkin Gallery, San Francisco, CA
“Intuition,” Olga Dollar Gallery, San Francisco, CA
1996 “Simple Pleasures,” Sherry Frumkin Gallery, Santa Monica, CA
“Food and the Eating Environment,” University Art Gallery, Hayward
“Introduction 1996,” San Francisco Arts’ Dealers Association
1995
“Sculptures and Photographs,” Sunrise Gallery, San Francisco, CA
“Bay Area Women Artists,” Falkirk Cultural Center, San Rafael, CA
“What’s In a Word,” Gallery Concord, Concord, CA
“Exposures 1995,” Pro Arts, Oakland, CA
“Photropolis,” San Diego Art Institute, San Diego, CA
ce,” Richmond Art Center, Richmond, CA
2007
“Women,” Artspace, New York, NY
“Identity,” Pledge Gallery, Tempe, AZ
1992
The Armory Center for the Arts, Pasadena, CA
Museum of Photography, University of California, Riverside
Bibliography
“Art Collecting for the Novice,” San Francisco Examiner, July 10, 1996
“Continuing and Recommended,” Art Scene, July/August 200
“Introduction 1996,” East Bay Monthly, July 1996
“Bay City Best,” San Francisco Examiner - Magazine, February 13, 2000
“Critic’s Choice” San Francisco Bay Guardian, February, 2000
Baker, Kenneth. “Art in the San Francisco Galleries,” San Francisco Chronicle,
July 23, 1996
Baker, Kenneth. “Reviews,” San Francisco Tribune, 2003
Bewick, Carly, "Triptich", New York Magazine, February 28, 2005
Bing, Alison. “Black Cherry-Mixed Media,” San Francisco Chronicle, 2003
Bing, Alison, "Jil Weinstock: Waistline", SF Gate, February 2006
Bloor, Janet, "Rubber: Fun, Fashion, Fetish",Thames & Hudson, Sept. 2004
Brimmer, Henry. “Food for Thought,” Photo Metro, March 1993 (illus.)
Burnstein, Fred A. "Creative Reuse,” Metropolitan Home, December 1998 (illus.)
Cash, Stephanie, "Report from San Francisco II New and Now", Art in America, January 2006
Chattopadhyay, Collette. “Jil Weinstock at Sherry Frumkin Gallery,” World
Sculpture News,Summer Issue, 1999 (illus.)
Coleman, Sarah. “Pink,” San Francisco Bay Guardian, Feb. 9-15, 2000
Fowler, Carol. “Artists Weave Words Into Works,” Contra Costa Times,
May 12, 1995 (illus.)
Frank, Peter. “Critic’s Picks,” Los Angeles Weekly, June 2000
Golonu, Berin. “Jil Weinstock and Susan Dory,” Artweek, June, 2001, p. 6 (illus.)
Glueck, Grace, "Waistline", New York Times, March 17, 2006
Helfand, Glenn. “Watch it Jiggle: Jil Weinstock at Olga Dollar Gallery,
”San Francisco Bay Guardian, April 1998 (illus.)
Harrison, Helen A. “The Aesthetic Bounty of Night and Day,” The New York Times, August 19, 2001, p. 11
Harrison, Helen A. "Yardage", New York Times, September 12, 2004
Hemmings, Jessica, "Jil Weinstock: Revealed in Rubber", Fiberarts Magazine, Jan/Feb 2006
Hom, Lisa. “Modern Art,”San Francisco Weekly, 2003
Hunt, David. “Jil Weinstock,” Sculpture Magazine, December 1998 (illus.)
Jana, Reena. Jil Weinstock, essay for monograph on artist’s work (illus.)
Jenkins, Steven. “Previews - Jil Weinstock,” Artweek, March 1998 (illus.)
Johnson, Ken. "Art Reviews", The New York Times, September 26, 2003
Kangas, Matthew. "Visual Arts Review", The Seattle Times, January 12, 2004
Koppman, Debra, "Previews", Artweek, February 2005
Richard Kelin, Bottle: Contemporary Art and Vernacular Tradition”, Aldrich Contemporary Art Museum, catalogue, September 2004
Landi, Ann, “Jil Weinstock, Review”, ARTnews, April 2008
Long, Robert. “Works of Containment and Color,” East Hampton Star,
July 19, 2001
Mendelsohn, Meredith, 'Critic's Pix', ARTnews, January 2005
Morris, Barbara, "Beyond Plastics", Artweek, September 2005
Myers, Holly. “Art Reviews,” The Los Angeles Times, July 19, 2002, p. F32 (Illus.)
Richman, Elise. "Art Review", Seattle Weekly, December 23, 2003
Shears, Jenny. “Surveillance - Jil Weinstock,” Surface Magazine, Winter, 1999
(illus.)
Weiss, Marion Wolberg. “Art Commentary,” Dan’s Paper’s, August 10, 2001, p.85
Worth, Alexi. “Jil Weinstock/Richard Klein,” The New Yorker, February 2, 2002, p. 13
Worth, Alexi. “Jil Weinstock/Gerhard Mayer,” The New Yorker, September 22, 2003,
Valdez, Sarah. “Jil Weinstock, Remnants,” Time Out, New York, Feb. 7-14, 2002
p. 50 (illus.)
Yektal, Darius. “Picture Prone” Southampton Press, August 2, 2001
Art Related Teaching Experience
2006
Visiting Artist / Lecturer, Salina Art Center, Kansas
Visiting Artist / Lecturer, University of Alabama, November
Visiting Artist / Lecturer, SVA Summer Residency in Painting and Drawing
2002-present
School of Visual Arts, Lecturer
2001-02
Parsons School of Design, Lecturer
2000-02
Visual Knowledge Program, New Museum of Contemporary Art
2000-01
Whitney Museum of American Art, Youth Insights Program
1998-99
University of California, Berkeley, Lecturer
1994-98
Artist-in-the-Schools Program, Bay Area, CA
Grants, Residencies and Catalog
2005
McGrath Grant
Bottle: Contemporary Art and Vernacular Tradition”, Aldrich Contemporary Art Museum, catalogue
2003
Rubber! Fun, Fashion, Fetish, book by Janet Bloor, published by Thames & Hudson, work reproduced
2002
Women’s Visual Studies League Grant (catalog production)
1998
SECA Arts, San Francisco Museum of Modern Art, (nomination)
1997
Polaroid Corporation
1995
Artist-In-Residence, Oakland Museum, Oakland, CA
1994
Artist-In-Residence, Richmond Art Center, Richmond, CA
