Lee, Jae Myung expresses the first moment when he encountered the city of unforgettable frigid expressions during his childhood memories. The massive city is built for human, however had excluded the human and exists such as it revealed its splendor. Along the way, the artist discovers the innovative possibilities of the shabby and unfamiliar city that is not recognized by human. Therefore an unexpected scene, moreover the place and improbable characters that appear in his artworks dreams to liberate from the constant stream of conventional relations of the tedious and passive city.

Han, Kyung Woo by observing in various ways of the surroundings that embrace the atmosphere and the core of architectural structure reveals the concealed sublime or the opposite fiction in regulated objects of daily life. For this exhibition, the installed artworks have been divided in various ways, as if playing with sculpture games which presuming a new possibility of the existing space by introducing through ‘drawings’. 

Yi Bum Yong remarks about every indescribable formations, which is traveling or a mysterious and spiritual experience that could be a kind of communion with insects. Beyond the impenetrable experience with nature he shifts his imagery on paper through his final remembrance of forms. Not only the shapes of the image, but also the overall experience and worries are recombined and listed through colors and diagram.

Cho, Hae Jin depicts the stories of body on canvas through an indicative narration. The erotic scenes and the dissected organ are physical words that we might have been experienced with but also considered as a vulgar subject that we would avoid. Without adjustments the artworks indicate the overall, in glance could be seen exoteric of the hidden and oppressed contemporaries’ body that reveals the subject beyond the hidden desire.

The artist, Yoon Hyun observes the abyss that does not reach the light. Like an abyss, people sometime loose the reason why they live and become a part of darkness. The artist’s perception evokes the verse of Nietzsche ‘beyond the good and evil’. The person who fights with a monster should be aware not to become as a monster. While you see the abyss for a long time, the abyss also looks into you.’

Choi Bae Hyuk artworks include the delightful forms of fairy tale scenes. Meanwhile the fairytales transform into mysterious and cheerful scenes. The artist paradoxically implies the forfeitable forms of us through the setup of fairytales. The lonely father (featured with a man and goose face) and the spiky hedgehog parents’ children reflect distinctly in behind of laughter as well as sorrow exists.