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JAMES CASEBERE biography | artworks | events

1953
Born in Lansing, MI.
Lives and works in New York City, NY.


EDUCATION
1979
M.F.A., California Institute of Arts, CA.
1977
Whitney Independent Study Program, New York, NY.
1976
B.F.A., Minneapolis College of Art and Design, MN.
197-73
Michigan State University, MI.


AWARDS
1999
Shortlisted for the Citibank Private Bank Photography Prize.
1995
John Simon Guggenheim Memorial Foundation Grant.
1994
New York Foundation for the Arts Fellowship.
1990
National Endowment for the Arts, Visual Arts Fellowship.
1989
New York Foundation for the Arts Fellowship.
1986
National Endowment for the Arts, Visual Arts Fellowship.
1985
New York Foundation for the Arts Fellowship.
1982
National Endowment for the Arts, Visual Arts Fellowship.
1982
New York State Council on the Arts: Visual Artists Sponsored Project Grant.


SELECTED SOLO EXHIBITIONS
2008
James Casebere, Gallery IHN, Seoul, Korea.
James Casebere, Andrew Jensen Gallery, Auckland, New Zealand.
James Casebere, Daniel Templon Gallery, Paris, France.
James Casebere, Galleria Marabini, Bologna, Italy
2007
James Casebere; The Levant, Galeria Marabini, Bologna, Italy
James Casebere: The Levant, Sean Kelly Gallery, New York, NY
2005
James Casebere, Daniel Templon Gallery, Paris, France.
James Casebere, Galeria Helga de Alvear, Madrid, Spain.
2004
James Casebere, New Works, Mark Selwyn Fine Art, New York, NY.
2003 James Casebere: mutable, Sean Kelly Gallery, New York, NY.
James Casebere, Lisson Gallery, London, England.
2002-03
James Casebere, SECCA, Winston Salem, NC. Traveled to Cleveland Center for
Contemporary Art, Cleveland, OH; Musee d’Art Contemporain, Montreal, Quebec;
Indianapolis Museum of Art, Indianapolis, IN.
2002
James Casebere, Bernier Eliades Gallery, Athens, Greece.
James Casebere, Grant Selwyn Gallery, Los Angeles, CA.
Picture Show ? James Casebere, MOCA ? Museum of Contemporary Art Cleveland,
Cleveland, OH.
2001
James Casebere, Sean Kelly Gallery, New York, NY* (with monograph copublished by
Charta and Sean Kelly Gallery, NY).
The Architectural Unconscious: James Casebere and Glen Seator, Institute of
Contemporary Arts, Philadelphia, PA.
Gallerie Tanit, Munich, Germany.
2000
Lisson Gallery, London, England.
The Architectural Unconscious: James Casebere and Glen Seator, Addison Gallery of
American Art, Phillips Academy, Andover MA.*
James Casebere, Grant Selwyn, Beverly Hills, CA.
Prison/Dormitory/Dayroom: a collaborative project with students of S.M.U. at the Mac,
Museum of Contemporary Art, Dallas, TX.
1999
Asylum, Museum of Modern Art, Oxford, England. Traveled to Centro Galego de Arte,
Contemporanea, Santiago de Compostela and Centre for Visual Arts,
Norwich, England.
James Casebere: New Photographs, Windows Gallery, Brussels, Belgium.
James Casebere: Self Constructed Realities: 1975?1990, Sean Kelly Gallery, New York, NY.
1998
James Casebere: New Works, Hosfelt Gallery, San Francisco, CA.
Galerie Tanit, Munich, Germany.
1997
Jean Bernier, Athens, Greece.
Angel Ho, New York, NY.
Windows Gallery, Brussels, Belgium.
Site Gallery, Sheffield, Great Britain.
Williams College Museum of Art, Williamstown, MA.
1996
James Casebere: Model Culture, Photographs, 1975?1996. The Ansel Adams Center for
Photography, San Francisco, CA.*
Galleria Galliani, Genoa, Italy.
Lisson Gallery, London, Great Britain.
S.L. Simpson Gallery, Toronto, Canada.
1995
Michael Klein Gallery, New York, NY.
1994
Galleria Galliani, Genoa, Italy.
Richard Levy Gallery, Albuquerque, NM.
1993
Michael Klein Gallery, New York, NY.
1991
Model Fictions: The Photographs of James Casebere, Birmingham Museum of Art,
Birmingham, AL.*
Gallerij Bruges La Morte, Bruges, Belgium.
James Hockey Gallery, WSCAD, Farnham, Great Britain*.
Michael Klein Gallery, New York, NY.*
James Casebere and Tony Oursler collaboration, Kunststichting Kanaal, Kortrijk, Belgium.
Photographic Resource Center, Boston University, Boston, MA.
The University of Iowa Museum of Art, Iowa City, IA.*
1990
Galleria Facsimilie, Milan, Italy.
Museum of Photographic Arts, San Diego, CA.
Urbi et Orbi, Paris, France.
Vrej Baghoomian Gallery, New York, NY.
1989
Galerie De Lege Ruimte, Bruges, Belgium.
Neuberger Museum, State University of New York at Purchase, Purchase, NY *.
The University of South Florida Art Museum, Tampa, FL.*
1988
Kuhlenschmidt/Simon Gallery, Los Angeles, CA.
Pennsylvania Station, New York, NY.
1987
303 Gallery, New York, NY.
Michael Klein Gallery, New York, NY.
Kuhlenschmidt/Simon Gallery, Los Angeles, CA.
1985
Kuhlenschmidt/Simon Gallery, Los Angeles, CA.
Minneapolis College of Art and Design, Minneapolis, MN.
1984
Diane Brown Gallery, New York, NY.
Sonnabend Gallery, New York, NY.
1983
St. George Ferry Terminal, Staten Island, NY.
1982
CEPA Gallery, Buffalo, NY.
Sonnabend Gallery, New York, NY.
1981
Franklin Furnace, New York, NY.
1979
Artists' Space, New York, NY.


SELECTED GROUP EXHIBITIONS
2008
Galeria Helga de Alvear, Madrid, Spain
2007
Facade, Architecture, Space, Cook Fine Art, New York, NY.
Imagination becomes Reality, Goetz Collection, Munich
2006
Extra-Ordinary: The Everyday Object in American Art, Frist Center for the Visual Arts,
Nashville, TN.
Second International Biennial of Contemporary Art of Seville, Seville, Spain.
Before the Camera, Norton Museum of Art, West Palm Beach, FL.
Helga de Alvear ? Concepts for A Collection, Exhibition Centre of Centro Cultural de
Belem, Brazil.
New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video,
Grimaldi Forum, Monaco.
Sublime Embrace: Experiencing Consciousness in Contemporary Art, Art Gallery of
Hamilton, Hamilton, Ontario.
Suspension, Dunn and Brown Contemporary, Dallas, Texas.
2005
Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo, Fondazione
Sandretto Re Rebaudengo, Turin, Italy.
Damage Done, Prefix Institute of Contemporary Art, Toronto, Canada.
Lux, Jensen Gallery, Auckland, New Zealand.
Minimal in Architectural [sic]: Photography from the Origins to Present Day, Galerie 54,
Paris, France.
Miradas Y Conceptos En La Colleccion Helga de Alvear, Museo Extremeno e
Iberoamericano de Arte Contemporaneo (MEIAC), Badajoz, Spain.
Pictures, Gallery Hyundai, Seoul, South Korea.
2004
For Presentation and Display: Some Art of the 80s, Princeton University Museum,
Princeton, NJ.
Architecture Untethered, Numark Gallery, Washington D.C.
DreamWeavers, Yancey Richardson Gallery, New York.
Architecture & Arts 1900-2000, Palazzo Ducale, Genoa, Italy.
Light and Atmosphere, Miami Art Museum, Miami, FL.
Photography: Candida Hofer, Elger Esser, James Casebere, Baltimore, MD.
2003
Museum fur Gegenwartskunst, Zurich, Switzerland.
Palazzo delle liberta, Palazzo delle Papesse Centro Arte Conemporanea, Siena, Italy.
Arquitecturas Excentricas, Koldo Mitxelena Kulturunea, San Sebastian, Spain.
upon reflection…., Sean Kelly Gallery, New York, NY.
2002
Moving Pictures, Solomon R. Guggenheim Museum, New York, NY.
Traveled to Guggenheim Bilbao, Bilbao, Spain.
Cardinales, Museo de Arte Contemporaneo de Vigo, Spain.*
Doors: Image and Metaphor in Contemporary Art, New Jersey Center for Visual Arts,
Summit, NJ.
Visions from America: Photographs from the Whitney Museum of American Art, The
Whitney Museum of American Art, New York,NY.
2001
Images au Centre 01: Trompe l’oeil, Domaine National de Chambord, Chambord, France.
Realidad Construida, Galeria Helga de Alvear, Madrid, Spain.
Size Matters, Edwynn Houk Gallery, New York, NY.
Rencontres Internationales de la Photographie, Arles, France.*
Photo-Synthesis; Recent Developments in Contemporary Photography,
Camino Real Gallery, Boca Raton, FL. Traveled to Delaware Center for the Contemporary
Arts, Wilmington, DE.*
Building, Dwelling, Thinking, Judy Goldman Fine Art, Boston, MA.
2000
Flash Back, Barbara Farber/La Serre, Trets, France.
Open Ends: Architecture Hot and Cold, Sets and Situations, The Museum of Modern Art,
New York, NY.*
Inside Out: Reality or Fiction? Sean Kelly Gallery, New York, NY.
Supermodel, Massachusetts Museum of Contemporary Art, North Adams, MA.
Staged: Constructions of Reality in Contemporary Photography, Bonakdar Jancou Gallery,
New York, NY.
James Casebere, Anna Gaskell, Jitka Hanzlova, Tim Macmillan, Tracey Moffat, The Citibank Private Bank Photography Prize 2000, The Photographer’s Gallery, London, England.
Insites: Interior Space in Contemporary Art, Whitney Museum of American Art at Champion, Stamford, CT.*
1999
James Casebere, Thomas Struth, Boyd Webb, George Lappas, Juan Munoz, Thomas Schutte, Moshekwa Langa, Yan Pei-Ming, Cordy Ryman, Bernier/Eliades, Athens, Greece
Photography: An Expanded View, Recent Acquisitions, The Solomon R. Guggenheim
Museum, New York, NY. Traveled to Guggenheim Bilbao, Bilbao, Spain.
Nature of Light, Contemporary Art Museum, Venice, Italy.
Hindsight, Whitney Museum of American Art, New York, NY.
1998
Then and Now, Lisson Gallery, London, England.
Claustrophobia: Disturbing the Domestic in Contemporary Art, Ikon Gallery, Birmingham,
England; traveling exhibition.
Where: Allegories of Site in Contemporary Art, Whitney Museum of American Art at
Champion, Stamford, CT.
PhotoImage: Printmaking 60s to 90s, Museum of Fine Arts, Boston, MA; traveled to Des
Moines Art Center, Des Moines, IA.*
Internality Externality, Galerie Lelong, New York, NY.
Architectures en Jeux, FRAC Cantre, Orleans, France.
Embedded Metaphor, Independent Curators Incorporated exhibition curated by Nina Felshin.
Traveling to John and Mabel Ringling Museum of Art, Sarasota, FL; Western Gallery,
Western Washington University, Bellingham, WA; Bowdoin College Museum of Art,
Brunswick, ME; Contemporary Art Center of Virginia, Virginia Beach, VT, and Ezra
and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT.*
1997
Architecture as Metaphor, The Museum of Modern Art, New York, NY.
Selections From the Permanent Collection, The Whitney Museum of American Art,
New York, NY.
Galerie d'Art Contemporain, Geneva, Switzerland.
Making it Real, Independent Curators Incorporated. Traveled to The Aldrich Museum of
Contemporary Art, Ridgefield, CT.
Kjarvaisstadir, Listastasafn Reykjavikur, The Reykjavik Municipal Art.
Museum, Reykjavik, Iceland. Traveled to Portland Museum of Art, Portland, ME; Bayly Art
Museum, University of Virginia, Charlottesville, VA; Bakalar Gallery, Massachusetts
College of Art, Boston, MA, and Emerson Gallery, Hamilton College, Clinton, NY.
Elsewhere, The Carnegie Museum of Art, Pittsburgh, PA.
1996
This is a Set Up: Fab Photo/Fiction, Bowling Green State University, Bowling Green, OH.
Galerie H.S. Steinek, Vienna, Austria.
New Fall Faculty, Carpenter Center, Harvard University, Harvard, MA.
Selections from the Niseson Collection, Los Angeles County Museum of Art, Los Angeles, CA.
Campo, Venice Biennale, Venice, Italy. Traveled to Torino, Italy;
Konstmuseum, Malmo, Sweden.
1995
Prison Sentences: The Prison as Site/The Prison as Subject, Eastern State Penitentiary,
Philadelphia, PA.*
Artistes/Architects, Institute d'Art Contemporain, Villeurbanne, France. Traveled to Apres la Kunstverein de Munich, Munich, Germany; Centre Culurel de Belem, Lisbon,
Portugal; Kunsthalle, Vienna, Austria.
1994
Building Dwelling Thinking: A Group Exhibition, Lowinsky Gallery, New York, NY.
Forecast: Shifts in Direction, Museum of New Mexico, Santa Fe, NM.
Imagini d'Affezione, Castello Monumentali di Lerici, Lerici, Italy.
The Subject is Architecture, University of New Mexico Art Museum, Albuquerque, NM.
1993
American Made: The New Still?Life, Isetan Museum of Art and Hokkaido Obihito Museum of Art, Japan. Traveled to the Royal College of Art, London, England.*
Collecting for the 21st Century: Recent Acquisitions and Promised Gifts, The Jewish Museum, New York, NY.
Fabricated Realities, Museum of Fine Arts, Houston, TX.
Kurswechsel, Michael Klein Gallery at Transart Exhibitions, Cologne, Germany.
Sampling the Permanent Collection, Museum of Fine Arts, Boston, MA.
1992
Interpreting the American Dream, Galerie Eugen Lendl, Graz, Austria. Traveled to
Galerij ames van Damme, Antwerp, Belgium*.
More Than One Photography, The Museum of Modern Art, New York, NY.
Une seconde pensee du paysage, Domaine de Kerguehennec, Centre d'Art Contemporain,
Locmine, France.
1991
1986-1991: 5 Jaar De Lege Ruimte, Galerie de Lege Ruimte, Bruges, Belgium.
Constructing Images: Synapse Between Photography and Sculpture, Lieberman & Saul,
New York, NY. Traveled to Tampa Museum of Art, Tampa, FL; Center for Creative
Photography, Tucson, AZ; San Jose Museum of Art, San Jose, CA.*
Pleasures and Terrors of Domestic Comfort, The Museum of Modern Art, New York, NY.
1990
Anninovanta, Galleria Comunale d'Arte Moderna, Bologna, Italy.
The Liberated Image: Fabricated Photography Since 1970, Tampa Museum of Art, Tampa, FL.
1989
Das Konstruierte Bild, Fotographie-Arrangiert und Inzeniert, Kunstverein Munchen, Germany.
Traveled to Kunsthalle Nurnberg, Nurnberg, Germany; Forum Bottcherstrasse,
Bremen, Germany; Badischer Kunstverein, Karlsruhe, Germany.*
Parallel Views, Arti et Amicitiae, Amsterdam, Holland.*
The Photography of Invention-American Pictures of the 1980s, National Museum of American Art, Washington, DC, and the Walker Art Center, Minneapolis, MN.
Suburban Home Life: Plotting the American Dream, Whitney Museum of American Art, New York, NY, and The Whitney at Champion, Stamford, CT.*
1988
James Casebere, Stephen Prina, Christopher Wool, Robin Lockett Gallery, Chicago, IL.
Made In Camera, VAVD Editions, Stockholm, Sweden.
Plane Space: Sculptural Form and Photographic Dimensions, The Photographers' Gallery,
London, England.
Playing For Real, Toys and Talismans, Southampton City Art Gallery, Southhampton. Traveled to Ikon Gallery, Birmingham, England; Chapter Arts, Cardiff, England.*
1987
3 Americans, 3 Austrians, Fotogalerie Wien, Vienna, Austria.*
Arrangements for the Camera: A View of Contemporary Photography, The Baltimore Museum of Art, Baltimore, MD.
Cross-References: Sculpture into Photography, Walker Art Center, Minneapolis, MN.*
Kunst Mit Photographie, Galerie Ralph Wernicke, Stuttgart, Germany.*
Nightfire, De Appel, Amsterdam, Holland.
Photography and Art: Interactions Since 1946, Los Angeles County Museum of Art, Los Angeles, CA; traveled to The Fort Lauderdale Museum of Art, Fort Lauderdale, FL; The Queens Museum, Corona Park, NY.
The Pride of Symmetry, Galerie Ralph Wernicke, Stuttgart, Germany.
1986
Foto Cliche, Victoria Miro Gallery, London, Engalnd; traveled to Orchard Gallery,
Derry, Northern Ireland.
James Casebere, Clegg & Guttman, Ken Lum, Galerie Bismarckstrasse, Cologne, Germany.
Milano Triennale, Milan, Italy.
Sonsbeek 86: International Sculpture Exhibition, Arnhem, Holland.*
1985
Biennial Exhibition, Whitney Museum of American Art, New York, NY.
James Casebere, Jeff Koons, Larry Johnson, 303 Gallery, New York, NY.


PUBLIC AND CORPORATE COLLECTIONS
A.T.&T., South Plainfield, NJ.
Addison Gallery of American Art, Phillips Academy, Andover, MA.
Albright-Knox Museum, Buffalo, NY.
Peter Alger Collection, New York, NY.
Allen Memorial Art Museum, Oberlin, OH.
American Patrons of Tate, New York, NY.
Baltimore Museum of Art, Baltimore, MD.
Big Flower Press, New York, NY.
Birmingham Museum of Art, Birmingham, AL.
Brooklyn Museum of Art, Brooklyn, NY.
Carnegie Museum of Art, Pittsburgh, PA.
Capital Group, Los Angeles, CA.
Centro Galego Arte Contemporanea, Santiago de Compostella, Spain.
Chase Manhattan Bank, New York, NY.
Contemporary Art Museum, University of South Florida, Tampa, FL.
Dallas Museum of Art, Dallas, TX.
Davis Museum and Cultural Center, Wellesley, MA.
Disney Collection, New York, NY.
Emily Fisher Landau Collection, New York, NY.
Fogg Museum, Harvard University, Cambridge, MA.
Fondazione Sandretto Rebaudengo per l'arte, Turin, Italy.
Fonds National d'Art Contemporain, Paris, France.
General Mills Collection, Minneapolis, MN.
Goetz Collection, Munich, Germany.
Goldman Sachs, New York, NY.
Solomon R. Guggenheim Museum, New York, NY.
Hallmark Collection, Kansas City, MO.
High Museum of Art, Atlanta, GA.
Hughes and Luce, L.L.P. Collection, Dallas, TX.
Jewish Museum, New York, NY.
Johnson & Johnson, New Brunswick, NJ.
Los Angeles County Museum of Art, Los Angeles, CA.
Metropolitan Museum of Art, New York.
Mukha Museum, Antwerp, Belgium.
Museum of Fine Arts, Boston, MA.
Museum of Fine Arts, Houston, TX.
Museum of Modern Art, New York, NY.
Museum of Modern Art, San Francisco, CA.
National Gallery of Art, Washington, DC
National Gallery of Canada, Ottawa, Ontario, Canada.
Neuberger Berman LLC, New York, NY.
Neuberger Museum, State University of New York at Purchase, Purchase, NY.
Neue Galerie der Stadt Linz, Linz, Austria.
New Orleans Museum of Art, New Orleans, LA.
New School for Social Research, New York, NY .
Pacific Bell Collection, Los Angeles, CA.
Pepsico Collection, Purchase, NY.
Progressive Corporation, Cleveland, OH.
Prudential, Newark, NJ.
Rose Art Museum, Waltham, MA.
Revco Corporation, New York, NY.
San Diego Museum of Contemporary Art, San Diego, CA.
St. Louis Art Museum, St. Louis, MO.
Tampa Museum of Art, Tampa, FL.
Tate Modern, London, UK.
United Yarn Corporation, Wayne, NJ.
University Art Museum, University of New Mexico, Albuquerque, NM.
University of Iowa Museum of Art, Iowa City, IA.
Victoria and Albert Museum, London, England.
Walker Art Center, Minneapolis, MN.
Whitney Museum of American Art, New York, NY.
Williams College Museum of Art, Williamstown, MA.


SELECTED BIBLIOGRAPHY
2007
Baker, R.C., “Best in Show,” Village Voice, May 30 ? June 5, 2007, p. 55.
Diehl, Carol. “James Casebere at Sean Kelly,” Art in America, December, 2007, pp. 155
156.
Enwezor, Okwui. “Best of 2007,” Artforum International, December, 2007, pp. 316-317.
“Goings on about town: Art,” The New Yorker, June 4, 2007.
Merrick, Jay. “David Adjaye,” Art + Auction, September, 2007, Pp. 61-68.
Saltz, Jerry, “James Casebere,” NYmag.com, June 2007.
Schwendener, Martha, “James Casebere: The Levant,” The New York Times,
June 8, 2007, p. E34.
Underwood, James and Robert Maxwell, “The Originals: James Casebere and Lorna
Simpson,” The New York Times Magazine, 1 April 2007, p. 106.
Wei, Lilly, “James Casebere,” ARTnews, September, 2007, p. 152.
2006
“Before the Camera: Remaking Reality and the Make-believe,” Palm Beach Society,
February 15 ? October 12, 2006.
Blind Spot - A Tribute, Issue 32, Spring 2006.
Browne, Alix. “Double Vision,” The New York Times Magazine, 3 September,
2006, pp. 44-47.
Casebere, James, “Artists on Artists: James Casebere on Brian Wood,” Bomb, No. 95,
Spring 2006, p. 8.
Diez, Renato. "La fotografia ad Art Basel," Arte, June 2006, pp. 77-82 (and cover).
“James Casebere,” Suplemento Especial: Bienal Internacional de Arte Contemporaneo
de Sevilla, October 26, 2006.
Mills, Michael, “Seeing Ain’t Believing Anymore,” New Times Broward, Palm Beach,
November 16 ? 22, 2006, p. 35.
Schwan, Gary, “Art these photographs real? Or faked? Or both?,”
The Palm Beach Post, Sunday, October 22, 2006.
“Sublime Embrace: Experiencing Consciousness in Contemporary Art,”
Hamilton, Ontario: Art Gallery of Hamilton, 2006.
Thomason, John, “Norton showcases the art of deception,” Delray Beach Times,
October 25 2006, p. 25, 28.
2005
Alfonso, Carlota de, “James Casebere: La fuerza visual de la irrealidad,” El Punto
de las Artes, No. 785, May 20-26, 2005, p. 9.
Bravo, Aquiles Ortiz, “James Casebere,” El Aragueno, June 6th 2005, p. 24.
Bravo, Laura, “Sumergidas e Inundados: Unas Gotas Sobre el Agua en el Arte Actual,” Arte y Naturaleza, No. 35, January-February 2005, pp. 6-9.
Christofori, Ralf. Bild-Modell-Wirklichkeit. Germany: Wunderhorn, 2005, pp. 177-194
Debailleux, Henri-Francois, “Casebere, jeu d’echelle,” Liberation, June 21, 2005.
“James Casebere: Galeria Helga de Alvear,” Modern Painters, June 2005, p. 133.
Karmel, Pepe, “The Real Simulations of Thomas Demand,” Art in America, No. 6,
June/July 2005, pp. 146-149.
Spiegler, Marc, “Why experience pays off,” The Art Newspaper: Art Basel/Miami Beach Edition, Saturday, December 3, 2005, pp. 1, 8.
2004
Dawson, Jessica. “Design and Structure, in 3-D,” The Washington Post. Thursday,
October 21, 2004.
Lawrence, Sidney. “Capital Roundup,” Artnet. Online at: http://www.artnet.com,
November 11, 2004.
Tebbs, Paul. “James Casebere,” Reviews ArtReview, International Edition V2N2, p. 103.
Vincent, Steven. “Desktop Darkroom,” Art + Auction, February 2004, pp. 86-89.
2003
Affentranger-Kirchrath, Angelika. “Die unheimliche Macht des Raumes.” Neue Zurcher Zeitung March 29?30, 2003. p. 46.
Coomer, Martin. “Art:Preview,” Time Out London, December 3-10, 2003, p. 54.
Douglas, Sarah. “James Casebere: mutable.” The Art Newspaper No. 141
November 2003. p. 5.
Glueck, Grace. “Art in Review: James Casebere,” The New York Times, November
28, 2003, p. E44.
Lunn, Felicity. “Bewitched, Bothered, and Bewildered.” Artforum September 2003. p. 234.
Pinsett, Richard. “James Casebere.” The Art Newspaper No. 141 November 2003. p. 15.
Schwendener, Martha. “James Casebere: mutable,” Time Out New York, November
20-27, 2003, p. 86.
Vincent, Steven. “In the Studio.” Art + Auction November 2003. pp. 38-42.
“A Willing Suspension of Disbelief.” Art on Paper, January/February 2003. p.102.
“James Casebere.” The New Yorker November 17, 2003. p. 40.
“MARCO.” Flash Art January/February 2003 (Vol. XXXVI No. 228). p. 49.
2002
Bailey, Matthew. “Review: Constructed Realities.” Review July/August 2002.
Bischoff, Dan. “Exhibit Opens Door to World of Symbol." Sunday Star-Ledger
April 21, 2002. p. 1.
Frankel, David. “James Casebere.” ArtForum March 2002 (Vol. 40 No. 7). p. 109-113.
Iovine, Julie I. “A Beacon on a Path to Fame.” The New York Times December 26,
2002. p. F1, F7.
Ollman, Leah. “Illusions of Water and Power.” The Los Angeles Times July 31, 2002. p. F3.
Spiegler, Marc. “Great Expectations.” Art & Auction July 2002. p. 62?64.
Vollman, William T. “War Movies.” Film Comment March/April 2002. p. 20?21.
Zimmer, William. “Seeing Messages, Some Subtle, in a Door.” The New York Times
May 5, 2002. p. 16.
“Moving Pictures,” @ Guggenheim, The Guide to the Guggenheim Museum
November 2002?January 2003.
“What, Where, When.” The Art Newspaper July/August 2002. p.12. Art News June 2002
(Vol. 101, No. 6). p. 40.
“Art Downtown.” Wall St Rising June 14?September 15, 2002.
2001
Aletti, Vince. “Spring Arts Preview: Perpetual Motion.” The Village Voice March 6, 2001
(LVI, No. 9). p. 88?89.
Aletti, Vince. “Voice Choices, Art: Photo, James Casebere.” The Village Voice
May 15, 2001 (Vol. XLVI, No. 19). p. 83.
Barragan, Paco. “Realismo Sintetico.” ABC Cultural December 22, 2001. p. 36.
Casebere, James. “Model Agent: Artist James Casebere Tips the Scale. " V Magazine, Spring Preview 2001 (Vol. 9). p. 17-18.
Everett, Deborah. “James Casebere.” NYArts June 2001 (Vol. 6, No. 6). p. 72.
Ferrone, Julie. “James Casebere: Spazi Architettonici Dell’Immaginario.”
Art and Job Magazine May 13, 2001.
Gilmore, Jonathan. “Review of James Casebere at Sean Kelly Gallery, New York.” Tema Celeste Summer 2001 (No. 86). p. 87.
Goodman, Jonathan. “James Casebere. Sean Kelly Gallery, New York.” Art on Paper
September?October 2001. p. 89.
Hamilton, William L. “An Artist’s Novel Take on History: He Lets the Walls Talk.” The New
York Times The Arts, May 28, 2001. p. E1, E3.
Hamilton, William L. “Paris as Tomorrowland.” The New York Times,
House & Home February 14, 2001. p. F1, F12.
Heartney, Eleanor. “James Casebere at Sean Kelly.” Art in America November 2001
(No. 11). p. 148.
Sheets, Hilarie M. “James Casebere.” Art News, Summer 2001 (Vol. 100 No. 7). p. 174.
Smith, Roberta. “As Chelsea Expands, a Host of Visions Rush In.”
The New York Times June 1, 2001. p. E29, 33.
Sozanski, Edward J. “Avant-Garde Trends in Photography.” The Philadelphia Inquirer
May 4, 2001.
Weiss, Susan. “The Architectural Unconscious: James Casebere and Glenn Seator.” Institute of Contemporary Art Newsletter Spring 2001 (No. 2). p. 5.
“Artist News: Preise und Stipendien.” Artist Kunstmagazin March 2001 (Vol. 48). p. 13.
“Sean Kelly Gallery Celebrates its New Location in Chelsea.” Artivents.com May 29, 2001.
“Art: James Casebere.” Time Out New York May 24?31 (No. 296), 2001. p. 59.
Post editors, “Media City: On the Newsstand.” New York Post January 22, 2001. p. 41.
2000
“2000/2001 Museum Preview.” Art in America August 2000 (No. 8). p. 39.
Albert, Xiaoming. “Collapsed Interiors.” In Insites: Interior Spaces in Contemporary Art, New York: Whitney Museum of American Art 2000. p. 19?20.
Aletti, Vince. “Inside Out: Reality or Fiction?” The Village Voice July 25, 2000
(No. 29). p. 81.
Art on Paper 5, September?October 2000 (No. 1). p. 72.
Casebere, James. “Maximum-Security Building Allied Unit Prison: Wichita Falls, TX.”
Metropolis April 2000. p. 92-99.
“Citibank Photography Prize 2000.” Tema Celeste January?February 2000. p.107.
“Citibank Prize.” Flash Art January?February 2000 (XXXIII, No. 210). p. 44.
Dormir /Sleep, Paris: Coromandel Express.
Duehr, Gary. “The Architectural Unconscious: James Casebere and Glen Seator.
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