Born 1962, Palmer, Massachusetts, lives and works in New York City.

Education
1986
MFA, Yale University School of Art, New Haven, CT
1984
BFA, Philadelphia College of Art, PA

Solo Exhibitions
2006
Andrea Rosen Gallery, late fall
Taka Ishii Gallery, Tokyo, June
greengrassi, London, March 1 – April 1
2005
Galerie Giti Nourbakhsch, Berlin, September 10 – October 8
2004
China Art Objects, Los Angeles, September 18 – October 16
Sister, Los Angeles, September 18 – October 16
Kunsthalle Zurich, Switzerland, August 27 – October 31
Andrea Rosen Gallery, New York, February 26 – April 3
2003
Greengrassi, London, England, June 3 – July 31
2002
Taka Ishii Gallery, Tokyo, Japan, June 1- June 29
Rebecca Camhi Gallery, Athens, Greece, March 13 – May 10
2001
Galerie Jennifer Flay, Paris, France, Septembe
r 8 - October 27Andrea Rosen Gallery, NYC, April 12 – May 19
2000
Greengrassi, London, England, June 16 – September 9
Taka Ishii Gallery, Tokyo, Japan, April 1- May 6
1999
Contemporary Fine Arts, Berlin, Germany, May 12 – June 19
Andrea Rosen Gallery, New York, April 16 – May 22
Gallery Presenca, Porto, Portugal, January 30 – March 6
1998
Taka Ishii Gallery, Tokyo, Japan, March 20 – April 18
Crown Gallery, Brussels, Belgium, March 12 – April 28
1997
Andrea Rosen Gallery, NYC, April - May
Studio Guenzani, Milan, Italy, January - February
1996
Contemporary Fine Arts, Berlin, Germany, December 13 - January 25, 1997
Rebecca Camhi Gallery, Athens, Greece, June 1 - July 20
Regen Projects, Los Angeles, CA, February 17 - March 23
1995
Galerie Jennifer Flay, Paris, France, September 16 - October 28
Andrea Rosen Gallery, NYC, April 13 - May 20
Galerie Birgit Kung, Zurich, Switzerland, February 23 - May 6
1994
Bruno Brunnet, Berlin, Germany, September 30 - November 1
Jay Jopling/White Cube, London, England, May 13 - June 25
Stuart Regen Project, Los Angeles, CA, March 5 - April 9
1993
Andrea Rosen Gallery, NYC, October 22 - November 27
Galerie Esther Schipper, Cologne, Germany, April - May
Galerie Jennifer Flay, Paris, France, April - May
1992
Andrea Rosen Gallery, NYC, February - March
1991
Robbin Lockett Gallery, Chicago, IL, October - November
Marc Jancou Galerie, Zurich, Switzerland, March
1990
Postmasters Gallery, NYC, November - December
Postmasters Gallery, NYC, January
1989
Tom Solomon's Garage, Los Angeles, CA

Group Exhibitions
2006
The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, “And Therefore I Am,” February 11 – September 10, 2006
2005
China Art Objects, Los Angeles, Ca, “Welead Beshty, Sean Landers, Eriea Maneros, JP Munro and Andy Ouchi, and Michael Wetzel, May 7 - 28
Galerie Giti Nourbakhsch, Berlin, Germany, “ON STAGE: Jamie Isenstein, Sean Landers, Charlemagne Palestine, Sue Tompkins,” April 1 – 29, 2005
Henry Art Gallery, University of Washington, Seattle, WA, “Playtime,” March 11 – July 10, 2005.
Andrew Mummery Gallery, London, England, “Take It FURTHER” (Part II), curated by Gyonata Bonvicini, September 16 – October 15.
2004
Casa del Mantegna, Mantova, Italy, “Guardare, Pensare, Raccontare, Conservare,” September 2 – November 15
Jack Hanley Gallery, San Francisco, CA,”Land of the Free,” August 5 – 28, 2004.
sister, Los Angeles, CA, “Jason Meadows,” June 19 – July 14, 2004.
Cheim & Read, New York, NY, “I Am the Walrus,” June 10 – July 31, 2004.(brochure)
Taka Ishii Gallery, Tokyo, Japan, “Tenth Anniversary Exhibition,” June 5 – July 3, 2004.
Todd Madigan Gallery, California State University, Bakersfield, CA, “Nature Study”, April 2 – May 1, 2004.
2003
John Connelly Presents, “Today’s Man”, July 19 – September 13, 2003
Sara Meltzer Gallery, New York, “Rendered”, June 17 – August 1, 2003
China Art Objects, Los Angeles, “Drop Out”, May 10 – June 14, 2003
MIT Visual Arts Center, Boston, MA, “Influence, Identity and Gratitude” (Toward an understanding of trans-generational dialogue as a gift economy), May 8 – July 6, 2003, curated by Bill Arning
Blue Gallery, London, England, “Thatcher”, curated by Tara Howard, April 15 – May 17, 2003
Kettle’s Yard, University of Cambridge, Cambridge, UK, “Face/Off: A Portrait of the Artist”, curated by Simon Groom, November 9, 2002 – January 5, 2003, traveling to Towner Art Gallery and Local Museum, Eastbourne, UK, March 8 – May 5, 2003 (catalogue)
Taka Ishii Gallery, Tokyo, Japan, “Gallery Artists”, January 31 – March 1, 2003
Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, PA, “Comic Release: Negotiating Identity for a New Generation”, January 18 – March 21, 2003, curated by Vicky A. Clark and Barbara J. Bloemink, organized by Pamela Auchincloss,; travels to Armory Center for the Arts, Old Padadena, CA, June 27 – August 15, 2004 . (catalogue)
Traveled to: Contemporary Arts Center, New Orleans, LA, April 11 – June 15, 2003
University Art Gallery, University of North Texas, Denton, TX, August 25 – October 31, 2003
University of Arizona Museum of Art, Tucson, AZ, November 23, 2003 – January 25, 2004
Western Gallery, Western Washington University, Bellingham, WA, April 5 – May 29, 2004
Armory Center for the Arts, Pasadena, CA, June 26 – August 15, 2004.
Art House, Austin, TX, September 10 – October 31, 2004
2002
Kettle’s Yard, University of Cambridge, Cambridge, England, “Face Off: A Portrait of the Artist”, November 9, 2002– January 5, 2003
Center for Curatorial Studies, Bard College, Annendale-on-Hudson, NY, “Center for Curatorial Studies Tenth Anniversary”, September 29 – December 13, 2002
Logan Galleries, CCAC San Francisco Campus, San Francisco, CA, “To Whom It May Concern”, September 5 – October 26, 2002
Ruth Horowitz, NY, “Copy”, May 2 – June 22, curated by Neville Wakefield
LOW, Los Angeles, CA, “Heaven Knows I’m Miserable Now”, April 26 – May 25
2001
Arcadia University Art Gallery, Glenside, PA, “Desire Admiration Acquire”, November 9 – December 18
Kunsthalle Vienna, Vienna, Austria, “Tele(visions)”, October 18 - January 6, 2002, curated by Joshua Decter (catalogue)
Logan Galleries, California College of Arts and Crafts, San Francisco, CA, “Extra Art: A Survey of Artists’ Ephemera, 1960-1999”, October 12 – December 8, curated by Steven Leiber (catalogue)
Yale University Art Gallery, Yale University, New Haven, CT, “Alumni Choice: An Exhibition of Work on Paper”, October 1 – 28 (catalogue)
Galerie Jennifer Flay, Paris, France, “Soyez réaliste, demandez l’impossible!”, June 9 – July 28
Galerie Jennifer Flay, Paris, France, “The way I see I: Chantal Joffe, Karen Kilimnik, Sean Landers and Lisa Milroy”, March 10 – April 21
Jumex Centro de Distribucion, Mexico City, Mexico. “La Coleccion Jumex”, March 3 - April
2000
Delfina Project Space, London, England, “Salon”, November 11 – December 17
Galeria Leyendecker, Canary Islands, Spain, “2000 Anos Luz”, October 16 – November 24, curated by Angel Luis de la Cruz (catalogue)
Kerlin Gallery, Dublin, Ireland, “Kin”, July 14 – September 2, curated by Caoimhin Mac Giolla Leith
Barbara Gladstone Gallery, NYC, “00”, July 6 – August 31 (catalogue)
Galerie Jennifer Flay, Paris, France, “Body Beautiful”, June 15 – July 21
Denver Art Museum, Denver, CO, “Selections from the Permanent Collection of Modern and Contemporary Art”, June 3 – December 17
Loggetta Lomnardesca, Ravenna, Italy, “Arte Americana, Ultimo Decennio”, April 8 – June 28, curated by Claudio Spadoni (catalogue)
Rebecca Camhi Gallery, Athens, Greece, “Group Exhibition of Gallery Artists”, March 21 – May 12
University of California Los Angeles, Hammer Museum, Los Angeles, CA, “Examining Pictures: exhibiting paintings”, February 6 – April 2, 2000, curated by Francesco Bonami and Judith Nesbitt (catalogue) traveling exhibition
1999
GreeneNaftali, NYC, “A Place Called Lovely”, September 9 – October 2, curated by Sima Familant
Contemporary Fine Arts at Sadie Coles HQ, London, England, “Gallery Swap”, July 1 – July 30
Vaknin Schwartz, Atlanta, GA, “Self Evident”, June 25 – November 1
Spacex, Exeter, England, “Etcetera”, May 15 – June 26, curated by Alex Farquharson
Whitechapel Art Gallery, London, England, “Examining Pictures: exhibiting paintings”, May 7 – June 27, curated by Francesco Bonami and Judith Nesbitt; travels to Museum of Contemporary Art, Chicago, IL. July 24 – September 19 (catalogue)
Museo de Arte Carillo Gil, San Angel, Mexico. “Colección Jumex”, April 21- August 8, 1999. (catalogue)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Positioning”, February 7 - 21
Gallery 400, University of Illinois at Chicago, IL, “Hello Mr. Soul”, January 25 – March 6
1998
Turner & Runyon Gallery, Dallas, TX, “encyclopedia 1999”, December 10 – January 16, 1999
Gallery 400, University of Illinois at Chicago, IL, “Word Perfect”, September 1 – October 23
Galeria Camargo Vilaça, Sao Paolo, Brazil, “Hanging”, May 6 – 30, curated by Márcia Fortes (catalogue); travels to Paco Imperial, Rio de Janiero, Brazil, July 15 – August 23; Museum of Modern Art, Recife, Brazil, September 1 – October 2 (catalogue)
1997
Whitney Museum of American Art, NYC, “Heart, Body, Mind, Soul: American Art in the 1990’s, Selections from the Permanent Collection”, December 3 – January 4
Arcate Art Fabrica, Torino, Italy, “Tanti Video”, September 27 – October 4
Ten in One Gallery, Chicago, IL, “From a Whisper to a Scream”, July 11 - August 2
Sudwestdeutsche Landesbank Forum, Stuttgart, Germany, “Kunst..Arbeit”, November 14, 1997 – January 11, 1998
1996
Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, “a/drift: Scenes from the Penetrable Culture”, October 20 - December 22, curated by Joshua Decter (catalogue)
Galerie Declercq, Knokke, Belgium, September 20 - November 17
Anthony d’Offay Gallery, London, England, “Against: Thirty Years of Film and Video”, September 18 - October 18
Museum of Contemporary Art, Chicago, IL, “So you want to be a rock and roll star: Artists “sing” on screen”, August 30 - November 1, curated by Dominic Molon
art initiatives, 148 Gallery, New York, NY, “Let Me Bring You Down”, June 28 - July 13, curated by Two Dollar Guitar (Tim Foljahn and Steve Shelley)
Kunstsammlung zu Weimar, Weimar, Germany, “nach weimar”, June 21 - July 28 (catalogue)
Kunstverein in Hamburg, Hamburg, Germany, “wunderbar”, May 22 - August 11
Athens Fine Art School, “the factory”, Athens, Greece, “push-ups”, May 20 - July 20, curated by Emily Tsingou (catalogue)
Galleri Campbells Occasionally, Copenhagen, Denmark, “Toons”, April 26 - May 26, curated by Jacob Fabricius
Kunstsammlung Gera, Germany, “Sammlung Volkmann zeigt: Faustrecht der Freiheit”, April 13 - May 27, travels to Neues Museum Weserburg, Bremen, Germany, June 22 - September 15
Thread Waxing Space, NYC, “Incestuous”, March 29 - April 27, curated by Tiong Ang and Carter Kustera
White Columns, NYC, “Sugar Mountain”, March 29 - May 12, curated by Paul Ha and Andrea Scott
MK Expositieruimte, Rotterdam, The Netherlands, “Rotterdam on Line”, March 9 - April 16
Saatchi Gallery, London, England, “Young Americans: New American Art in the Saatchi Collection: Part I”, January 25 - March 3 (catalogue)
1995
Deutsches Haus, Columbia University, NYC, “I’m Writing in Lacanian Ink”, October 26 - November 23, curated by Richard Foreman and Josephina Ayerza
Postmasters, NYC, “Raw”, October 14 - November 11
M.I.T. List Visual Arts Center, Cambridge, MA, “Next of Kin: Looking at the Great Apes”, October 7 - December 10 (catalogue)
Beaver College Art Gallery, Glenside, PA, “Word for Word”, September 14 - October 25
Hyde Park Art Center, Chicago, IL, “Scribble”, September 10 - October 7, organized by Deborah Wilk
Art Metropole, Toronto, Ontario, Canada, “New Acquisitions: An Exhibition of Artists’ Books and Multiples”, August 11 - September 20
Le Fonds Regional d’Art Contemporain, Auvergne, France, “Histoire de l’Infamie” (History of Infamy), July 8 - October 1
Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark, “I Confess”, June 23 - August 19
International Festival of Films on Art, Knokke, Belgium, May 24 - May 27, organized by Art Faces Art
Brooke Alexander Editions, NYC, “KOMIX”, May 20 - July 1
White Columns, New York, Auction Benefit, February 17 - March 4
Otis College of Art and Design, Los Angeles, CA, “Narcissistic Disturbance”, February 4 - April 1, curated by Michael Cohen (catalogue)
1994
Andrea Rosen Gallery, NYC, “A series of rotating installations” (Week 5: November 22-26: Sean Landers and Muriel Brown George), October 26 - November 26
Bard College Center for Curatorial Studies, Anandale-on-Hudson, NY, “Recent Acquisitions from the Rivendell Collection”, October 22 - December 23
Galerie Drantmann, Brussels, Belgium, “Noritoshi Hirakawa, Sean Landers, Jan Vos, Jeanne Dunning”, October 14 - November 19, 1994
Bernard Toale Gallery, Boston, MA, “David’s Friends”, October 11 - November 5, curated by Timothy Fichtner and David Zin
Grazer Kunstverein, Graz, Austria, “esprit d’amusement”, October 1 - 30 (catalogue)
Deichtorhallen Hamburg, Hamburg, Germany, “Das Jahrhundert des Multiple Von Duchamp bis zur Gegenwart (The Century of the Multiple)”, September 2- October 30 (catalogue)
Galerie Jennifer Flay, Paris, France, “Exposition”, June 11 - July 13
Inter Nos and Galerie Pasquale Leccese, Milan, Italy, “Arte in Video: 22 Inches”, May 26 - June 2, curated by Tommaso Corvi Mora
Josh Baer Gallery, NYC, “Sea Change: Franklin Furnace Benefit”, May 19 - June 4
Sprengel Museum Hannover, Hannover, Germany, “Die Orte der Kunst”, May 4 - September 11 (catalogue)
Paris School of Design, Paris, France, “Auto-Eeroticism”, May 4, video screening organized by Nicolas Trembley for A Bao A Qou
The Museum of Contemporary Art, The Beyerd in Breda, Holland, "Can you believe your eyes?", April 18 - May 29, curated by Stichting con Rumore
Neue Galerie, Graz, Austria, “Don’t Postpone Joy or Collecting Can Be Fun!”, March 18 - April 24, curated by Rudi Molacek and Barbara Steffen; travels to Austrian Cultural Institute, NYC, May 26 - June 24
White Columns, NYC, “Benefit 1994”, February 19 - March 4
Mustard, "Brooklyn, NY, "Intercourse", February 17, curated by Pablo Gomez and Daniel Carello
Kunstverein in Hamburg, Germany, February 15 - March 6
Kunstmuseum Luzern, Switzerland, "Backstage", February 4 - April 4
Kasper Konig, Koln, Germany, "Volkmann Collection", March 19 - July 2
Thread Waxing Space, NYC, "Don't Look Now", January 22 - February 26, organized by Joshua Decter
Galerie Walcheturm, Zurich, Switzerland, "Passing Through", January 13 - February 26, curated by Ugo Rondinone
1993
Tavelli Gallery, Aspen, CO, December 7 - April 30
Vera Vita Gioia, Naples, Italy, "Audience 0.01 ", December 4 - January 29, 1994, curated by Helena Kontova; travels to Trevi Flash Art Museum of Contemporary Art, Trevi, Italy, April 10 - June 30 (catalogue)
New Museum of Contemporary Art, NYC, “Auction Benefit”, April
Royal Danish Academy of Fine Arts, Copenhagen, Denmark, "Into the Lapse", December 4 - 14, curated by Brian Butler
Galerie Daniel Buchhoz, Koln, Germany, Unfair booth #26, "Phenylovethylamour", November 11 - 15, curated by Lothar Hempel and Carsten Holler
Galerie Esther Schipper, Koln, Germany, "November", November 11 - 17
Gallery 400 at The University of Illinois at Chicago, "influx", November 1 - December 4
Kunstverein in Hamburg, Hamburg, Germany, "Backstage", September 10 - October 24 (catalogue)
Kunsthalle Wien, Vienna, Austria, "Die Sprache der Kunst (The Language of Art)", August 27 - October 17; travels to Frankfurter Kunstverein, Frankfurt, Germany, December 4 - February 20, 1994 (catalogue)
Galerie Esther Schipper, Koln, Germany, "Summer Group Show", July 15 - August 7
Friesenwal 120, Koln, Germany, "Word of Mouth", July - August, curated by Ana de Portella; travels to Dogenhaus Galerie, Leipzig, September - October, curated by Ana de Portella, Brian Butler and Stefan Dillemuth; Palais Beaux Arts, Brussels, Belgium, December - January, 1994
Mondrian Hotel, West Hollywood, CA, "TranceseX: A State of Mystical Absorption", July, curated by Les Ayre, Erika Knerr and Amanda M. Obering
Tom Cugliani Gallery, NYC, summer group show, July
"Aperto 1993", in conjunction with the Venice Biennale, Venice, Italy, June - October, section curated by Nicholas Bourriaud, "Standards" (catalogue)
Yale University Art Gallery, "Yale Collects Yale", New Haven, CT, April 30 - July 31 (catalogue)
Jurgen Becker, Hamburg, Germany, "Sean Landers, Raymond Pettibon, Richard Prince", April 3 - June 12
Duke University Museum of Art, Durham, NC, "SOHO at Duke IV", March 19 - May 30
Liz Koury Gallery, NYC, "Confessional, February 6 - 27, curated by Andrea Scott
1992
Kim Light Gallery, Los Angeles, CA, "The Anti-Masculine (Overlapping, but not corresponding to the feminine), December 5 - January 7, 1993, curated by Bill Arning (essay)
Usdan Gallery at Bennington College, Vermont, "Transgressions In The White Cube: Territorial Mappings", November 17 - December 21, curated by Joshua Decter
Galerie Metropol, Vienna, Austria, "Under Thirty", November 7 - December 5, curated by Erik Oppenheim (catalogue)
Bruno Brunnet, Berlin, Germany, "New Deal", October - November
Magasin - Centre National D'Art Contemporain De Grenoble, France, "I, Myself and Others", September - November (catalogue)
Vered Gallery, East Hampton, New York, "Third Annual Exhibition of Collector's Choice of American Artists", September
"Paradise Europe", Copenhagen, Denmark, July, billboard project and video installation at Ny Carlsberg Glyptotek, organized by Bizart and curated by Andrea Rosen Gallery, New York; Daniel Buchholz, Koln; Galerie Maquina Espanola, Madrid; Stalke Out of Space, Copenhagen; and Galleria Paolo Vitolo, Rome (catalogue)
1301, Santa Monica, CA, "Into the Lapse" (Program 1), July 23 - 29, curated by Jean Rasenberger and Brian D. Butler
Stuart Regen Gallery, Los Angeles, CA, May - June
Galerie Esther Schipper, Cologne, Germany, April - May
Centre d'Art Contemporain, Martigny, Switzerland, "Free Lunch", February, organized by Erik Oppenheim
White Columns, NYC, Benefit Exhibition, February
Name Gallery, Chicago, IL, Benefit Exhibition, February
1991
John Post Lee, NYC, "Ornament: Ho Hum All Ye Faithful", December - January 1992
La Galerie du Mois, Paris, France, "L'Esprit Biblioteque", November
Hallwalls, Buffalo, New York, "Pleasure," September - December curated by Steven Saltzman
Christine Burgin Gallery, NYC, "Letters," July - August
Robbin Lockett Gallery, Chicago, IL, "Videos and a Film About Some Schmoes Who Are Trying to Conform (yet miss)", June - July
Sophia Ungers Gallery, Cologne, Germany, "Gulliver's Travels", April (catalogue)
Wright State University, University Art Galleries, Dayton, Ohio, "Words & #'s", April - May (catalogue)
Thomas Solomon's Garage, Los Angeles, CA, "5 Days", January
Name Gallery, Chicago, IL, March
White Columns, NYC, "LYRIC- Uses of Beauty in the 90's"
1990
New Jersey State Museum, Newark, NJ
Andrea Rosen Gallery, NYC, "Work in Progress? Work?"
Simon Watson Gallery, NYC, "Total Metal"
Paula Allen Gallery, NYC, "Drawings"
Postmasters Gallery, NYC, summer group show
White Columns, NYC, Benefit Exhibition
The New Museum, NYC, Benefit Exhibition
1989
Holly Solomon Gallery, NYC, "Outer Limits"
Islip Art Museum, East Islip, Long Island
American Fine Arts Co., NYC
1988 Sculpture Center, NYC, small works show
White Columns, NYC, "Sculpture"
Creative Times, Queens, NYC, "Art on the Beach"
1986
Organization of Independent Artists, Staten Island, NYC, "South Beach III"
Vanguard Gallery, Philadelphia, PA, "Mutual Respect"

Selected Bibliography
2005
V Magazine, “The Devil Inside”, No. 38, Winter 2005/06, pp 52-53
Jafner, Hans-Jürgen, Spke Art Quarterly. “Dirty Clown. Sean Landers”, No. 5, September, pp 64-71
Lange, Christy and Dezeuze, Anna, TATE ETC, “Bound to Fail”, Issue 4, Summer 2005
Scruggs, Gregg. The Harvard Independent, “Art Review: Likeness, Institute of Contemporary Art”, March 10
2004
Rimanelli, David, Art Forum. “Sean Landers, Kunsthalle, Zurich. September. p 123
Pollack, Barbara, Art News. “The Elephant in the Room”, September, pp. 118, 119
Landers, Sean. Text Zur Kunst, “Have You Been Thinking of Leaving New York and If So, Why?”, June, p.101
Papadopoulos, Helena. Stripped Bare 02, “An Afternoon or Two With Sean Landers”, May
Houser, Craig. Flash Art. “Sean Landers”, May-June, p. 82 The New Yorker. March 15, p. 38
Landers, Sean. Frieze. “Sean Landers: Andrea Rosen Gallery, New York”, May, p.108
Smith, Roberta. The New York Times. “I am the Walrus at Cheim & Read”, June 25, p. E33
Smith, Roberta. The New York Times. “Sean Landers at Andrea Rosen Gallery”, April 2, E35
Time Out. March 11 – 18, p. 84
Collings, Matthew. Modern Painters. “Getting Ahead in New York”, Summer, pp.18-19
2003
Art Review. “Not–so-iron lady”, Vol. 1 No. 7, May, p.20 BBC News Online. “Thatcher Years Art Show Opens”, April 16
Coomer, Martin. Time Out London. “Sean Landers at Greengrassi”, June 25 – July 2, P. 57
Lyall, Sarah. The New York Times. “Margaret Thatcher as Muse”, May 12, pp. E1 & E5
Plender, Olivia. Frieze. “Sean Landers, Greengrassi, London”, October, p.126
Williams, Eliza. Art Monthly. “Sean Landers at Greengrassi London”, July-August, pp. 44-45
2002
Symbol. “Sean Landers”, March 23, pp. 34-37
Saltz, Jerry. VillageVoice.com. “Repeat Performance”, October 7
2001
Cash, Stephanie. Art in America. “Sean Landers at Andrea Rosen Gallery, November, pp. 145-146
Dannat, Adrian. The Art Newspaper. “Appropriating Picasso ‘because I want to be as great as him’”, May, p. 80
Edelson, Sharon. W. “Art Course: Restaurants are turning into ad hoc galleries, displaying the work of topflight artists”, September, pp. 442, 444, 452, 454, 456.
Hayt, Elizabeth. The New York Times. “If You Wow Them They Will Come”, February 18, pp. 33, 35
Fineman, Mia. The Village Voice. “I, Picasso”, May 15, Vol. XLVI, No. 19, p. 70
Gilbert, Andrea. View Magazine. “Splash”, Summer, pp 88 - 93
Kimmelman, Michael. The New York Times. “Sean Landers at Andrea Rosen Gallery”, May 4, E33
Mahoney, Robert. Time Out New York. “Sean Landers at Andrea Rosen Gallery”, April 26 – May 3, p. 63
Parker, Lauren. The New York Observer. “Spring Art Walk Best of Show: Sean Landers at Andrea Rosen Gallery”, April 16, p. 8
Pederson, Victoria. Paper. “Short List”, May, p. 133
Perree, Rob. Kunstbeeld. “Sean ‘Picasso’ Landers”, July/August, pp. 64-65
Siegel, Katy. .Public Offerings. Exhibition catalogue published by The Museum of Contemporary Art. Los Angeles. “Young Americans”, pp. 207-192
Wilson, Michael. Untitled. “Sean Landers at Andrea Rosen Gallery”, Summer, pp. 34-35
FigaroScope. “Sean Landers at Galerie Jennifer Flay”. September 5-11, 2001. No. 17751. p.45
The New Yorker. “Goings on About Town: Sean Landers at Andrea Rosen Gallery”, May 14, p. 26
SPUR. “A Guide to the Great Neighborhoods in New York: Chelsea”, June, p. 181
2000
Cereceda, Miguel. ABC Cultural. “Panorama de Nueva York”, November 18, p. 39
Daly, Catherine. The Dublin Sunday Times. “Kin”, July 23
Farquharson, Alex. Art Monthly. “Sean Landers at Greengrassi London”, Issue 239, September, pp. 51-54
Groarke, Vona. Galleries Magazine. “Kin at Kerlin”, August
Kent, Sarah. Time Out London. “Sean Landers at Greegrassi”, July 19 – 26, pp. 60-61
McLaren, Duncan. The Independent on Sunday. “Sean Landers at Greengrassi London”, July 23
Ruane, Medb. The Sunday Times. “Not such kindred spirits”, August 6, pp. 10-11
Art Club Magazine. Autumn 2000, inside cover
Camb16. “ Arte a la vanguardia”, October 23, p. 90
El Dia. “La obra de una treintena de artistas residented en Nueva York desembarca en Tenerife”, October 17, p. 78
In Dublin Magazine. “Group Show: Kin at Kerlin Gallery”, Volv. 25, Issue 15, July/August 2000, p. 31
The Irish Times. “Green fields of New York”, July 19
Tema Celeste. “John Currin, Sean Landers and Richard Phillips”, May/June, p. 148
1999
Arning, Bill. Time Out New York. “Sean Landers at Andrea Rosen Gallery”, Issue 189, May 6 – 13,.p. 75
Collings, Matthew. It Hurts: New York Art from Warhol to Now. Published by 21 Publishing Ltd, Cambridge, England
Dalton, Jennifer. Review. “Sean Landers at Andrea Rosen Gallery”, May 15, p. 13
Ebony, David. artnet.com. “David Ebony’s Top Ten: Sean Landers at Andrea Rosen Gallery
Grabner, Michelle. Frieze. “Examining Pictures”, November/December, pp. 108-109
Johnson, Ken. The New York Times. “Sean Landers at Andrea Rosen Gallery”, May 14, p. E37
Lutzow, Gunnar. Berliner Morgenpost. “Total genial”, May 22, p. 29
Meyer, P.H. Juliet art magazine. “Sean Landers”, February – March, pp. 42 – 43
Matsui, Midori. Masahiko Kuwahara. (exhibition catalogue from Tomio Koyama Gallery, Tokyo, Japan) “The Unnameable Margin: Masahiko Kuwahara’s Serious “Bad Painting”
Pagano, Denise. Il Giornale Dell’Arte. May, No. 177, p. 84
Paparoni, Demetrio. Tema Celeste. December, No. 76, pp. 54-61
Pinchbeck, Daniel. The Art Newspaper. Vol. X, No. 92, May, p. 70
Riemschneider, Burkhard & Uta Grosenick, Eds. Art at theTurn of the Millenium. Published by Taschen. Pp. 298-301
Rimanelli, David. Artforum. “Best of the 90’s: Abject Art”, December, p. 122
Romano, Gianni. Bloom. Published by Contemporary Art Garden, Milan, Italy
Saltz, Jerry. The Village Voice. “Wanting it: Sean Landers at Andrea Rosen Gallery”, May 25, Vol. XLIV, No. 20, p. 142
Seigel, Katy. Artforum. “Sean Landers, Andrea Rosen Gallery”, September 1999, Vol. XXXVIII, No. 1, pp.167-168.
Smith, Roberta. The New York Times. “Conceptual Art: Over, and Yet Everywhere”, April 25, Arts & Leisure section pp. 1, 38
Vincent, Steven. Art & Auction. “Sean Landers at Andrea Rosen”, April 15, p. 74
Zylka, Jenni. Die Tageszeitung. “Trick 17 mit dem Supernichts”, May 27, p. 21
New York Contemporary Art Report. May-June, pp. 74-75
The New York Times. Looking Ahead: Millennial Visions and Old Favorites”, September 12, pp. 93. 96
The New Yorker. “Sean Landers at Andrea Rosen Gallery”, May 24, p. 16
1998
Aono, Naoko. GQ Magazine Japan. “Culture Clash!”, April, p. 154
Bumiller, Elisabeth. The New York Times. “Hostess of Her Own Party, 6 Nights a Week”, May 22, p. B2
Bussel, Abby. Interior Design. “Play It Again”, June, pp.138-141
Collings, Matthew. Blimey! From Bohemia to Britpop: The London Artworld from FrancisBacon to Damien Hirst”, Published by 21 Publishing Ltd, Cambridge, England
Colman, David. Elle Décor. “Chelsea Rising”, August/September, pp. 104, 106, 108-109
DiPietro, Monty. Asahi Evening News. “The Artist as Generation Xer”, March 26, p. 11
Fabricant, Florence. The New York Times. “In Chelsea, Lot 61”, March 11, p.F11
Fioravante, Celso. Folha De Sao Paolo. “Sobra cor e falta ruido em ‘Hanging’”. May 4, p. 5
Frank, Thomas. Artforum. “Corporate Wretch”, November, p. 27
Hogrefe, Jeffrey. The New York Observer. “The Force behind Guggenheim’s Nudie Show”, May 11, p. 26
Kawachi, Taka. B.T. Magazine. “Sean Landers”, November, pp. 54-56
Kliner, Dion. Flash Art. “After the Disasteroid”, Summer, pp. 113-115
Lauf, Cornelia and Clive Phillpot. Artist/Author: Contemporary Artists’ Books. Published by Distributed Art Publishers, Inc., New York. Pp. 75,82 88, 157
Louie, Elaine. The New York Times. “The New Bohemia: Ordering : Comfortable Minimalism”, February 26, p.F3
Matsui, Midori. Studio Art Magazine. “Sean Landers at Taka Ishii Gallery”, April, p. 129
Nishihara, Min. Elle Magazine (Japan). “Insight Art”, April, p. 291
Viegas, Camila. O Estado de Sao Paolo. “Mostra aponta rumos da pintura moderna. May 4, p. D1
Art and Auction, “The Trying of Lot 61”, January, p. 17
Folha de Sao Paolo. “Imaginario pop”, May 5, Section 4, p. 2
Gallery Monthly. (Japan). March, p. 31
Gap. (Japan) “Sean Landers at Taka Ishii Gallery”, May, p. 82
Globo Rio Show. Nove faces da arte no Paco Imperial”, July 17-19, p. 9
Weekly PIA. (Japan). April 13, p. 208
Weekly PIA. (Japan). March 23, p. 187
1997
Arning, Bill. World Art. “a/drift”, No. 13, pp. 74-75
Atamian, Christopher. Review. “Self-Centered”, September 15, pp. 41-42
Boyce, Roger. ArtNet.Com/Magazine/Reviews. “Reviews: Sean Landers at Andrea Rosen”, website review Juine 19, 4 pages
Conrads, Martin. zitty. “Ansichten eines Clowns”, January 20, No. 2, p. 200
Fricke, Harald. Die tageszeitung. “Bronx in Weimar: Kunstin Berlin jetzt: Calle, Yong, Pollmann, Brauntuch, Landers”, January 18/19, p. 36
Heartney, Eleanor. Art in America. “Sean Landers at Andrea Rosen Gallery”, December, pp. 96-97
Horodner, Stuart and Mark Sanders. Dazed and Confused. “Warhol is...”, Number 27, pp. 48-51
Katz-Freiman, Tami. Art Papers. “Going to the Dogs: Man (dressed as Dog) Bites an Art Critic! – Notes from the front-line of the struggle for attention: New York” November/December, Vol 21, Issue 6, pp. 78-80
Katz-Freiman, Tami. Studio Art Magazine. “Going to the Dogs: Man (dressed as Dog) Bites an Art Critic! – Notes from the front-line of the struggle for attention: New York”, Spring, 1997”, pp. 36-40, No. 87, November
Liebmann, Lisa. Bookforum. “New Hughes: Blimey! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst by Matthew Collings”, Winter, pp. 3, 51
Pyrgioti, Eleni. Arti. “Sean Landers”, Volume 32, pp. 165-166
Schwendender, Martha. Time Out New York. May 22 - 29, p. 45
Simpson, Helen. Modern Painters. “Meat for Thought”, Spring, pp. 94-96
Smith, Roberta. The New York Times. “Despite Changes, a Gallery Scene That’s Resilient and Vital”, May 9, pp. C1, C24
Stein, Lisa. New City. “Art: Ten in One Gallery”, July 24, p. 22
Van de Walle, Mark. Artforum. “Sean Landers at Andrea Rosen Gallery”, December, pp. 119-120
Manhattan File. April
New Yorker. “Talk of the Town: Sean Landers”, May 26, pp. 20
Point of Contact. “Movies and Films”, Winter/Spring, Vol. 5, No. 1, pp. 88 – 93
1996
Allerholm, Milou. Index. “‘NowHere’ at Louisiana Museum, Denmark”, November/December, pp. 94-95, 137-138
Auerbach, Lisa Anne. Los Angeles Reader. “Lush Life: Sean Landers’ Intoxicating Images”, March 15, Vol. 18, No. 23, p. 17
Bartas, Magnus. Index. “Slave to the Rhythm”, Number 3-4, pp. 93-94
Boodro, Michael. Vogue. “Dealer’s Choice”, March, pp. 414-419, 468
Cafopoulos, Catherine. Arti. “Counting Time and Other Things”, October/November/December, Volume 31, pp. 224-241
Caniglia, Julia. City Pages. “Artists of the Year: The makers that mattered in 1996: Sean Landers” December 25, Vol 18, No. 838, p. 17
Cork, Richard. The London Times. January 30, p. 38
Damianovic, Maia. Tema Celeste. “Il Fantastico in arte”, Winter, p. 76-99
Decter, Joshua. Artforum. “Sean Landers at Regen Projects”, May, p. 108
Dorment, Richard. The Daily Telegraph. “A device to blow your mind”, January 24
Ericsson, Lars O. DN. Kultur & Nojen. “Konsten som forsvann”, June 3, p. 1
Fineman, Mia. World Art. “the scrawl of the wild”, Number 4, pp. 76-79.
Gail, Iain. The Independent ‘Metro’. “Iain Gale on exhibitions”, January 26
Hall, James. The Guardian. January 30
Hilton, Tim. The Independent. “No Laughing Matter”, February 1, p. 4
Honigsbaum, Mark. Evening Standard. “The great white shark of art”, January 22
Itaver, William. The London Observer. “A choc-and-doodle do”, February 4
Januszczak, Waldemar. The London Sunday Times. “Gnawing Questions”, February 4
Johnson, Paul. Daily Mail. “What a load of old lard”, January 26
Kent, Sarah. Time Out. “USA-grade: Sarah Kent on ‘Young Americans’”, January 31 - February 7, p. 46
Larsen, Lars Bang. Flash Art. “‘Toons’ at Campbells Occasionally, Copenhagen”, October, p. 75
Lyttelton, Celia. The Now Art Book. “Sean Landers”, pp. 94-95, 187-188
Maloney, Martin. Flash Art. “Young Americans: Parts I & II”, May/June, pp. 108 - 109
McEwen, John. The Sunday Telegraph. “A transparent bomb, a saucepan full of napalm”, January 28
Muller, Katrin Bettina. Der Tagesspiegel. “Ausgelutscht- Der Amerikaner Sean Landers be Contemporary Fine Arts”, December 28, p. 21
Packer, William. Financial Times. “All chewed up over art”, January 30
Philippi, Anne. Spex. “wunderbar: Asthetik der Ungebung”, June
Poerschke, Ralf. Hamburger Rundschau. June 6, No. 24, pp. 50-51
Rubenstein, Raphael. Art in America. “Visual Voices”, April, pp. 94-101, 133
Schreiber, Susanne. Handelsblatt. Biographisch kodiert”, July 5 & 6,
Schwendener, Martha. Time Out New York. “Catch My Drift?”, December 12 - 19, p. 40
Seyfarth, Ludwig. Szene Hamburg. “Mein wunderbarer: Malsalon”, June, pp. 88 - 90
Smith, Roberta. The New York Times. “Finding Art in the Artifacts of the Masses”, December 1, pp. 43, 46
Stange, Raimar. Artist Kunstmagazin. “Wunderbar”, March, pp. 44-47
Van de Walle, Mark. Artforum. “Best and Worst: Music”, December, p. 53
Dazed and Confused. “Special Artists’ Project”, Number 16, pp. 95-99
DIVA. “Sean Landers”, pp. 46 – 47
Hamburger Abendblatt. “23 Kunstler stellen im Hamburger Kunstverein aus: Wunderbar subjektiv”, June 1/2, p. 23
Hvedekorn. March, pp. 80-81
Le Millenium. No. 15
Spin Magazine. “Genius Lessons” (a monthly column by Sean Landers), June, p. 140
Spin Magazine. “Genius Lessons” (a monthly column by Sean Landers), July
The Village Voice. “Pop Crossover”, May 28, p. 92
1995
Budney, Jen. Flash Art. “Sean Landers: Therapy?”, March/April, pp. 91-93
Croke, Vicki. The Boston Globe. “The draw of the wild”, November 25, pp. 21, 26
Greene, David A. Art Issues. “Narcissistic Disturbance at Otis Gallery”, March/April, p. 40
Jones, Ronals. Frieze. “Sean Landers at Andrea Rosen Gallery”, September – October, pp. 75-76
Katz-Freiman, Tami. “Studio Art Masazine”, No. 64, August - September,
Levin, Kim. The Village Voice. “Voice Choice: Sean Landers at Andrea Rosen”, May 9, Choice section, pp. 2, 3
Raffalli, Jean-Francois. Blocnotes. “John Currin: FRAC Limousin - Limoges”, Number 10, Sept/Oct, p. 82
Robinson, Walter. (introduction by) Manhattan File. “Me and My Shadow” (self-interview) December, pp. 54-57
Rugoff, Ralph. LA Weekly. “Vanity Fare”, February 17 - February 23, p. 33
Seward, Keith. Paper Magazine. “Logorrhea Sean Landers is [sic]”, November, p. 36
Silver, Joanne. The Boston Herald. “MIT exhibit explores our kinship with ‘Apes’”, Friday, October 13, p. S21
Taylor, Robert. The Boston Globe. “Gorillas in our midst”, November 16, pp., 65, 71
artpress. “Sean Landers at Galerie Jennifer Flay”, November, p. 17
Fat. Winter 1995/1996, p. 46
Lacanian Ink. Number 10, Fall, pp. 28-29 (illustration)
The New Yorker. “Goings on About Town: Sean Landers at Andrea Rosen”, May 8, p. 20
1994
Avgikos, Jan. Artforum. “Sean Sucks...Not: Portrait of the Artist as a Young Artist”, April, pp. 67-69, 133
Billeter, Fritz. Tages-Anzeiger. “Schnorkel und Schleifchen”, Monday, February 28
Cameron, Dan. Frieze. "Ode to discernment", January/February, pp. 36-40
Choon, Angela. Art and Antiques. "Desire for Identity: Artists build images for themselves", March, p. 20
Clewing, Ulrich. Zitty. “Grandioser Flop”, No. 21, p. 57
Cooper, Jacqueline. Artforum. “Letters: To the editor”, Summer, p. 7
De Beyerd. Haagsche Courant. “Can you always believe your eyes.”, April 29,
Decter, Joshua. Flash Art. “Stupidity as Density: American Idiot Culture”, October, pp. 72-76
Drohojowska-Philip, Hunter. The Los Angeles Times. “Not Bad, Just Misunderstood”, (Washington edition) March 18, pp. B8-9; and “This ‘Bad-Boy Artist Has Lots of Thoughts on Love” (Los Angeles edition), March 18, pp. F1, F24 and Quote of the Day, p. F1
Fricke, Harald. Die Tageszeitung. “Verganglichkeit ist keine Frage des Stils”, October 22, p. 38
Hultkrans, Andrew. Artforum. “Sean Sucks...Not: The Tres Boring Hours”, April, pp. 62-65, 117, 119
Kandel, Susan. The Los Angeles Times. “Sean Landers: A ‘Bad Boy’ Goes Bad”, March 22
Kent, Sarah. Time Out. “Sean Landers at White Cube”, June 1 - 8, No. 1241, p. 42
Langer, Werner. Der Tagesspiegel. “Galerien: Einkehr bei Einzelgangern”, October 1, p. 25
Lewis, Jim. Harper's Bazaar. "The Writings on the Wall", March, pp. 182-186
Lewis, Jim. Art Issues. "Pragmatics", January/February, pp. 12 - 15
Mack, Gerhard. Cash. Hinter der Buhne lauert die reale Welt: Das Luzerner Kunstmuseum blickt mit “Backstage” hinter die Kilissen der modernen Kunst”, No. 6, February 11, p. 53
O’Grady, Lorraine. Artforum. “Sean Sucks...Not: SWM”, April, pp. 65-66
Pacheco, Patrick. Art and Antiques. "America's Top 100 Collectors", March, pp. 47-52, 60-63, 72-76, 80-84, 92-97, 104-105
Perree, Rob. Kunstbeeld. “De Duivelse Kunsten van Sean Landers”, November, pp. 35 - 37
Princenthal, Nancy. The Print Collector's Newsletter. January-February, Vol. XXIV, No. 6 p. 230
Ritchie, Matthew. Flash Art. “The World Made Flesh”. May/June, No. 176, pp. 71-72
Saltz, Jerry. Art in America. “A Year in the Life: Tropic of Painting”, October, 90 - 101.
Silverthorne, Jeanne. Sculpture. “On the Studio’s Ruins”, November/December, pp. 26-29
Smith, Roberta. The New York Times. "Group Shows of Every Kind, Even When the Show Itself Is an Art Form", February 25, p. C22
Tager, Alisa. Art Issues. “Sean Landers at Regen Projects”, May/June, p.47
Volkart, Yvonne. Flash Art. “Passing Through - Walcheturm, Zurich”, May, June, p. 79
Weil, Benjamin. Flash Art. "Backstage", January/February, p.95
Young, Lucie. The Face. “Apathy in the USA”, No. 70, July, pp. 96 - 99
Nummer, “Sean Landers cartoons”, January, pp. 101-105
New Observations. “Remisisonem Peccatorum”, No. 103, p. 4
Zuri-tip. “Passing Through”, January 21, 1994
1993
Ardenne, Paul. Art Press. "Sean Landers at Galerie Jennifer Flay", July - August, No. 182
Bourriaud, Nicolas. Flash Art Daily. "Curator's Statement: Nicolas Bourriaud: Standards", June 10, p. 8
Brenken, Erika. Rheinische Post. "Jenseits der Gemutlichkeit", September 15, p.11
Dahlqvist, Dennis. Expressen. "Hackat och vrickat", June 28, p.5
Gardner, Belinda. Hamburg Rundshau. "Da gerat einiges ins Wanken", September 16, no. 38, pp. 10-11
Gilliam, Liam. Documents. "A Guide to Video Conferencing Systems and the Role of the Building Worker in Relation to the Contemporary Art Exhibition (Backstage)", October, pp. 36-37
Gopnik, Adam. The New Yorker. "The Art World: Death in Venice", August 2, pp. 66 - 73
Heartney, Eleanor. Art Press. "Galleries: The Emerging Generation - New York, The Art of Survival", October, No. 184, pp. 24 - 28; E7 - E10
Hixson, Kathryn. New Art Examiner. "Trouble in Paradise", October, pp. 28-32
Jacques, Alison Sarah. Flash Art Daily. "Sean Landers", June 10, p. 7
Landers, Sean. Texte zur Kunst. "Dear Text zur Kunst", June, pp. 105-107
Levin, Kim. The Village Voice. "Voice Choices: Sean Landers at Andrea Rosen Gallery", November 16, p. 77
Meckseper, Josephine. 241. "Sean Landers interviewed by Josephine Meckseper", May, pp. 20 - 24
Minetti, Maria Giulia. L'Uomo Vogue. "E l'artte riparte dai punti cardinali", June, p. 100
Muller, Silke. Kunstforum. "Backstage", October, pp. 389-391
Risaliti, Sergio. Flash Art. "Flash Art News: I, Myself and Others - Magasin, Grenoble", May, p. 123
Salvioni, Daniela. Flash Art. "Flash Art News: Aperto -A Stroll Through the Emergency", October, p. 67 - 68
Smith, Roberta. The New York Times. "Sean Landers at Andrea Rosen Gallery: Art as its maker's mirror", November 26, p. C29
Sugiura, Kunie. B.T.: Monthly Art Magazine. "Sean Landers", July, Vol 45 no. 672 pp. 40-41
Verzotti, Georgio, "Aperto '93: The Better Biennale", October, pp. 104-105
Galeries Magazine. "La Biennale de Venise", Summer, pp. 69-75
Pariscope: une semaine de Paris. "Sean Landers at Jennifer Flay", May 5 - 11, p. 170
B.T.: Monthly Art Magazine. La Biennale di Venezia, p. 68
The ARTnewsletter. "What Asher Edelman Buys", July 6, p.3
The New Yorker. "Goings On About Town: 'Sean Landers at Andrea Rosen", November 15, p.28
The New Yorker. "Goings On About Town: 'Confessional'", March 8
241. reproduced "Locked in Hamburgh's Kunsverein!", Summer, p.14 – 19
1992
Adams, Brooks. Art in America. "Sean Landers at Andrea Rosen Gallery", July, p. 105
Arning, Bill. Essay from group exhibition at Kim Light Gallery. "The Anti-Masculine (Overlapping but not corresponding to the feminine)"
Braff, Phyllis. The New York Times. "7 Artists With Bright Futures", September 13, Long Island section
Hansen, Malene Vest. Politiken. "Europas paradis", June 11
Kerte, Jens. Politiken. "Kunst pa reklame-tavlerne", June 3
Kruger, Barbara. Le Monde (Rhone-Alpes). "A vous et a moi: 'I, Myself and Others' au Le Magasin, Grenoble", October 2, p. 25
Kuoni, Carin. Kunst-Bulletin. "New York: Ein Heer von Versagern", No 4, April, pp. 58-59
Larson, Kay. Atelier. "Art on Site: Twenty-five Years in Two Hours", July, pp. 64 - 83
Larson, Kay. New York Magazine. "Darkness Visible", March 16, pp. 79-80
Levin, Kim. The Village Voice. "Choices", March 10, p.73
Lieberman, Rhonda. Artforum. "The Loser Thing", September, pp. 78-82
Meyer, Peter S. Nordic Art Review. "Bizart, Copenhagen", September
Meyer, Peter S. Kristeligt Dagblad. "Kunst pa reklamernes plads", June 11
Michelsen, Anders. Art & Text. "Paradise Europe, Bizart, Copenhagen", September
Nesbitt, Lois. Elle Magazine. "The Young, The Wild and The Wicked", March, pp. 130 - 132
Rimanelli, David. Artforum. "Sean Landers at Andrea Rosen Gallery", May p. 116
Slivka, Rose C.S. East Hampton Star. "Collector's Choice", September 17
Smith, Roberta. The New York Times. "Examining a Multi-Media Personality", February 21, p.22
Sugiura, Kunie. B.T.: Monthly Art Magazine. "From New York", June, Vol 44 no. 655 p. 163
Weil, Benjamin. Flash Art. "Spotlight: Sean Landers", May/June, p.110
Weiss, Marion Wolberg. Dan's Papers. "Review: Emerging Artists at the Vered", September 18
Flash Art. "News: Copenhagen - Paradise Europe", Summer, p.132
Publicsfear. "Project for Publicsfear", Vol. 1, No. 1, pp. 35-46
The New Yorker. March 9, pp. 12 - 13
1991
Bravin, Karin. New York Connection. "SOHO: Untitled '92", Volume 40, pp. 44-48
Decter, Joshua. Arts. "Sean Landers", February, p. 105
Decter, Joshua. Arts. review of "Work? Work in Progress?", March
Greenhagen, Holly. Reader. March 29, Section 1
Hagen, Charles. The New York Times. "An Epistolary Motif", August 23
Hixson, Kathryn. Flash Art. "Videos and a Film....", review, October
Holmqvist, Karl. Material. "Scatter Pieces", No.3, pp. 7-10
Jolles, Claudia. ZuriWoche. "Notizen Eines Gluckosen", March 28
Kozik, K.K. Cover. review of "Lyric," White Columns, May
Kuoni, Carin. Kunst Bulletin. "Work In Progress. Work? Eine Ausstellung - oder ein Zustand in New York", April
Levin, Kim. Village Voice. "Choices", August 20
Lieberman, Rhonda. Flash Art. "Sean Landers", March/April, p. 142
McCracken, David. Chicago Tribune. review, October 25
Miller, John. Texte Zur Kunst. "Sean Landers", Spring Issue
Nesbitt, Lois. Artforum, "Sean Landers", March
Rosenberg, Barry A. and Carol Nathanson. Words & #s. Wright State University, Dayton, Ohio. exhibition catalogue
The New Yorker. "Goings On About Town", review, September 2
1990
Andersen, Michael. Contemporanea. "Sean Landers", March
Decter, Joshua. Arts. "Sean Landers", April
Gilbert, Elizabeth. Downtown Express. "It's Not Done Yet", December 12
Hess, Elizabeth. The Village Voice. "Caution: Artists Working", December 18
Lewis, James. Artforum. "Sean Landers", April
Mahoney, Robert. Art Today. "Sean Landers", volume 2, number 1
Smith, Roberta. The New York Times. "Echoes of the 60's and 70's Among the Young and Little Known", November 30
The New Yorker. "Goings On About Town", review, July 1
The New Yorker. "Goings On About Town", review, December 24
The New Yorker. "Goings On About Town", review, December 10
1989
Anderson, Alexandra. Smart. "The Next Generation", September/October, pp. 69 - 79
Iverem, Esther. New York Newsday. "At City Parks, Spring Is In The Art", May 12, weekend pp. 1, 16 -17
Mahoney, Robert. Arts. "New York In Review (Outer Limits)", November
1988
Brenson, Michael. The New York Times. "Outdoor Works Echo Struggles of Life in the City", (Art on the Beach), July 15, p. C28
Mahoney, Robert. Arts Magazine. "New York in Review", (Art on the Beach), November
1986
Brenson, Michael. The New York Times. "A Bountiful Year in Outdoor Sculpture, Glimpses of a New Sensibility", (South Beach III), July