YUKA TSURUNO is pleased to announce a solo exhibition by Manika Nagare entitled “Visible Edge”. This will be her first one-person show in two years.
Nagare’s previous work, inspired by “an interest in other people”, consists of abstract paintings that depict people who brush past and pass by each other in the midst of modern everyday life using a distinctive palette of colors and linework. These pieces, which seem to dissolve into the landscape, have won her much critical acclaim. Nagare’s new works, which seem to have shifted their focus from people to landscape, were developed by carefully observing the natural environment that she encountered over the course of several visits to the Tohoku region since last year. The title of this exhibition, “Visible Edge”, refers to the colors, lines, and contours found within transient, fleeting natural scenery that create not just an impression of beauty, but also feelings of awe and anxiety, seen through the artist’s own perspective.
This exhibition will showcase an installation of around ten paintings, centering on a large canvas entitled “Visibility” that measures almost two meters across. Despite concerted efforts to offer assistance to the quake- and tsunami-stricken areas through various workshops that she has been leading since last year, Nagare came to the realization that “all I can do is to keep painting”. We hope you take this opportunity to view her most recent works at this exhibition – which will also be the last show to be held at our current location.

Artist Statement 
Over the course of my repeated trips to Tohoku since last year, the sights that I couldn’t tear my eyes away from were those filled with the beauty of the natural environment – these gorgeous landscapes whose beauty impressed with their sheer strength and intensity. 
The things that gave that natural environment meaning and significance, however, suddenly changed as a result of a certain incident. Now, a creeping, invisible sense of dread haunts us constantly. Although my previous works always tended to reflect my own personal interest in human beings, I have also started to trace the breath and pulse of the landscape that unfolds before my eyes. These works depict the lines that live in nature – both the ones that we can perceive with our eyes, and those that are invisible to us.
All I can do is to keep my eyes diligently trained on them, confront them, and continue painting.