“With the death of the avant-garde and the triumph of irony, art seems to have nothing sincere to say.  Narcissism and nihilism battle for a center stage that isn't even there; kitsch and camp crawl all over each other in a fight for a representation that no longer matters anyway; there seems to arise only the egoic inclination of artist and critic alike, caught in halls of self-reflecting mirrors, admiring their image in a world that once cared.”
Ken Wilber, The Eye of Spirit:Integral Art and Literary Theory
 
Shibuhouse’s performative exhibition, House 100, at The Container does what Shibuhouse do best—being Shibuhouse. The young loose-collective which was formed in 2008 and explores the notion of art through their shared residence in the central Tokyo neighbourhood Shibuya, gives us an opportunity to consider the borders between acts of art and simply living, through a series of interviews they are conducting for the duration of the exhibition. The interviewees are a range of artists, designers, musicians and professionals the collective selected as figures of inspiration.