Not knowing in advance the occupants of a given house or flat, reconstructs their memory portrait “recorded” in the objects found there, in the organization of space, in its proxemics. The project is polemical with so modern a question of the consumerist society age: ”to be or to have?” and it proposes a third way in my photographs: “to be and to have”. It is a bold thesis, invalidating an idealistic assumption that “handsome is as handsome does.” The compositions constitute portraits without the main hero – the portrayed person being there. Instead, domestic appliances are peopled, so banal yet telling so much about us.