I am used to treat objects (even if myself) in the distance (as the third person), so that my painting presents or to be viewed as if it is a theatrical scene. Through the stage I had created, the viewer could extend some organoleptic feelings or meanings. At the same time, I want to show some inner emotions, like in the Japanese literature, that I take it as one of my spiritual nutrient, which usually transforms the emotion to human into different kinds of aspect; I observe and exam about the diaphanous or vague relationships between human, human and society, or human and natural through the daily descriptions and cumulation.

Through the “Park” series, I would like to express my emotion and identification toward the land I had grown up, and at the same time, propose questions and create imagination about the relationship between human, nature, and the society under the evolution of history and the development of the environment.