Education
1986: Master of Fine Arts Degree in Visual Arts, University of California, San Diego.
1981: Graduate Degree (MFA Equivalent), Mural Painting, Central Academy of Fine Art, Beijing,
China.
1975: Bachelor of Fine Arts Degree in Art and Art Education, Beijing Teachers College, Beijing,
China.

Academic Positions
2001-present: Professor of Art, Mills College, Oakland, California.
1995-2001: Associate Professor of Art, Mills College, Oakland, California.
1990-1995: Assistant Professor of Art, Mills College, Oakland, California.
1989-90: Assistant Professor of Art, University of North Texas, Denton, Texas.
1987: Adjunct Professor (Chinese Art History), Department of Art, University of
Texas at Arlington.
1981-84: Instructor of Art, Central Academy of Fine Art, Beijing, China.
Awards
“Oakland Airport: Going Away, Coming Home,” Americans for the Arts Annual Public Art Year in
Review Award, June 2007.
Outstanding Alumna Award, University of California, San Diego, June 2000.
Joan and Robert Danforth Distinguished Professorship in the Arts Endowed Chair, Mills College, 1999.
The Joan Mitchell Foundation, Inc., Painters and Sculptors Grant, 1998.
“Hometown Heroes, Oakland Artists Who Have Made A Difference,” proclaimed by Elihu M. Harris,
Mayor of the City of Oakland, June 6, 1996, Oakland, CA.
San Francisco Women’s Center Humanities Award, San Francisco, 1996.
International Association of Art Critics (US Section), Best Exhibition by an Emerging Artist, 1993-94
Season: “Jiu Jin Shan,” De Young Museum, 1994. Art in America, “Art World Awards”, Vol. 83, No.
5, p134, May, 1995.
Fleishhacker Foundation Eureka Fellowship, San Francisco, January, 1993.
Society for the Encouragement of Contemporary Art (SECA) Award, San Francisco Museum of
Modern Art, 1992.
National Endowment for the Arts, Painting Fellowship, 1991.
National Endowment for the Arts, Painting Fellowship, 1989.
Capp Street Project Stipend, 1988.

Selected Solo Exhibitions
“Cycles”, Bernice Steinbaum Gallery, Miami, Florida, November 8 – January 3, 2008/09
“Rat Years”, Walter Maciel Gallery, Los Angeles, California, November 1 – December 20, 2008
“Hung Liu: New Work,” Turner Carroll Gallery, Santa Fe, New Mexico, July 18 – August 5, 2008.
“Prodigal Daughter,” F2 Gallery, Beijing, China, May 24 – June 27, 2008.
“Tai Cang (Great Granary),” Xin Beijing Art Gallery (XBAG), Beijing, China, May 25 – June 8, 2008.
“Hung Liu: Now and Then,” Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma,
April 1 – July 6, 2008.
“Hung Liu: Memorial Grounds 1988 – 2006”
SCAD – Savannah, Pei Ling Chang Gallery, Savannah, Georgia,
January 9 – February 27, 2008.
SCAD – Atlanta, ACA Gallery of SCAD, Atlanta, Georgia, November 1 –
December 30, 2007.
“Daughters of China,” Rena Bransten Gallery, San Francisco, California, October 18, 2007 – November
24, 2007.
“Hung Liu: New Work,” Turner Carroll Gallery, Santa Fe, New Mexico, August 10 – 27, 2007.
“Hung Liu: ZZ (Bastard Paintings), Nancy Hoffman Gallery, New York, New York, May 24 – July 5,
2007.
“Hung Liu - Za Zhang: Bastard Painting,” Byron C. Cohen Gallery, Kansas City, Missouri, March 2 –
April 28, 2007.
“Hung Liu: Old Road, West Wind,” iPreciation Gallery, Singapore, January 11 – 26, 2007.
“Matriarchs,” Bernice Steinbaum Gallery, Miami, Florida, November 11, 2006 – January 12, 2007.
“Hung Liu: New Work,” Walter Maciel Gallery, Los Angeles, California, September 7 – October 14,
2006.
“Matriarchy: Hung Liu’s New Work,” Art Scene China Warehouse, Shanghai, China, September 4 –
September 20, 2006.
“The Vanishing: Re-presenting the Chinese in the American West,” University of Wyoming Art
Museum,” Laramie, Wyoming, May 20 – September 30, 2006.
“Full Circle: Revolutions in the Paintings of Hung Liu,” Paul Robeson Gallery, Rutgers University,
Newark, New Jersey, January 17 – February 23, 2006.
“Hung Liu: Za Zhong – Bastard Paintings,” Nancy Hoffman Gallery, New York, New York, December 3,
2005 – January 3, 2006.
“Hung Liu: Polly - Portrait of a Pioneer,” Rena Bransten Gallery, San Francisco, California, October 13 –
November 26, 2005.
“Hung Liu: Female Radical Nu Zi Pang,” Nancy Hoffman Gallery, New York, New York, May 21 – June
28, 2005.
“Hung Liu: An Exhibition of New Work at Trillium Press,” Trillium Press, Brisbane, California, May 10
– June 16 2005.
“Hung Liu,” Nathan Larramendy Gallery, Ojai, California, April 2- May 25, 2005.
“Hung Liu: A Decade of Paintings,” Guilford College Art Gallery Greensboro, North Carolina, March 21
– May 6, 2005.
“The Vanishing: Re-presenting the Chinese in the American West,”
Salt Lake Art Center, Salt Lake City, UT, January 29 – March 20, 2005.
Schneider Museum of Art, Southern Orgeon University, Ashland, Oregon,
Prichard Art Gallery, University of Idaho, Moscow, Idaho.
“Relic: New Paintings,” Bernice Steinbaum Gallery, Miami, Florida, November 27, 2004 – January 15,
2005.
“Hung Liu: Lament,” Art Scene China, Shanghai, China, September 27 - October 17, 2004.
“Hung Liu,” Byron C. Cohen Gallery, Kansas City, Missouri, March 5 – May 1, 2004.
“New Prints by Hung Liu,” Paulson Press, Berkeley, California, October 18 – November 26, 2003.
“Geography of Memory: Selected Works by Hung Liu,” Monterey Museum of Art, Monterey, California,
September 13 – December 31, 2003.
“Hung Liu: Revolutionary Daughter,” Michael Berger Gallery, Pittsburgh, Pennsylvania, September 12 –
November 29, 2003.
“Hung Liu: New Paintings,” Anne Reed Gallery, Ketchum, Idaho, July 28 – September 28, 2003.
“Hung Liu: Toward Peng-Lai (Paradise),” Rena Bransten Gallery, San Francisco, California, May 1 –
June 7, 2003.
“Hung Liu: Works on Paper,” B. Sakata Garo Gallery, Sacramento. California, March 4 – March 29,
2003.
“Complex Puzzles, New Work: Hung Liu,” Bernice Steinbaum Gallery, Miami, Florida, November 30,
2002 – January 4, 2003.
“Painterly Proofs: Prints by Hung Liu,” de Saisset Museum, Santa Clara University, Santa Clara,
California, September 28 – December 7, 2002.
“Hung Liu”, Polk Museum of Art, Lakeland, Florida, August 3 – October 27, 2002.
“Strange Fruit: New Paintings by Hung Liu,”
Arizona State University Art Museum, Tempe, Arizona, January 26 – April 28, 2002;
Boise Art Museum, Boise, Idaho, June 1 – August 4, 2002;
Laguna Art Museum, Laguna Beach, California, October 27, 2002 – February 23, 2003;
Crocker Art Museum, Sacramento, California, March 8 – May 4, 2003.
“Hung Liu: Paintings,” University of Wyoming Art Museum, Laramie, Wyoming, June 22 – August 25, 2002.
"Hui Yin (Echoes)," Mabel Smith Douglass Library, Rutgers University, New Brunswick, New Jersey, September
4 – October 12, 2001.
"Studio Sessions: New Paintings by Hung Liu," Craft and Cultural Arts Department, City of Oakland and State of
California Gallery, Oakland, California, 2001.
"Beyond the Frame: Hung Liu,” Knoxville Museum of Art, Knoxville, Tennessee, September 7 -
December 16, 2001.
“A Retrospective of Contemporary Paintings by Hung Liu,” Ellen Noel Art Museum of the Permian
Basin, Odessa, Texas, April 20 – July 15, 2001.
“New Paintings,” Rena Bransten Gallery, San Francisco, California, September 7 – October 14, 2000.
“Where Is Mao? 2000,” The Art Center, Center of Academic Resources, Chulalongkom University,
Bangkok, Thailand, July 6 - 31, 2000.
“Hung Liu,” LewAllen Contemporary Gallery, Santa Fe, New Mexico, April 7 – 29, 2000.
“Hung Liu,” Byron C. Cohen Gallery, Kansas City, Missouri, January 21 – March 12, 2000.
“Hung Liu; Paintings,” Miami University Hiestand Galleries, Oxford, Ohio, November 1 – November
26, 1999.
“Hung Liu, New Work,” Steinbaum Krauss Gallery, New York, New York, October 16 -November 20,
1999.
“Hung Liu,” Gallery of Contemporary Art, Sacred Heart University, Fairfield, Connecticut, May 9 -
June 3, 1999.
“Chinese Types,” Rena Bransten Gallery, San Francisco, California, September 3 - October 3, 1998.
“Hung Liu: WashingTown Blues,” Halsey Gallery at the College of Charleston, Charleston, South
Carolina, May 21 - June 6, 1998.
“Hung Liu: Recent Works,” Schneider Museum of Art, Southern Oregon University, Ashland, Oregon,
May 7 - June 13, 1998.
“Hung Liu: A Ten-Year Survey, 1988-98,”
The College of Wooster Art Museum, Wooster, Ohio, March-June 1998;
The John and Margaret Muscarelle Museum of Art, Williamsburg, Virginia, August-October, 1998;
Kemper Museum of Contemporary Art and Design, Kansas City, Missouri, November-December 1998;
University of California, San Diego, La Jolla, California, January-March, 1999; Bowdin College
Museum of Art, Brunswick, Maine, April-June, 1999;
The Ackland Art Museum, Chapel Hill, North Carolina, September-November, 1999.
“Hung Liu’s New Work,” Steinbaum Krauss Gallery, New York, New York, October 18-November 29,
1997.
“Hung Liu,” Golden Gate University, San Francisco, California, June 23-August 29, 1997.
“Hung Liu: Unfolding Memory - Embodying History,” Center for Curatorial Studies, Bard College,
Annandale, New York, March 16 - April 13, 1997.
“Hung Liu - You Can’t Go Home Again,” Donna Beam Fine Art Gallery, University of Nevada Las
Vegas, Las Vegas, Nevada, October 7- November 8, 1996.
“Hung Liu’s New Work,” Horwitch LewAllen Gallery, Santa Fe, New Mexico, April 5- 28, 1996.
“Hung Liu,” Mills College Art Gallery, Oakland, California, February 7- March 17, 1996.
"Feudal Remnants," Rena Bransten Gallery, San Francisco, California, January 25 - February 24, 1996.
“Parameters: Hung Liu,” The Chrysler Museum, Norfolk, Virginia, November 7, 1995 - January 14,
1996.
“Tradewind,” Ohlone College Art Gallery, Fremont, California, November 9 - December 16, 1995.
"The Last Dynasty," Steinbaum Krauss Gallery, New York, New York, October 14 - November 18,
1995.
"Can-ton, the Baltimore Series,” Baltimore Contemporary Museum, Baltimore, Maryland, March 19 -
May 29, 1995.
"Hung Liu- Paintings and Installation," University of California at Irvine, Fine Arts Gallery, Irvine,
California, October 4 - 29, 1994.
"Hung Liu: Identity Fragments," the Mary Porter Sesnon Art Gallery, Porter College, University of
California at Santa Cruz, Santa Cruz, California, September 24 - October 30, 1994.
"Jiu Jin Shan"(Old Gold Mountain), an installation at the M. H. de Young Memorial Museum, San
Francisco, California, June 8 - August 21, 1994.
“Tales of Chinese Women,” John Michael Kohler Arts Center, Sheboygan, Wisconsin, February 6 -
May 2, 1994.
"Year of the Dog," Steinbaum Krauss Gallery, New York, February 12 - March 19, 1994.
"Hung Liu's Work," John Michael Kohler Arts Center, Sheboygan, Wisconsin, February 6-March 2,
1994.
"New Work," Rena Bransten Gallery, San Francisco, California, November 11-December 11, 1993.
"Two Small Bodies," Churchill County Library, Churchill Arts Council, Fallon, Nevada, February,
1993.
"Sittings," Bernice Steinbaum Gallery, New York, May 23 - July 4, 1992.
"Bad Women," Rena Bransten Gallery, San Francisco, California, October 29 - November 30, 1991.
"Trauma, 1989," mixed media installation, Diverseworks, Houston, Texas, January 12 - February 4,
1990.
"Goddesses of Love and Liberty," Nahan Contemporary Gallery, New York, December, 1989.
"Chinese Pieta," mixed-media installation, The Women's Building, Los Angeles, California. September
15 - October 28, 1989.
"Trauma," mixed-media installation, Sushi Gallery, San Diego, California. September 8 - October 14,
1989.
"Where is Mao?," an installation of an ironic memorial to Mao Tse Tung, version II, Brown-Lupton
Gallery, Texas Christian University, Fort Worth, Texas, March 28 - April 13, 1989.
"Where is Mao?," an installation of an ironic memorial to Mao Tse Tung, Southwestern College Art
Gallery, Chula Vista, California, November 4 - 25, 1988.
"Resident Alien," an off-site installation of the Capp Street Project, Monadnock Building, San
Francisco, California, August 18 - October 18, 1988.
"Figures," Brazos Gallery, Richland College, Dallas, Texas, January 13 - March 1, 1988.
"Combinations," Bath House Cultural Center, Dallas, Texas, September 19 - October 17, 1987.
"Once There Were Ten Suns...," a dual-site mixed-media installation, D-Art Visual Art Center & South
Dallas Cultural Center, Dallas, Texas, March/April, 1987.
"Canto," installation, MFA exhibition, Annex Gallery, University of California, San Diego, November,
1986.
"Grotto Variations," mural installation, Sheppard Fine Arts Gallery, University of Nevada, Reno,
November, 1985.

Selected Group Exhibitions
“Art For Wine”, Carnegie Art Museum, Oxnard, California, September 13 – November 23, 2008.
“Art of Democracy: War and Empire”, Meridian Gallery, San Francisco, California, September 4 –
November 4, 2008.
“Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection,” San Francisco
Museum of Modern Art, San Francisco, California, July 10 – October 5, 2008.
“Art from Asia,” Turner Carroll Gallery, Santa Fe, New Mexico, May 16 – 30, 2008.
“Ying: Inspired by the Art and History of China,” The Museum of Art and History, Santa Cruz,
California, February 23 – June 29, 2008.
“International Print Exhibition”, The Tokyo Metropolitan Museum of Art, April 6 – April 20, 2008.
Kyoto Municipal Museum of Art, Annex, May 27 – June 8, 2008. The Tokushima Modern Art
Museum, July 19 – July 27, 2008.
“Crouching Paper, Hidden Dragon: Works on Paper,” F2 Gallery, Beijing, China, April 6 – May 19,
2008.
“Far From Home,” North Carolina Museum of Art, Raleigh, North Carolina, February 17 – July 13,
2008.
“Being China,” Saint Vincent Gallery, Latrobe, Pennsylvania, January 25 – February 22, 2008.
“Continuum: Innovative Prints from 1992 – 2007,” Pyramid Atlantic Art Center, Silver Spring,
Maryland, November 6 – December 3, 2007.
“A Tribute to Peter Selz,” B. Sakata Garo Gallery, Sacramento, California, November 6 – December 1,
2007.
“Women’s Work: Contemporary Women Printmakers,” Hallie Ford Museum of Art at Willamette
University, Salem, Oregon, October 27, 2007 – January 20, 2008.
“Contemporary Combustion: Chinese Artists in America,” New Britain Museum of Art, New Britain,
Connecticut, July 18, 2007 – October 14, 2007.
“Home Sweet Home,” San Jose Institute of Contemporary Art, San Jose, California, June 8 – July 21,
2007.
“In Your Face,” Bernice Steinbaum Gallery, June – September 1, 2007.
“High Fiber,” American University Museum, Katzen Arts Center, Washington, DC, April 24 – May 13,
2007.
“Ten Tapestries from Magnolia Editions,” Richard L. Nelson Gallery, Davis, California, March 29 –
May 20, 2007.
“Big Picture: Provisions for the Arts of Social Change,” Nathan Cummings Foundation, New York,
New York, February 21 – May 18, 2007.
“Contemporary Prints from Shark’s Ink,” Art Space, Jackson, Wyoming, February 2 – April 13, 2007.
“New Year, New Gifts,” San Jose Museum of Art, San Jose, California, December 16, 2006 – July 8,
2007.
“Intersections: Shifting Identity in Contemporary Art,” John Michael Kohler Arts Center, Sheboygan,
Wisconsin October 9 – December 30, 2006.
“Who’s Afraid of San Francisco?,” Frey Norris Gallery, San Francisco, California, October 5 –
November 16, 2006.
“Drawn,” Oakland Art Gallery, Oakland, California, October 4 – 21, 2006.
“Road Works Block Party,” Center for the Book, San Francisco, California, September 16, 2006.
“Beyond the Likeness: Self-Portraits by California Artists,” Triton Museum of Art, August 8 – October
15, 2006.
“Tapestries,” Klaudia Marr Gallery, Santa Fe, New Mexico, July 21 – September 21, 2006.
“Tapestries,” Sullivan Goss Gallery, Santa Barbara, California, July 15 – August 30, 2006.
“Visage,” Nancy Hoffman Gallery, New York, New York, June 24 – September 4, 2006.
“Visual Politics: The Art of Engagement,” American University Museum, Katzen Arts Center,
Washington, DC, April 19 – July 29, 2006.
“Intersections: Locating Acts of Courage,” Joyce Gordon Gallery, Oakland, California, June 1 – July
15, 2006.
“Collaboration as a Medium: 25 Years of Pyramid Atlantic,” Maryland Art Place, Baltimore, Maryland,
January 10 – March 4, 2006.
“Liu, Kunc, Sotic, Stout, Denker, Blood: 4 Printmakers, 2 Curators,” The Washington Printmakers
Gallery 2006 Invitational, Washington, DC, January 3 – January 29, 2006.
“Majestic Tapestries of Magnolia Editions,” Bedford Gallery, Walnut Creek, California, November 30,
2005 – January 29, 2006.
“Visual Politics: the Art of Engagement,” San Jose Museum of Art, San Jose, California, November 20,
2005 – March 5, 2006.
“A Motion Picture,” The DeYoung Museum, San Francisco, California, November 18,19,20, 2005.
“A Supernatural Soiree,” di Rosa Preserve Gatehouse Gallery, Napa, California, October 22, 2005.
“Tapestries by Contemporary Artists,” The Judson Gallery of Contemporary and Traditional Art, Los
Angeles, California, September 17, 2005 – January 6, 2006.
“Selected Recent Acquisitions and Highlights,” CU Art Museum, Boulder, Colorado, September 9 –
October 23, 2005.
“Next New, “ San Jose Institute of Contemporary Art, San Jose, California, July 22 – September 17,
2005.
“Views from Here: Russian and American Screenprints,” Lee Gallery, Clemson University, Clemson,
South Carolina, July 11 – September 2, 2005.
“Artists Interrogate Race and Identity,” Milwaukee Art Museum, Milwaukee, Wisconsin, July 7 –
October 9, 2005.
“Eve,” Nancy Hoffman Gallery, New York, New York, July 1 – September 10, 2005.
“Monterey Collects,” Monterey Museum of Art, Monterey, California, June 10 – September 10, 2006.
“Five Presses: Selected Works,” Arvada Center for the Arts & Humanities, Arvada, Colorado, June 9 –
August 28, 2005.
“Steven Scott Collects,” Steven Scott Gallery, Owings Mills, Maryland, June 1 – September 24, 2005.
A Tale to Tell,” John Michael Kohler Arts Center, Sheboygan, Wisconsin, May 15 – September 4,
2005.
“Shark & His Ink,” Exhibitrek, Boulder, Colorado, May 13 – June 16, 2005.
“Surfaced,” Byron C. Cohen Gallery, Kansas City, Missouri, May 6 – July 30, 2005.
“Print, Process, Collaboration,” Savannah College of Art and Design, Savannah, Georgia, April 13 –
May 15, 2005.
“Collaboration as a Medium: Pyramid Atlantic Art Center 25th Anniversary Exhibition,” The Pepco
Edison Gallery, Washington, DC, March 30 – May 24, 2005.
“Pressing Issues, Pressing Images,” Corcoran Gallery of Art, Washington DC, March 26 - June 13,
2005.
“Visual Alchemy Phase 2,” Oakland Art Gallery, Oakland, California, March 17 – April 30, 2005.
“See the Fine Print: Selected Work from Shark’s Ink, “ Bemis Center for Contemporary Arts, Omaha,
Nebraska, February 25 – May 28, 2005.
“The Anniversary Show,” Rena Bransten Gallery, San Francisco, California, January 13 – February 19,
2005.
“Trillium Fund Show,” Fort Mason, San Francisco, California, January 12 – February 8, 2004.
“Four Galleries: Four Artists, New Prints by Hung Liu with Photographs by Todd Hido, Ghost Ships
by John Taylor, and Paintings by David Crimson,” Michael Berger Gallery, Pittsburgh, Pennsylvania,
April 2 – June 12, 2004.
“Art of the Americas: Latin America and the United States, 1800 to Now!,” Santa Barbara Museum of
Art, Santa Barbara, California, March 13 – November 21, 2004.
“Tamarind: 40 Years,” Cannon Art Gallery, Carlsbad, California, February 8 – April 16, 2004.
“Global Elegies: Art and Ofrendas for the Dead,” Oakland Museum of California, Oakland, California,
October 11 – December 7, 2003.
“Across The Divide,” Gatov and Werby Art Galleries, California State University Long Beach, Long
Beach, California, September 26 – October 9. 2003.
“Road Trip,” Nathan Larramendy Gallery, Ojai, California, September 5 – October 31, 2003.
“At Work: The Art of California Labor,” Fine Arts Gallery, San Francisco State University, California,
September 2 – October 11, 2003.
“The Other Side,” B. Sakata Garo Gallery, Sacramento, California, September 2 – September 30, 2003.
“Inaugural Anniversary Exhibition,” Oakland Art Gallery, Oakland, California, August 30 – September
13, 2003.
“Collection Highlights,” San Jose Museum of Art, San Jose, California, Aug 27, 2003 – September 12,
2004.
“Family Ties: A Contemporary Perspective,” Peabody Essex Museum, Salem, Massachusetts, July 1 –
September 21, 2003.
“Scenery,” Rena Bransten Gallery, San Francisco, California, July 17 – August 16, 2003.
“Seizing the Myths: Arts of Rebellion,” Resource Center for Activism and Arts, Gaea Foundation,
Washington, DC, June 15 – August 30, 2003.
“Trillium Press: Prints from ’00, ’01, ’02, ’03,” Michael Martin Galleries, San Francisco, California,
June 3 – June 28, 2003.
“Vertigo: Exhibition and Silent Auction,” San Francisco Museum of Modern Art, San Francisco,
California, June 21, 2003.
“Manifest. Destiny: Contemporary API Activist Artists,” Association of Asian American Studies
Conference, Cathedral Hill Hotel, San Francisco, California, May 6 – May 13, 2003.
“From Stone & Plate: Contemporary Prints from Tamarind Institute,” Phoebe Conley Art Gallery, Cal
State Fresno, California, February 6 – March 1, 2003.
“Box Art/Art Box,” Benefit Auction, Pro Arts Gallery, Oakland, California, October 23 – November
23, 2002.
“Contemporary Printmakers,” J. Johnson Gallery, Jacksonville Beach, Florida, September 14 –
November 1, 2002.
“Printworks 2002,” Key Tower Gallery, Seattle Arts Commission, Seattle, Washington, July 29 –
October 25, 2002.
“First Impressions: The Paulson Press,” San Jose Museum of Art, San Jose, California, December 1,
2001 – March 17, 2002.
“Art/ Women/ California: Parallels and Intersections, 1950 – 2000”, San Jose Museum of Art, San Jose,
July 14 – November 3, 2002.
“Winter Work”, Triton Museum of Art, Santa Clara, California, August 7 – October 21, 2001.
“About Face: Considering Portraits”, Rena Bransten Gallery, San Francisco, CA, June 7 – July 7, 2001.
“Digital Printmaking Now,” Brooklyn Museum of Art, Brooklyn, NY, June 21 - September 2, 2001.
“Collecting Our Thoughts: The Community Responds to Art in the Permanent Collection”, San Jose
Museum of Art, San Jose, June 24 – September 23, 2001.
“Expanded Visions: Four Women Artists Print the American West”, Women of the West Museum,
Denver, Colorado.
“Critical Masses,” Denver Art Museum, Denver, Colorado, June, 2000.
“Text & Subtext – Contemporary Art and Asian Women,”
Earl Lu Gallery, La Salle-Sia College of the Arts, Singapore, June 14 – July 30, 2000;
Ivan Dougherty Gallery, University of New South Wales, Sydney, Australia, October 25 – November
25, 2000;
Artspace, Sydney, Australia, January 11 – February 3, 2001;
Ostasiatiska Museet (Museum of Far Eastern Antiquities), Stockholm, Sweden, September 1 –
November 25, 2001;
Stenersenmuseet (Stenersen Museum), Oslo, Norway, March 14 – April 28, 2002;
Nikolaj Copenhagen Contemporary Art Centre, Copenhagen, Denmark, July 6 – September 29, 2002;
Taipei Fine Arts Museum, Taipei, Taiwan, December 26, 2002 – February 23, 2003;
X-Ray Art Centre, Beijing, China, March 29 – May 3, 2003.
“New Prints 2001 – Summer,” International Print Center, New York, May 15 – August 3, 2001.
“The Big Picture” Benefit Auction, Contemporary Museum, Baltimore, Maryland, March 18 – April
15, 2000.
“Heart of the Future Part 2,” Encina Art Gallery, Sacramento, California, March 16 – April 14, 2000.
“For Pete’s Sake,” The University of Arizona Art Museum, Tucson, Arizona, February 27 – March 4,
2000.
“30+ East Bay Painters & Graphic Artists,” The Oakland Museum of California, Oakland, California.
“Six Degrees of Inspiration,” Contemporary Art Center of Virginia Peninsula Fine Arts Center,
January 28 - March 26, 2000.
“New Work: Painting Today, Recent Acquisitions,” San Francisco Museum of Modern Art, San
Francisco, California, December 17, 1999 – March 28, 2000.
“Millennium Messages - Time Capsules,” Organized by the Heckscher Museum of Art and the
Smithsonian Institution Traveling Exhibition Service. Heckscher Museum of Art, Huntington, Long
Island, New York, November 21, 1999 - January 30, 2000.
“There but for the grace of…Temporary Shelters,” Here Here Gallery, Cleveland, Ohio, November 20,
1999 - February 26, 2000.
“California Blend: Tradition and Change,” Millard Sheets Gallery, Los Angeles County Fair, Pomona,
California, September 9 – September 26, 1999.
“23rd International Biennial of Graphic Arts,” International Centre of Graphic Arts, Ljubljana,
Slovenia, June 19 - September 30, 1999.
“Into The 21st Century: Selections From The Permanent Collection,” San Jose Museum of Art,
California, May 22 - September 12, 1999.
“Outward Bound - American Art at the Brink of the Twenty-First Century,” premiere at Meridian’s
White-Meyer Galleries, Washington, D.C. May 21 - June 28,1999; will travel to Hanoi and Ho Chi
Minh City, Vietnam; Beijing and Shanghai, China; Singapore; and Jakarta, Indonesia.
“West Looks East,” LewAllen Contemporary, Santa Fe, New Mexico, March 5 - 27, 1999.
“Prints from Paulson Press,” Traywick Gallery, Berkeley, California, August 12 - September 13, 1998.
“Selections from SoHo,” Fort Lewis College Art Gallery, Durango, Colorado, August 24 - October 2,
1998.
“Bicultural Identities: Three Émigrés from Bosnia, China and Vietnam,” Dunedin Fine Art Center,
Dunedin, Florida, April 17 - June 5, 1998.
“Unthinkable Tenderness: The Art of Human Rights,” Art Department Gallery, College of Creative
Arts, San Francisco State University, February 15 - March 21, 1998.
“American Stories: Amidst Displacement and Transformation,” Japan, 1997 -98.
Setagaya Art Museum, Tokyo, August 30 - October 19, 1997;
Chiba City Museum, Chiba, November 16 - December 27, 1997;
Fukui Fine Arts Museum, Fukui, April 27 - May 17, 1998;
Kurashiki Art City Museum, June 13 - July 26, 1998;
Atorion, Akita, early August - early September, 1998.
“Regionalism/Identity,” Sheppard Gallery, University of Nevada, Reno, Nevada, October 10 -
November 6, 1997.
“On the Rim,” TransAmerica Building, San Francisco, California, June 17 - August 15, 1997.
“Traditions/Innovations: Four Northern California Artists,” Crocker Art Museum, Sacramento,
California, June 6 - July 27, 1997.
“American Kaleidoscope: Art At The Close Of This Century,” National Museum of American Art,
Smithsonian Institution, Washington D.C., October 4, 1996 - February 2, 1997.
“Gender - Beyond Memory,” Tokyo Metropolitan Museum of Photography, Tokyo, Japan, September
5 - October 27, 1996.
“Objects of Personal Significance,” Exhibits USA and Eastern Illinois University, Charleston, IL,
national tour through 1998: Eastern Ill. University, 9/1/96-10/14/96; Texas Tech University, Lubbock,
TX, 1/28/97-3/1/97; The Hyde Collection, Glen Falls, NY, 6/9/97-8/11/97; Knoxville Museum of Art,
Knoxville, Tennessee, 9/1/97-1/8/98; Hunter Museum of American Art, Chattanooga, Tennessee,
2/7/98-3/16/98; Wichita Center for the Arts, Wichita, Kansas, 4/6/98-5/19/98; Dunedin Fine Arts
Center, Dunedin, Florida, 6/9/98-8/11/98; Metropolitan State College, Center for Visual Arts, Denver,
CO, 9/1/98-10/14/98.
“Excavating Culture,” Brattleboro Museum and Art Center, Brattleboro, Vermont, May 2 - November
9, 1996.
“Generations – The Lineage of Influence in Bay Area Art,” Richmond Art Center, California,
September 21 – November 16, 1996.
“Family In Focus: Cultural Diversity And The Family,” the Noyes Museum, Oceanville, New Jersey,
March 24 - June 2, 1996.
“Microsoft ArtWalk 12, Print exhibition,” Microsoft Corporate Campus, Microsoft Corporation,
Redmond, Washington, March 28, 1996.
“Setting the Stage: A Contemporary View of the West,” the Eiteljorg Museum, Indianapolis, Indiana,
November 18, 1995 - January 7, 1996.
“Dis-Oriented; Shifting Identities of Asian Women in America,” curated by Margo Machida,
Steinbaum Krauss Gallery and the Henry Street Settlement, New York City, August - September, 1995.
“Making Faces - American Portraits,” the Hudson River Museum of Westchester, Yonkers, New York,
February 10 - August 27, 1995.
“10X10: Ten Contemporary Women Artists,” Berkeley Art Center, Berkeley, California, March 5 -
April 22, 1995.
"Reinventing The Emblem: Contemporary Artists Recreate a Renaissance Idea," the Yale University
Art Gallery, New Haven, Connecticut, January 20 - March 26, 1995.
"Garden Variety," Rena Bransten Gallery, San Francisco, California, December 8, 1994 - January 4,
1995.
"Memories of Childhood...,” Steinbaum Krauss Gallery, New York, New York, December 3, 1994 -
January 7, 1995.
"Women's Spirit: Pacita Abad, Hung Liu, Amalia Mesa-Bains, Howardena Pindell, and Joyce Scott,”
Bomani Gallery, San Francisco, California, October 6 - November 30, 1994.
“Identities in Contemporary Asian American Art,” Tacoma Art Museum, Tacoma, Washington,
October 1 - November 27, 1994.
"Pyramid Atlantic Evolution of the Print: Fourteen Years of Collaboration," Addison/Ripley Fine Art,
Washington, D.C., September 9 - October 1, 1994.
"Asia America: Identities in Contemporary Asian American Art", the Asia Society Galleries, New
York, NY, February 14 - June 26, 1994.
"New Voices 1994", Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, April 23 - June 19,
1994.
“Asia Minor”, Kay Larson, New York, March 7. 1994.
"Paintings, An Asian Perception", the Marjorie Barrick Museum of Natural History, University of
Nevada, Las Vegas, March 4 - April 9, 1994.
"The 43rd Corcoran Biennial of Contemporary American Painting,” The Corcoran Museum Of Art,
Washington D.C., October 30, 1993 - January 2, 1994.
"Picasso to Christo: The Evolution of a Collection,” Santa Barbara Museum of Art, Santa Barbara,
California, December 4, 1993 - January 30, 1994.
"Twelve Bay Area Painters: The Eureka Fellowship Winners,” San Jose Museum Of Art, San Jose,
California, October 9, 1993 - January 16, 1994.
"Backtalk,” Contemporary Arts Forum, Santa Barbara, California, September 11 - October 30, 1993.
"Redefining Self," San Jose State University Art Galleries, School of Art and Design, San Jose,
California, October 5 - 29, 1993.
"Narratives of Loss - the Displaced Body," University of Wisconsin Art Museum, Milwaukee,
Wisconsin, March 26 - May 16, 1993.
"In Transit," New Museum of Contemporary Art, New York, January -April, 1993
"Floored Art," Steinbaum/Krauss Gallery, New York, November 28, 1992 - January 2, 1993.
"Counterweight: Alienation, Assimilation, Resistance," Contemporary Art Forum, Santa Barbara,
California, November 7, 1992 - January 23, 1993.
"In Plural America," Contemporary Journeys, Voices and Identities, The Hudson River Museum of
Westchester, Yonkers, New York, October 2, 1992 - January 24, 1993.
"Society For The Encouragement Of Contemporary Art (SECA) Award," 1992: with John Beech and
Maria Porges, San Francisco Museum of Modern Art, San Francisco, California, September -
November, 1992.
"Virgin Territories," Long Beach Museum Of Art, Long Beach, California, September 27 -November
22, 1992.
"Art & The Law," a traveling show presented by West Art & The Law, 1992-93.
"Voices," Shea & Bornstein Gallery, Santa Monica, California, June - July, 1992.
"Social Figuration," San Diego State University Gallery, San Diego, California, April 3 - May 13, 1992.
"Why Painting-Part 1," curated by Bill Berkson, Susan Cummins Gallery, Mill Valley, California,
March 2 -April 4, 1992.
“Decoding Gender,” curated by Robert Atkins, School 33 Art Center, Baltimore, Maryland, February
15 - March 27, 1992.
"Counter Colon-ialismo," Centro Cultural de la Raza, San Diego, California, September 27 1991,
traveling among multiple sites through December 1992.
"Mito Y Magic En America, Los Ochenta," (Myth and Magic in America, the 80s), Monterrey
Museum of Contemporary Art, Monterrey, Mexico, July - September 1991.
"Selected Bay Area Drawings," Pro-Arts, Oakland, California, April - May, 1991.
"Selected Bay Area Drawings," Drawing Center, New York, February - March, 1991.
"Viewpoints: Eight Installations," Richmond Art Center, Richmond, California, February 9 - March 31,
1991.
"Official Language," Walter McBean Gallery, San Francisco Art Institute, San Francisco, California,
October 11 - November 17, 1990.
"Implosion," a three-person exhibition with Lawrence Andrews and Lewis deSoto, San Francisco Arts
Commission Gallery, San Francisco, California, October 6 - November 16, 1990.
"Precarious Links: Emily Jennings, Hung Liu, and Celia Munoz," curated by Jim Edwards, San
Antonio Museum of Art, July 7 - August 26, 1990; Lawndale Art and Performance Center, Houston,
Texas, September 8 - October 13, 1990.
"Contemporary Art by Women of Color," Hemisfair Plaza, San Antonio, Texas, March - April, 1990.
Organized by the Cultural Center, San Antonio.
"Memory/Reality," Ceres Gallery, New York, New York, March 1990.
"Art in the Metroplex," Texas Christian University, Fort Worth, Texas, September – October, 1987.
"Artists for Amnesty," Dallas Public Library, Dallas, Texas. October 29, 1987 - January 11, 1988.
"UTA Faculty: New Work," UTA Center for Research in Contemporary Art, University of Texas at
Arlington, Arlington, Texas, September 11 - 24, 1987.
"Texas Sculpture Symposium," exhibiting artist: "I Am Not A Cubist (Foot in Mouth)," San Antonio,
Texas. March, 1987.
"National Fine Arts Colleges Exhibition," a traveling group show in China, 1980
"Portraiture Exhibition," Winter Palace Gallery, Beijing, China. 1978.

Selected Exhibition Catalogues
“Hung Liu: New Work,” Turner Carroll Gallery, Santa Fe, New Mexico, July 18 – August 5, 2008.
“Hung Liu: Prodigal Daughter,” F2 Gallery, Beijing, China, May 24 – July 21, 2008.
“Crouching Paper, Hidden Dragon: Works on Paper,” F2 Gallery, Beijing, China, April 6 – May 19,
2008.
“The Vanishing: Re-presenting the Chinese in the American West,” The Works of the Grace
Foundation, Ketchum, Idaho, 2008.
“Hung Liu: Now and Then,” Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman,
Oklahoma, 2008.
“Hung Liu: Memorial Grounds 1988 – 2006,” SCAD, 2007 – 2008.
“A Tribute to Peter Selz,” B. Sakata Garo Gallery, Sacramento, California, November 6 – December 1,
2007.
“Contemporary Combustion: Chinese Artists in America,” New Britain Museum of American Art, July
18 – October 14, 2007.
“Hung Liu: ZZ (Bastard Paintings),” Nancy Hoffman Gallery, New York, New York, May 24 – July 5,
2007.
“Hung Liu: Old Road, West Wind,” iPreciation Gallery, Singapore, January 11 – 26, 2007.
“Full Circle: Revolutions in the Paintings of Hung Liu,” Paul Robeson Gallery, Rutgers University,
Newark, New Jersey, January 17 – February 23, 2006.
“The Corcoran 2005 Print Portfolio: Drawn to Representation,” Corcoran Gallery of Art, Washington,
DC, March 26 – June 13, 2005.
“Collaboration as a Medium: Pyramid Atlantic Art Center 25th Anniversary Exhibition,” The Pepco
Edison Gallery, Washington, DC, March 30 – May 24, 2005.
“Hung Liu: Lament,” Art Scene China, Shanghai, China, September 27 - October 17, 2004.
“Global Elegies: Art and Ofrendas for the Dead,” Oakland Museum of California, Oakland, California,
October 11 – December 7, 2003.
“Geography of Memory: Selected Works by Hung Liu,” Monterey Museum of Art, Monterey, California,
September 13 – December 31, 2003.
“Across The Divide,” Gatov and Werby Art Galleries, California State University Long Beach, Long
Beach, California, September 26 – October 9. 2003.
“At Work: The Art of California Labor,” Fine Arts Gallery, San Francisco State University, California,
September 2 – October 11, 2003.
“Family Ties: A Contemporary Perspective,” Peabody Essex Museum, Salem, Massachusetts, July 1 –
September 21, 2003, pp. 48, 61.
“Painterly Proofs: Prints by Hung Liu,” de Saisset Museum, Santa Clara University, Santa Clara,
California, September 28 – December 7, 2002
Art/Women/California: Parallels and Intersections, 1950-2000, ed. Diana Burgess Fuller and Daniela
Salvioni, University of California Press, pp. 85, 90-93, 38-40, 2002
“The Narrative Paintings of Hung Liu,” Polk Museum of Art, Lakeland, Florida, August 3 – October 27,
2002
“Strange Fruit: New Paintings by Hung Liu,” Co-organized by Arizona State University Art Museum and
Boise Art Museum, Traveling Exhibition Catalogue, 2002.
“Six Degrees of Inspiration,” Contemporary Art Center of Virginia Peninsula Fine Arts Center,
January 28- March 26, 2000.
“Millennium Messages” by Barbara Coller, Heckscher Museum of Art and the Smithsonian Institution
Traveling Exhibition Service, November 21, 1999 - January 30, 2000.
“California Blend: Tradition and Change,” Millard Sheets Gallery, Los Angeles County Fair, Pomona,
California, September 9 – September 26, 1999.
“23rd International Biennial of Graphic Arts”, International Centre of Graphic Arts, Ljubljana,
Slovenia, June 19- September 30, 1999.
“Into The 21st Century: Selections From The Permanent Collection,” p.31, San Jose Museum of Art,
May 22 - September 12, 1999.
“Chinese Types - Hung Liu, Action Painter,” by Bill Berkson, Rena Bransten Gallery, San Francisco,
California, September, 1998.
“Hung Liu: WashingTown Blues,” - “After the Facts: Hung Liu”s Art/History,” by Lucy Lippard; and
“The Rise and Fall of the Chinese Laundry in Charleston,” by Dr. Jian Li, Halsey Gallery at the
College of Charleston, Charleston, South Carolina, May 21 - June 6, 1998.
“American Stories: Amidst Displacement and Transformation,” a catalog for the traveling exhibition
organized by Setagaya Art Museum and Asahi Shimbun, Tokyo, Japan, 1997 -98.
Setagaya Art Museum, Tokyo, August 30 - October 19, 1997;
Chiba City Museum, Chiba, November 16 - December 27, 1997;
Fukui Fine Arts Museum, Fukui, April 27 - May 17, 1998;
Kurashiki Art City Museum, June 13 - July 26, 1998;
Atorion, Akita, early August - early September, 1998.
“Map No. 33 - An artistic Survey of Early San Francisco,” on the public art work in the Esplanade
Ballroom of the Moscone Center, by the San Francisco Arts Commission’s Public Art Program, San
Francisco, California, 1997.
“Hung Liu - You Can’t Go Home Again,” by Libby Lumpkin, Donna Beam Fine Art Gallery,
University of Nevada Las Vegas, Las Vegas, Nevada, October 7- November 8, 1996.
“American Kaleidoscope: Themes and Perspectives in Recent Art,” National Museum of American Art,
Smithsonian Institution, October, 1996.
“Gender - Beyond Memory,” Tokyo Metropolitan Museum of Photography, Tokyo, Japan, September,
1996.
“Objects of Personal Significance, “ ExhibitsUSA, Mid-America Arts Alliance, Kansas City, Missouri,
August, 1996.
“Parameters: Hung Liu,” The Chrysler Museum, Norfolk, Virginia, November 7, 1995 - January 14,
1996, and Mills College Art Gallery, February 7 - March 17, 1996.
“10X10: Ten Contemporary Women Artists,” Berkeley Art Center, Berkeley, California, March 5 -
April 22, 1995.
"Reinventing The Emblem: Contemporary Artists Recreate a Renaissance Idea," the Yale University
Art Gallery, New Haven, January 20 - March 26, 1995.
"Hung Liu: Tales of Chinese Women," John Michael Kohler Arts Center, Sheboygan, Wisconsin,
February 6- May 2, 1994.
"Hung Liu: Year of the Dog," Steinbaum Krauss Gallery, New York, NY, February 12 - March 19,
1994.
"Asia America: Identities in Contemporary Asian American Art,” Asia Society Galleries, New York,
NY, February 14 - June 26, 1994.
"Paintings, An Asian Perception,” Marjorie Barrick Museum of Natural History, University of Nevada,
Las Vegas, March 4 – April, 1994.
"Hung Liu," Rena Bransten Gallery, San Francisco, November 11 - December 11, 1993.
"The 43rd Biennial of Contemporary American Painting" Corcoran Gallery of Art, Washington D.C.,
October 29, 1993 - January 2, 1994.
"Redefining Self," San Jose State University Art Galleries, School of Art and Design, California,
October 5-29, 1993.
"Narratives of Loss - the Displaced Body," University of Wisconsin Art Museum, Milwaukee,
Wisconsin, March 26- May 16, 1993.
"Counterweight: Alienation, Assimilation, Resistance," Santa Barbara Contemporary Art Forum,
California, November 7, 1992 -January 23, 1993.
"In Plural America,"- Contemporary Journeys, Voices and Identities," Hudson River Museum of
Westchester, Yonkers, New York, October 2, 1992 - January 24, 1993.
Center for Global Partnership (CGP) Annual Report, Deutsch Design Inc., New York, New York, 1992.
"Society For The Encouragement Of Contemporary Art (SECA) Award," 1992: with John Beech and
Maria Porges, San Francisco Museum of Modern Art, California, September, 1992.
"Art & The Law," Presented by West Publishing Company, 1992.
"Mito Y Magic En America, Los Ochenta," (Myth and Magic in America, the 80s), with essays by
Miguel Cervantes, Charles Merewether, and Peter Schjeldahl, Monterrey Museum of Contemporary
Art, Monterrey, Mexico, July, 1991.
"Precarious Links: Emily Jennings, Hung Liu and Celia Munoz," San Antonio Museum of Art
exhibition, July, 1990.
"The Vessel," artist-generated exhibition in Dallas, Texas, May, 1990.
"Contemporary Art by Women of Color," with essays by Lucy R. Lippard, Yong Soon Min, Rina
Swentzell, and Judith Wilson, the Guadalupe Cultural Arts Center, San Antonio, Texas, March, 1990.
"Capp Street Project: 1987-88," the Capp Street Project, San Francisco, California.
Public Art Projects
“Take Off,” San Francisco International Airport, International Terminal Gate A-5, San Francisco,
California, 2008.
“Going Away, Coming Home,” Oakland International Airport Terminal 2 Window Project, 10’ x 160’,
Oakland, California, 2006.
“Hearts in San Francisco,” Civic Center, Exterior Entrance of the Asian Art Museum, San Francisco,
California, opened May 2004.
“Above the Clouds,” Cerritos Library, commissioned by the City of Cerritos, California, 2001-2002.
“The Long Wharf,” #1 Embarcadero Center, SkyDeck, 41st floor, San Francisco, California, opened
September, 1996.
“Fortune Cookie,” a public art work, the San Jose Museum of Art and the City of San Jose collection,
1995.
"Map No. 33," Esplanade Ballroom Lobby, Moscone Convention Center, San Francisco, California,
opened September, 1992.
"Reading Room," a permanent, public, off-site mural installation of the Capp Street Project, at the
Community Room of "Chinese for Affirmative Action," Kuo Building, Chinatown, San Francisco,
California. Opened August 9, 1988.
"Up and Tao," permanent mural installation, interior stairwell, Media Center and Communications
Building, University of California, San Diego. April, 1986.
"The Music of the Great Earth," permanent mural, Foreign Students Dining Hall, the Central Academy
of Fine Arts, Beijing, China. 1981.

Selected Bibliography
Jesi Khadivi, “Hung Liu, Rat Years 1948 1960 1972 1984 1996 2008”, THE Magazine, cover image,
December 2008.
Hollis Walker, “Hung Liu - Turner Carroll, Santa Fe”, ARTNEWS, pg. 130, December 2008.
“Seven Poses”, Women in the Arts, National Museum of Women in the Arts, pg. 22-23, Fall 2008
John O’Hern, “Asia Rising,” American Art Collector, July 2008.
Sandra Chen, The Prodigal Returns, Cityweekend.com, Beijing, China, pg. 15, July 19, 2008.
Hollis Walker, “Painting into the Past,” Santa Fe/North, July 18, 2008.
Leah Garchik, San Francisco Chronicle, July 16, 2008.
Peter Selz, “Hung Liu at Rena Bransten,” Art in America, p. 204, June/July 2008.
Ling Yun, “Prodigal Daughter: F2 Gallery,” Art Forum: Asiart Archive, June 13, 2008.
Janet L. Holmgren, “Going Away, Coming Home: A Message from Mills College President Janet L.
Holmgren, Mills Quarterly, pg. 3, Summer 2008.
James S. Tyree, “History’s Human Face: Artist from China has exhibit at OU,” The Oklahoman, April
5, 2008.
“Visiting artist’s works on display at Fred Jones museum,” The Norman Transcript, April 4, 2008.
“Artists’ Hearts in the Right Place,” The San Francisco Chronicle, February 10, 2008.
Philip Huang, “The Weeping Veil: Painter Hung Liu excavates the surface of history,” Colorlines, pp
45 – 48, January/February 2008.
Debra Wolf, “Visual Arts & Architecture: Ordinary figures gain mythic status,” accessatlanta.com,
December 16, 2007.
Kenneth Baker, “Women’s art at Mills mixes defiance, humor,” The San Francisco Chronicle, October
20, 2007.
Johanna Ruth Epstein, “Hung Liu at Nancy Hoffman,” ARTNews, September 2007.
Craig Smith, “One Artist’s Cultural Counterrevolution,” The New Mexican Weekly Magazine, August
10, 2007.
Sura Wood, “Inaugural Exhibition Explores the Meaning of Home,” San Francisco Arts Monthly, June
2007.
Sara Wykes, “Two Galleries Get New Spaces in San Jose,” San Jose Mercury News, June 3, 2007.
“Port of Oakland Unveils Public Art Installation in Terminal 2 Concourse,” Oakland International
Airport News, Spring 2007.
Victoria Dalkey, “Weaving a Bit of Magic,” The Sacramento Bee, May 3, 2007.
Dana Self, “China Girls,” The Pitch: Kansas City Weekly, March 15, 2007.
Ophelia Santos, “Artist Wine Labels: Revolution in a Square,” Flavors, Spring 2007.
John King, “Craft,” Dwell, February 2007.
Clara Chow, “Connect East and West Through Art,” The Straits Times, January 22, 2007.
Ng Hui Hsien, “Visual Banquet,” I-S Magazine, January 19, 2007.
Elisa Turner, “Critic’s Pick: Hung Liu, Matriarchs,” The Miami Herald, January 5, 2007.
“Port of Oakland Unveils First Major Public Art Installation,” HULIQ.com, January 2, 2007.
Kristin Palm, “Who’s Afraid of San Francisco? – at Frey Norris Gallery,” Artweek, December
2006/January 2007, vol. 37, issue 10.
“Art for OAK,” Artweek, December 2006.
Lea Feinstein, “Who’s Afraid of San Francisco?,” ARTnews, December 2006.
Julia Dodge, “Oakland Airport Showcases Mills Professor’s Art,” Bay Area Business Woman, Vol. 14,
No. 3, December 2006.
Aeron Miller, “Artwork greets Oakland travelers,” Mills College Weekly, December 4, 2006.
Tim Simmers, “Airport Expansion Takes Off,” Oakland Tribune, November 15, 2006.
Jeffrey Liu, “80 Crowned Cranes Reside in Oakland International Airport,” The China Press,
November 15, 2006.
Ryan Kim, “Expansion Project,” The San Francisco Chronicle, November 15, 2006.
Xu Minzi, “Chinese American Artist’s Work Welcoming Travelers ,” The World Journal, November
15, 2006.
Hu Jianhong, “Hung Liu: Going Away, Coming Home – Blessing for a Safe Journey,” Sing Dao Daily,
November 11, 2006.
Laura Casey, “Liu’s cranes fly through airport art installation,” Oakland Tribune, Alameda Times Star,
Argus, San Mateo Co. Times, November 14, 2006.
Jesse Hamlin, “Call it destination celestial – crane mural lands at Oakland Airport,” San Francisco
Chronicle, November 13, 2006.
Michael Duncan, “Critic’s Diary: Opening Salvos in L.A.,” Art in America, November 2006.
Charlene Roth, “Hung Liu at Walter Maciel Gallery,” Artweek, November 2006.
Ignacio Villarreal Jr., “Public Art Installation at Oakland International Airport,” artdaily.com, October
18, 2006.
Peter Frank, “Mark Kostabi, Barbara Strasen, Hung Liu,” LA Weekly, October 13-19, 2006.
Amanda Casas, “Art students visit museum,” Laramie Boomerang, September 26, 2006.
Suzanne Muchnic, “Beauty in Service to the Truth,” Los Angeles Times, September 24, 2006.
Tom Nugent, “Portraits of a Chinese Past,” UCSD Magazine, September 2006.
Kate Tucker, “Hung Liu speaks on exhibit,” Branding Iron, September 15, 2006.
Kyle MacMillan, “A Chinese Legacy in the West,” The Denver Post, September 15, 2006.
Crystal Barnes, “Quality in Big Quantity,” Monterey County Weekly, July 6, 2006
Nate Green, “Chinese in the West,” Laramie Boomerang, June 2, 2006.
Gary Tischler, “The Art of Engagement,” The Georgetowner, May 3, 2006.
Michael O’Sullivan, “The Liberal Rules of Engagement,” The Washington Post, April 28, 2006.
Joanna Shaw-Eagle, “Visual Politics,” The Washington Times, April 22, 2006.
Jenny Freestone, “Two Curators, Four Printmakers,” Washington Print Club, Summer 2006.
Kalia Brooks, “Hung Liu: Polly,” Exposure, The Journal of the Society for Photographic Education,
Volume 39:1, Spring 2006.
David Buuck, “Visual Politics – at the San Jose Museum of Art,” Artweek, February 2006.
Kenneth Baker, “Hung Liu: Polly,” San Francisco Chronicle, October 29, 2005.
Alison Bing, “Hung Liu at Rena Bransten,” SFGate.com, October 22, 2005.
Jeremy Sutton, “Harnessing Digital Art Media: Challenges, Choices and Opportunities,” Rangefinder:
The Fine Art of Photography, October 2005.
Donna Kaulkin, “Weaving a Digital Tale,” Diablo Arts Magazine, October – December 2005.
Leah Garchik, San Francisco Chronicle, September 26, 2005.
Jack Fischer, “Nurturing a New Generation,” San Jose Mercury News, August 14, 2005.
“First Lady: Eve at Nancy Hoffman Gallery,” Art Calendar, The New York Sun, August 11, 2005.
Michael Gant, “Three by Three,” Metro Silicon Valley, August 3-9, 2005.
Scott DeVaney, “Changing of the Avant-garde,” Wave Magazine, Volume 5, Issue 15, July 27 –
August 9 2005.
Kevin Nance, “The Eyes Have It,” Weekend Guide, Chicago Sun-Times, April 29, 2005.
Keith Buckner, “Artist’s Journey is Enlightening,” Go Triad, Greensboro, NC, April 21, 2005.
Anne Tschida, “Steinbaum plans to lure fairgoers to gallery,” The Miami Herald, November 28, 2004.
“Art for Oakland Airport,” Art Week, Volume 35, Issue 9, November 2004.
Robert C. Morgan, “Summertime,” ARTNews, November 2004.
Esther Jackson & Pesaturo, “Gallery Guru,” Florida International Magazine, p. 82-89, October 2004.
Fiona Tobin, “Destruction/Preservation/Transformation,” That’s Shanghai, October 2004.
Robin Jacobson“Heart Installation Greets Museum Visitors,” Treasures: Asian Art Museum, Vol. VII,
No.4, Fall 2004.
Shanghai Daily, “A nostalgic return,” October 1, 2004.
Bobo Devens, “Out of the Cultural revolution an artist emerges: Hung Liu’s work featured in SV
Center’s exhibit ‘The Vanishing,’ Idaho Mountain Express, September 15, 2004.
Misha Cohen, Erika Jones, Tom Stryker, “Hearts in San Francisco,” San Francisco Magazine, August
2004.
Shareef Dajani, “New art planned for airport,” The Montclarion, August 13, 2004.
Paul T. Rosynsky, “Trio’s art selected for airport,” Oakland Tribune, June 29, 2004.
Mark Costantini, “Gotta Have Heart,” Datebook, San Francisco Chronicle, May 9, 2004.
Ming Pao Special Report, “Hearts for Art: Fundraising for General Hospital,” Ming Pao Daily News,
May 5, 2004.
Suzanne Muchnic, “Uniting the Americas,” Los Angeles Times, April 25, 2004.
Kurt Shaw, “Ghost of Artworks Past Resurface at Michael Berger Gallery,” Tribune Review, April 25,
2004.
Barry Hannegan, “Mood Links Four Artists,” Pittsburgh Post, April 20, 2004.
Heather Lustfeldt, “Cultural Evolution: Study of class and gender in China presented in Hung Liu’s
painted works,” The Kansas City Star, April 9, 2004.
Kate Hackman, “Take a Walk, Enjoy Some Art, The Kansas City Star, March 5, 2004.
Josef Woodard, “A welcome addition in Ojai,” Los Angeles Times, October 23, 2003.
Kurt Shaw, “Image Alteration,” Tribune Review, October 23, 2003.
Leslie Hoffman, “Exploitation of women inspires Chinese-born artist’s prints,” Pittsburgh Post Gazette,
October 24, 2003.
Rob Campbell, “The Power of Subjectivity,” VC Reporter, September 25, 2003.
Lisa Crawford Watson, “Geographies of Memory,” Monterey County Herald, September 11, 2003.
Sue Fishkoff and Jessica Lyons, “artifacts,” Coast Weekly, September 11, 2003.
Jean Schiffman, “S.F.’s Labor Movement Depicted in Art,” San Francisco Arts Monthly, September
2003.
Caroline Herrick, “ The Peabody Essex Museum,” Asian Art: The Newspaper for Collectors, Dealers,
Museums and Galleries, September 2003.
Jessica Dawson, “’Arts of Rebellion’: Feeling Our Pain,” The Washington Post, August 21, 2003.
Kenneth Baker, “Shedding Shackles of History and Style,” San Francisco Chronicle, May 3, 2003.
Tim White, “PICK: Paperwork,” Sacramento News and Review, March 27, 2003.
Vicki Beaton, “Hung Liu’s Solo Show is Opening at the Sacramento Art Museum,” World Journal,
March 16, 2003.
Victoria Dalkey, “ ’Strange Fruit’ from far away: Hung Liu focuses on plight of Korean comfort
women,” The Sacramento Bee, March 16, 2003.
Victoria Dalkey, “Critic’s Pick,” The Sacramento Bee, March 9, 2003.
Amy Abrams, “Matters of the Heart,” Arts & Entertainment for the East Valley, Sunday Arts, March
24, 2002.
Richard Nilsen, “The Weight of History: Hung Liu’s paintings reflect dissonance of time,
timelessness,” The Arizona Republic, March 7, 2002.
Mark Johnstone and Leslie Aboud Holzman, EPICENTER: San Francisco Bay Area Art Now,
Chronicle Books, San Francisco, California, 2002.
Monique Beeler, “Hung Liu Show Celebrates Artist’s Skill in Printmaking,” The Oakland Tribune,
Oakland, California, October 7, 2002.
Scarlet Cheng, “California Grrrls: The major survey ‘Parallels and Intersections:
Art/Women/California’ sheds light on an oft-neglected group of female artists from 1950-2000,” Los
Angeles Times, September 29, 2002.
Estelle Pagnoux, “Women Feminism Influences Art: Fifty Years of Art Marked by History,
Technology,” Steppin’ Out, Silicon Valley Community Newspapers, September 4, 2002.
Rebecca Mahoney, “A Vivid Narrative: Chinese Artist Blends Reality, Myth, Tradition in Work at
Polk Museum Show,” The Ledger, Lakeland, Florida, September 3, 2002.
Edwin Ryan Bailey, “Cultural Collisions,” The News Chief, Lakeland, Florida, August 9, 2002.
Glen R. Brown, “Beyond Names: Collaborative Works – Ron Nagle & Hung Liu,” Ceramics: Art and
Perception, p. 88-92, Sydney, Australia, Issue No. 49, 2002.
Monique Beeler, “Post-war contributions of state’s female artists,” The Argus, The Review, The
Tribune, The Herald, The Times-Star, July 12, 2002.
Jack Fischer, “Separate Realities: 50 Years of Art by California Women,” San Jose Mercury News,
June 30, 2002.
Debra Koppman, “Parallels and Intersections: Art/Women/California, 1950-2000,” Artweek, p.6, June
2002.
Elisa Turner, “Art with an edge: East and West Collide”, The Miami Herald, Miami, Florida, January
10, 2001.
Corina Delman, “Echoes of China: Hung Liu’s Portraits of Anonymous Heroes,” The Rutgers Review,
October 16, 2001.
Pam Harbaugh, “Artist Updates China’s Roots,” Florida Today, November 14, 2001.
Craig Smith, “Painter Hung Liu fuses styles old and new”, Pasatiempo, Santa Fe, New Mexico, April 7,
2000.
Jonathan Goodman, “Hung Liu at Steinbaum Krauss”, Art in America, p.130, New York, New York,
March 2000.
Maryanne Ellison Simmons, “Prints That Cross Cultures”, The Chronicle of Higher Education, p. B112,
Marion, Ohio, February 25, 2000.
Elisabeth Kirsch, “Between Identity and Stereotypes,” The Kansas City Star, p.36-37, Kansas City,
Missouri, February 11, 2000.
“Revealing & Concealing: Portraits & Identity”, Journal of the Print World, Fall 2000.
Naomi Pfefferman, “Potent Portraits”, Jewish Journal, The Arts, September 29, 2000.
“’Revealing & Concealing: Portraits & Identity’ at the Skirball Cultural Center”, Artweek, November
2000.
Phyllis Braff, “Looking at Ourselves Over the Last Century”, The New York Times, December 26,
1999.
Mark Daniel Cohen, “Hung Liu: New Paintings”, Review , p.8-10, New York, New York, November 1,
1999.
Glen R. Brown, “Ambiguous Narratives”, Asian Art News, September/ October 1999.
Short List, The New Yorker, November 15, 1999.
Short List, The New Yorker, November 8, 1999.
Short List, The New Yorker, November 1, 1999.
“Hung Liu exhibition open at Hiestand”, The Oxford Press, November 4, 1999.
Wendy Gilmartin, “Good Times”, LA Weekly, September 10-16, 1999.
“Four Cultures to be Featured in Fair’s Fine Arts Exhibits,” Daily Bulletin, September 9, 1999.
“Fine Art Celebrates Cultural Diversity”, City News Pomona/Diamond Bar, September 10, 1999.
John Farrell, “Cultural Art”, New York Times, September 19, 1999.
Pat Davidson Reef, “Hung Liu: A Survey 1988-1999 - Bowdoin College Museum of Art”, Sun Journal,
Lewiston, Maine, May 14, 1999.
Kitahara Megumi, “Art Activism.” color plate A, B, C, & p. 48-55, IMPACT SHUPPANKAI, Tokyo,
Japan, March, 1999.
Victoria Reed, “Hung Liu at UC San Diego,” Artweek, March, 1999.
Carol Ebert Schultz, “Hung Liu thinks & paints big,” La Jolla Village News, San Diego, CA, February
25, 1999.
Neil Kendricks, “Strong Focus - Hung Liu Begins With a Photo and Reveals Its Inner Message,” The
Union Tribune, San Diego, CA,