"In this summer’s group exhibit, we ask: How can art function both within and outside the art market?

Today, the spectacular developments in the art market over-shadow all other issues related to art - making, artists’ practice and even art exhibit viewing. How do we overcome – and resist - the terrific, seductive, and magnetic pull of the art market?

We hope it is obvious: The art market price of a work is never the filter or prism through which we view – and judge - artistic output. Yes, we know art can function as a commodity. However, we also know that cash has little relationship with the intrinsic artistic value of an artwork; art and money are not married forever together. In fact, we would prefer it if art and money got a quick divorce, and refused to live under the same roof.

We are not utopian dreamers. We know well that exhibits cost money, and artists and galleries alike must pay rent, salaries, and costs. We all must be fed. “Feeding” however, is not limited to one’s belly, and must also satisfy one’s heart, one’s mind, other parts of one’s anatomy – and one’s psyche.

The works on view in “Spiritual/Material” are cerebral, conceptual and contemplative works. The artists and artworks presented ask us to dig deeper than the pretty surface and production process of the works, and question conventional notions of what constitutes good “art”. At the same time, the works are accessible to all; neither elitist nor out of touch with daily life.  Imagery used is familiar, referencing traditional Chinese and Western mass art production, but also uniquely personal to each artist and his/her individual practice and experience.

The artworks in “Spiritual/Material” ask you the viewer, “What constitutes ‘popular taste’?” Perhaps this simple question can be the starting point for more meaningful conversation, and art production and art consumption need not be hijacked by the world of wealth and luxury."

- Pékin Fine Arts