A state of crisis, in general, develops when the pursuit of security and rights of humanity progressively advances. Such force of anxiety derives from criticizing one's conscience and interrogating the soul (or reason).

Realist art, in its choice of subjects, encounters the circumstances through an instantaneous capturing of moments. Concurrently, there comes a feeling of anxiety and exposure. In today's environment, artists demonstrate potentials for more representations and research (or study). Art's function to disclose (a message) enlightens people's definition and (liberal or free) will and delivers the truth to the public as the most sophisticated way to reach harmony. Convergence between these different perspectives language artists, perhaps a leap of thinking combing pulse, or maybe a superposition of cohesion performance.

Artist participating in this exhibition observe the state of social affairs in a precarious manner. They manifest the current society's political system and its implications in reality by duplicating or reproducing, or symbolically representing the real entity. This connotes a profound form of satire and implies that any direct visual impact stemming from works of art produces a stronger effect than any other mode of expression. It presents a greater number of definitions than written forms of writings. Through this, in consequence, people living in reality express an indescribable joy or cheer, or moments of emptiness.

Artists: Wang Chi, Zhang JianQiang, Ai Song, NAMO, Lim YoungSun

*image (left)
Close to the warm, 2013
mixed media
© Wang Chi

Courtesy of Force Gallery