The Ullens Center for Contemporary Art is proud to present “Wang Keping” an exhibition of more than 50 works by one of China’s first contemporary sculptors. The show contains sculptures from various moments in the artist’s 35-year career and covers a wide range of different subjects and themes.

Wang Keping started out making political sculpture as part of the charged environment of late 1970s Beijing. After moving to France in 1984, he shifted to a more naturalistic way of working. The artist’s work can be roughly divided into five thematic categories—men, women, birds, couples, and pure forms—into which they are grouped for the UCCA exhibition.

Wang Keping’s practice evinces a patience beyond that of virtually any artist practicing today. To prepare the wood for his sculptures, he will let logs sit for months, sometimes years, allowing the innate features and fissures of the material to grow and deepen until they take on their own distinctive, biologically-determined shapes. Wang’s decades of woodworking experience allows him some measure of foresight into how the wood will splinter, though every piece contains an element of chance. For each sculpture, Wang blends his aesthetic perspective with the form determined by the wood itself, a quasi-Modernist Michelangelo living in the age of contemporary art. As Wang has said, “The wood tells me something, gives me an idea. Each tree is like a human body: there is flesh and there is bone; there are tender parts, hard parts, solid parts, and fragile parts. You cannot go against its nature but must follow it.”

Despite distancing himself from the mainstream art establishment, the artist sees no contradiction between his style and the spirit of contemporary art. Of his work, Wang has said, “In my sculpture, I strive to find that which is universal in primitive Chinese form, and the further back I go to the origins of this art, the closer I am to my idea of contemporary art.”

*image (left)
courtesy of the artist