Tehran-based Mohammad Bozorgi practiced with the Society of Iranian calligraphers for 15 years and achieved the Excellent level. However, he stopped his training because he found the Society’s rules too restrictive, that they discouraged any formal innovation. In his practice, he uses the elegant harmonic movements of dancing curves to create beautiful repetitions. In recent years, he has used traditional calligraphic forms to navigate his own visual constructions, which has allowed him to create his own language in a contemporary format. Although the writing he has invented is rooted in Arabic and Persian, his main focus is exploring a more architectural approach. He develops geometric shapes as metaphors for dance and spiritual liberation, and he painstakingly writes by hand, refusing technological mediations.