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Bradley McCallum & Jacqueline Tarry biography | artworks | events


Bradley McCallum & Jacqueline Tarry


McCallum - Born 1966 in Green Bay, Wisconsin
Tarry - Born 1963 in Buffalo, NY
Live and work in New York


 


Education
McCallum:
1992 


MFA, Sculpture, Yale University School of Art, New Haven, CT
1989 


BFA, Sculpture, Virginia Commonwealth University, Richmond, VA


 


Tarry:
1986 


State University College at Buffalo, BA, Philosophy



SOLO EXHIBITIONS AND PUBLIC INSTALLATIONS
2010
One on One, SITE Sante Fe, Sante Fe, New Mexico


2009
Galerie Nordine Zidoun, Luxembourg


2008
Within Our Gates, Irwin Street Water Tower, Atlanta, Georgia
The Dark Is Light Enough, Galerie Nordine Zidoun, Paris, France
Another Country, Kiang Gallery, Atlanta, GA


2007
Now, Tomorrow and Forever, Kinkead Contemporary, Los Angeles, CA,
Whitewash, Lisa Dent Gallery, San Francisco, CA
Caren Golden Fine Art, New York, NY


2006
Whitewash, F-2 Gallery, Beijing, China
Cut, Conner Contemporary Art, Washington, D.C.


2005
McCallum&Tarry- Endurance, nca | nichido contemporary art, Tokyo, Japan
Endurance, Tokyo Wonder Site, Tokyo, Japan
Endurance, Aljira, Center for Contemporary Art, Newark, NJ


2004
Otis, Conner Contemporary Art, Conner Contemporary Art, October 22 - November 17
Civic Endurance, Marvelli Gallery, New York, October 14 - November 20


2003
Civic Endurance, Conner Contemporary Art, October 11 – November 22


2002
Silence: New Haven, Rush Arts Gallery, New York, NY, April-May


2001
Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT, October - November


2000
Witness: Call Boxes Citywide Installation, ConjunctionArts, New York, NY, October


McCallum
2001-2003
The Madison Project, Madison Public High Schools, Madison, WI, September
In the Public Realm: Installations by Bradley McCallum, Elvehjem Museum of Art, University of Wisconsin Madison, Madison, WI, May-July


1999
Witness: Perspectives on Police Violence Documents: : Public Projects by Bradley McCallum, Cathedral Church of St. John the Divine, New York, NY, November - December


1998
Witness: Institute on Arts and Civic Dialogue Preview, Kings Chapel, Boston, MA, July


1998
Permanence of Memory, ICA at the Maine College of Art, Portland, ME, October - November
History Table: Gorhams Corner, Percent-for-Art Program, Portland ME, May - present


1996-97
The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford CT, October – March


1996
Trancending Silence: The Tubs Project, Albion College, Victory Park, Albion MI, April - August
Surviving Memories, Swords Into Plowshares Peace Center and Gallery, Detroit MI, August


1995-96
The Permanence of Memory Maine Veterans and Civilians Remember WWII, Battery 201, Two Lights State Park, Cape Elizabeth, ME, August -September. 95 & July- September 96


1994
Shroud, Coalition to Stop Gun Violence Conference, Washington, DC, November
Testimonies, Screening, Boston Film and Video Foundation, Boston, MA, April


1993
Aiding Awareness: Women's Stories, ARTSPACE Gallery, New Haven, CT, a collaboration with Class Action: The Art Collective For Community Action, November
Multi Media Installation, Virginia Polytechnical Institute, Blacksburg, VA, September


1992
Shroud: Mother’s Voices A Memorial for Victims of Gun Violence in New Haven, CT, Maloney Correctional Institute, Sight Specific Installation, Cheshire, CT, November
Connecticut College Chapel, Sight Specific Installation, New London, CT, September
City Hall, Sight Specific Installation, New Haven, CT, May
MFA Thesis Show, Yale Art & Architecture Gallery, New Haven, CT, March


1990
Outdoor Installation of Homeless Shelters, Yale University, New Haven, CT, March


1989
Park Bench Shelter, Outdoor Installation New Haven, CT, September


1988-89
Homeless Carts, 11 collaboratively designed vehicles given and used by street people to collect aluminum cans and other recyclables, Richmond, VA


 


GROUP EXHIBITIONS
McCallum and Tarry
2009
“Indelible image”.Tokyo Wonder Site Shiibuya”, Tokyo
Post Memory, EFA Gallery, New York, NY
Indentity V, Nichido Contemporary Art, Tokyo, Japan
Showcase & Tell, Spelman College Museum of Fine Art, Atlanta, GA


2008
Prospect 1 Biennial, New Orleans LA
Sound Off, BRIC Rotunda Gallery, Brooklyn, New York
No Mas Heros, La Coleccion Vlll, Artium, Centro Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain
The Other Mainstream II, Arizona State University Art Museum, Tempe, AZ
Group Show, Galerie Nordine Zidoun, Paris, France
Identity, Nichido Contemporary Art, Tokyo, Japan
Subversive Complicity, The LAB, San Francisco, CA
Performed Identity, Kathleen Cullen Fine Arts, New York, NY
I-Dentity: Los Angeles Video Art, University of Missouri – Kansas City Gallery of Art, Kansas City, MO
Taking Shelter, Canazi Gallery, Columbus College of Art & Design, Columbus, OHCollectors Select, Arlington Arts Center, Arlington VA


2007
John Q. Public & Citizen Jane: Private Americans in the Political Domain, University Art Gallery, San Diego State University, San Diego, CA


2004
Whitney Museum of Arts Studio Loft, New York, May
Civic Endurance, Marvelli Gallery, New York, October 14 - November 20
It's about Memory Rhona Hoffman Gallery, New York, Mar. 25 - Apr. 23


2003
The Outlaw Series, Curator: Lisa Kirk, New York, NY, December
Confrontation or Commentary: The Role of Political Art in Society, Curator: Danny Simons, Nathan Cummings Foundation, New York, NY, October – December
2003 Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY, June 22 – October19, 2003


2001
Collaborative Art Projects 2000, The Bronx Museum of the Arts, Bronx, NY, February - April


2000
Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan CT, October - December
Group Show, MoCADA Museum, Brooklyn, NY, October - December


1999
Mumia 911, Refuse and Resist, New York, NY, September


McCallum
2002-2003
The Culture of Violence, Curators: Donna Harkavy & Helaine Posner, University Gallery at the University of Massachusetts, Amherst, MA; Bowdoin College of Muesum of Art, Brunswick, ME; Samuel P. Harn Museum of Art, Gainesville, FL


2000
Concerted Compassionism, White Columns, New York, NY, September - October
Onced Removed, Socrates Sculpture Park, Long Island City, NY, June - December


1998
Inspred Fear, Erector Square Gallery, New Haven, CT, June - September


1997
Memory and Mourning: Shared Cultural Experience, University Art Museum University at Albany, Albany, NY September - December
Surviving Memories Site Installation, The Heidleburg Project, Detroit MI, August - December


1996
Incestuous, Thread Waxing Space, New York, NY, December
In Our Sights: Artist Look at Guns, Sight Specific Installation of Shroud: Mothers Voices
UCR California Museum of Photography, Riverside CA, March - June


1995
Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PA, November
Arresting Images, Gallery 400 at the University of Illinois at Chicago, July - October
Reinventing the Emblem, Yale Art Gallery, New Haven, CT, January
Strokes of Genius: Mini Golf by Artist, DeCordova Museum, Lincon, MA a collaboration with Dawoud Bey, April - October


1994
Multiple Choice, Gates of Heck Editions, New York, NY, December
Percent for Art Finalist Exhibition, Baxter Gallery, Maine College of Art, Portland ME a collaboration with Marta Huszar, October


1993
Small Works, ARTSPACE Gallery, New Haven, CT, December
Art and Ethics, Sawtooth Center for Art, Winston Salem, NC, November
Re-enchanting Art, Multi Media Installation, Cardinal Gallery, Annapolis, MD, September


1991
Toys Are U. S., Key Gallery, Richmond, VA, December


1989
Coastal Exchange II, Traveling Juried Exhibition, Anderson Gallery, Richmond, VA, Maryland Art Place, Baltimore MD & Nexus Art Center, Atlanta, GA


 


PUBLIC PROJECTS/ COLLABORATIVE PARTNERS + MAJOR GRANTS:
McCallum and Tarry
Water Tower, Atlanta GA (2008)
Commissioned by Atlanta Celebrates Photography


2003-2005
Civic Endurance, Seattle WA
In partnership with Peace on the Streets by Kids from the Streets, Seattle, WA and commissioned by the Seattle Office of Arts and Cultural Affairs, Arts Up Program. Additional funding by the National Endowment for the Arts, Seattle Department of Neighborhoods, and the Fales Foundation.


2001-2002
Silence: New Haven, New Haven, CT
Presented by Artspace and Center Church on the Green, New Haven, CT. Produced by ConjunctionArts. Funded by the Lustman Memorial Fund, The Gunk Foundation, Trumball Collge Fine Art Program and the Connecticut Humanitites Council. Presented in New York City by the Rush Arts Gallery, a program of Rush Philanthropic Arts Foundation. Funded by the New York State Council on the Arts and the Greenwall Foundation.


1998-2000
Witness: Perspectives on Police Violence, New York, NY
Sponsored by: ConjunctionArts in partnership with; The Center for Constitutional Rights; 100 Blacks in Law Enforcement Who Care; Parents Against Police Brutality; The National Action Network; and The National Congress for Puerto Rican Rights; and The New York Civil Liberties Union. Funded by: The New York State Council on the Arts; The Institute on Arts and Civic Dialogue; The Jerome Foundation, The Gunk Foundatio; , The Lower Manhattan Cultural Council; The Deboral Foundation; and the Andy Warhol Foundation for the Visual Arts
McCallum


1999-2000
The Madison Project, Madison, WI
Sponsored by: The Madison Metropolitian School District; the YWCA, and Parents of Murdered Children. Funded by: Madison CityARTS Commision, the Evjue Foundation, and the Wisconsin Arts Board


1995-1997
The Manhole Cover Project: A Gun Legacy, Hartford, CT
Sponsored by; the CT Childhood Injury Prevention Center; the Wadsworth Atheneum; with support from the City of Hartford, Mayor's Office and ConjunctionArts. Funded by: the Connecticut Commission on the Arts-New Arts Partnerships; The Greater Hartford Arts Council; the New England Foundation for the Arts; Hartford Hospital; the Colt Foundation and Kaiser Permanente.


1994-1998
Surviving Memories: Dedicated to Homicide Victims, Detroit, MI
Sponsored by Save Our Sons and Daughters ( SOSAD) and the City of Detroit. Funded by: the Michigan Council for Art and Cultural Affairs; the Detroit Arts, Council; The Detroit Arts Foundation; and the John Michael Kohler Arts Center.


1994-1996
Permanence of Memory: Maine Veterans and Civilians Remember WWII, Cape Elizabeth, ME
Sponsored by: CojunctionArts with, Two Lights State Park and the American Legion. Funded by: the National Endowment for the Arts; the Maine Humanities Council; the Maine Arts Commission; the Maine Community Foundation; the Davis Family Foundation; and the Shipman Foundation


1992-1993
Shroud: Mother s Voices: A Memorial for Victims of Gun Violence in New Haven, CT
Sponsored by ConjunctionArt with, exhibition venues ( see solo and group exhibitions). Funded by: the Seymour Lustmand Fund; and Dwight Hall Community Grants



AWARDS + RESIDENCIES:
2008
Video Fellowship, New York Foundation for the Arts
Tokyo Wonder Site Aoyama, Tokyo, Japan


2007
National Portrait Gallery / Provisions Library, Washington D.C.


2006
McColl Center, Charlotte, NC
North 55 & The Playhouse, Derry/Londonderry, Northern Ireland


2005
Headlands Center For the Arts, Bridge Residency


1999-2000
Madison Metropolitian School District, Artist-in-Residence


1999
Institute on Arts and Civic Dialogue at Harvard University, Artist/Fellow


1998-1999
New York Civil Liberties Union, Artist-in-Residence


1996
Albion College, Artist-in-Residence


1995
Arts/Industry Residency, a Program of the John Michael Kohler Arts Center
AIGA, Maximum Message Minimum Means, Environment Design
Aiding Awareness: Women's Stories, collaboration with Class Action, New Haven, CT


1994
Industrial Design Magazine Best of Category Award for Environment Design
Aiding Awareness: Women's Stories, shares award with US Holocaust Museum


1993
Boston Film and Video Foundation, Fellowship Yale University, New Haven Teachers Institute Fellow
New England Foundation for the Arts, Vermont Studio Center Residency, Award


1989
Phi Kappa Phi Undergraduate Fellowship


1983
Vermont Studio Center Residency, Johnson, VT


 


PUBLICATIONS
“Whitewash”, published by Timezone 8
"Civic Endurance" Issue Magazine. Fall 2003, no. 7: 14-29, cover photo
"Silence" Art Journal, spring 2003, Vol. 62, no. 1: 82-95
"Bearing Witness" in Zero Tolerance: Quality of Life and the New York Police Brutality in New York City, Andrea McArdle and Tanya Erzen, eds, New York:


 

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