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Eslite Gallery
5F, No. 11,
Songgao Road,
Taipei 11073, Taiwan   map * 
tel: +886 2 2775 5977     fax: +886 2 2775 1490
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Hometown Boy
by Eslite Gallery
Location: Eslite Gallery
Artist(s): LIU Xiaodong
Date: 17 Dec 2011 - 15 Jan 2012

This time, I’ve decided, I’m really going home.

In 1980, when I was seventeen, I left my hometown of Jincheng to study in Beijing, where I’ve been working ever since. Every Chinese New Year for the last thirty years, I’ve gone back to Jincheng for the holiday. I usually meet up with a few childhood friends and we drink, eat and have fun together. All of them still live there. Some are factory workers, while others have been laid off.

Jincheng is a small town built around a paper mill. It is home to several thousand workers and their families, as well as some neighboring farmers. Three decades ago, when the working class led the nation, factories were large and impressive, with thick smoke billowing from their ten-meter-high smokestacks, steam whistles blowing, crowds of workers changing shifts and workers’ families living in single-story bungalows. Worker housing was divided into wards: there was a north ward, a south ward and an east ward, separated by farmland, fields and ditches. It was paradise for mischievous kids. Over the years, the fields and ditches gave way to multi-story buildings, state-owned enterprises were restructured, and factories fell silent, as if they were overwhelmed by all the newly-constructed buildings. It was like seeing a vast army reduced to a supply brigade, with no one left to carry on the war.

Because of rapid urbanization, when we journey by train these days, we see fewer fields and endless stretches of multi-story buildings. We discover that all cities look the same, that the people on the street are just lackeys or merchants, and the working class has been swept away. We discover that we’re all city people now: our hometowns have been invaded by high-rise buildings, making us city folk without a home. The friends I knew in childhood have gotten fat. I once painted their portraits because I was hoping to get into art school. Now, thirty years later, I am painting them again, hoping that I can finish their portraits before all of them are laid off.

Once upon a time we were hired farmhands, poor peasants, rich peasants and landlords. We were the proletariat, the working class, an army of workers and peasants. Now, we are making great strides, moving single-mindedly toward the future, becoming the propertied classand we’ve got the bricks and cement to prove it.

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