The natural world moves and continuously creates life. People are transparently desirous creatures. People and things have a relationship by their very existence. People already reside and exist in things, and so there is also an understanding between them. Just as a heavy ear of millet contains the possibility of nourishing people, we contain things that have not been objectified. For example, the hardness of a rock is relative to the soft state of humans. Therefore, hardness is a beginning. Its nature is constructed in people's appearances. Ideas are not isolated; they come from experience. Perhaps, in the long term, the material factors in things will have already been violated, and thought will have participated in this violence. In order to make ideas present in artworks, such that grey becomes a green that can grow, the split between perception and rationality must return to the primitive world of existence. With the artist as a guide, the expression of his personality and experience in artwork opens a new world. However, the boundaries opened by the experience in the work determine the artist's language and temperament. The artist's creativity establishes the content of the appearance of things and the emergence of richness and profundity. This is the structure of primal chaos.
Artists are good at and willing to use art to understand and reveal people's sense of material happiness. The artist turns off the wise road, returning to natural appearances and tracing the perceptions that define the relationship between art and life. Artists were the first to awaken from the deception of the objectification of things. After fully absorbing Chinese philosophical wisdom, the artists presented here embody the intelligent communication between man, things, and the universe.