Chinese painting use the image of the natural to express human, which does not appear, just through the human atmosphere that spread in the natural and the environment of no man, the so-called lively spirit. Yuan Peiying feels habe very little behaviour in traditional Chinese painting tradition ,So far from Late attempt to imitate the new things in old ways in the traditional Chinese painting area. He has good knowledge of the traditional landscape painting characterized by the prominence of blue and green colours, such as "Datang Seremban States", "Three peak compete elegant", " Voiceless sound pursues landscape " ,all of them have the very distinguished exploration on the space visual angle , massif corrugation and the light behaviour.

Yuan Peiying has inherited the nimble and unpredictable of the traditional Chinese painting , the ego-rization landscape and the tradition that use the poem spends the image, but he can have shown the individual style in artistic conception. Life and their brightness Qing Dynasty has been to absorb the Western-oriented realist painting, which is not consistent which the characteristic of the Chinese ink painting. And Yuan Peiying can body-rizate the brightness feels and traditional Chinese painting ink.

His painting momentum is grand broad and tactful as well, mood of intense but relaxation sprinkle, have one kind of language-rization modern times mood. He is a people who tries to open up the new cultural ethos on language and poem boundary.

Zhu Qi

"Looking back, the only known from the heart.

That very year, Mr. Gao Lan let me study painting with him, on the grounds that "learn a skill and should be living the future." A word of "should" ,a simple language with deep love, let me feel comfortable lifelong. It is during the Cultural Revolution, a situation which not advocates knowledge and skills, when I am 14 years old, it is Mr. Gao that guide me until today.
 
We are from the curtains to see secretly the Russian oil painting, sculpture began. Great majority of the students who studied painting with Gao Lan was Western painting, only I have learned in Chinese painting. At that time, the traditional school has been knocked down, and again it has great relation with the family, I look at the copybook for calligraphy, painting, copying, "Mustard Seed Garden" painting book that hidden in my Grandpa’s small box. And, later, with Mr. Wang Mingming’ father to learn calligraphy, with Mr. Wang Mingming to learn drawings, sketches, pen and ink, and with He Haixia to learn landscape, with Mr. Wang Peizhen to learn stone carving ,all of which are the traditional Chinese way. Recalling the back, there was no clear sense, both depend on destiny and luck, natural walk along the road of Chinese ancient civilization allied state skill to come to today.

During this period, I have painted comic, poster paint, paint shop carts sketches, portrait painting in Beijing, and opened a restaurant, made the design of the environment, construction supervision, had decorated an alleyway like restore a cultural relic, all of those not to change the traditional converted to their native culture and arts.

Accidental starting of the inevitable continued, from the beginning of life to the continued delivery.

Also ought to resemble such in the days to come. "

- Yuan Pei Ying